Long known as the Cannibal Dance, the Hamat̓sa is among the most important hereditary prerogatives of the Kwakwa̱ka̱ꞌwakw of British Columbia. In the late nineteenth century, as anthropologists arrived to document the practice, colonial agents were pursuing its eradication and Kwakwa̱ka̱ꞌwakw were adapting it to endure. In the process, the dance – with dramatic choreography, magnificent bird masks, and an aura of cannibalism – entered a vast library of ethnographic texts. Writing the Hamat̓sa offers a critical survey of attempts to record, describe, and interpret the dance over four centuries. Going beyond postcolonial critiques of representation that often ignore Indigenous agency in the ethnographic encounter, Writing the Hamat̓sa focuses on forms of textual mediation and Indigenous response that helped transofrm the ceremony from a set of specific performances into a generalized cultural icon. This meticulous work illuminates how Indigenous people contribute to, contest, and repurpose texts in the process of fashioning modern identities under settler colonialism.

Unlock the more straightforward side of The Girl Who Played Go with this concise and insightful summary and analysis! This engaging summary presents an analysis of The Girl Who Played Go by Shan Sa, which tells the story of a spirited young Chinese girl and the Japanese soldier she meets over a game of go. With the bloody Second Sino-Japanese War raging around them, the young lovers soon realise that their relationship has no future, with devastating consequences. The Girl Who Played Go was an immediate commercial and critical success, winning France’s prestigious Prix Goncourt des Lycéens the year of its release. Its author, Shan Sa, was born in China, where she won the national children’s poetry contest at the age of 12, before moving to Paris at the age of 18. Find out everything you need to know about The Girl Who Played Go in a fraction of the time! This in-depth and informative reading guide brings you: • A complete plot summary • Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you on your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!

One of greatest Persian writers of both classical prose and poetry, Sa‘di was revered in his time as a man of great wisdom and passion. Sometimes said to have lived over one hundred years, the body of his work was written in the thirteenth century. Filled with extracts of the poet’s melodious and insightful writing, and critical analysis thereof, this revealing biography examines why he was so idolised until the 1950s, and why since then he has fallen into relative obscurity. Focussing on the themes of both physical and spiritual love stitched through Sa‘di’s writing, as well as the impact of his many years travelling, Katouzian sheds a unique insight on who he calls 'the poet of life, love and compassion'.

Isang malaking gampanin pa rin hanggang ngayon ang patuloy na edukasyon ng madla, lalo na ng mga magulang at guro. Nakasalalay ang higit na mabilis at malawakang pagsulong ng panitikang pambata sa wastong pagsulong ng pambansang pagpapahalaga sa panitikan at aklat pambata, ayon kay Almario.

This study is the first to introduce evidentiality to the stylistic analysis of literary works, specifically that of the great Persian writer Sa'dī, focusing on how he used linguistic means to illustrate a real or ideational world. The authors begin by introducing the concept of evidentiality; its definition, its coding in Persian, the rationale behind evidentiality analysis, and semantic-pragmatic functions of evidentiality. The book highlights how evidentiality can be accounted for as a stylistic device to reveal the validity of a narration, as well as the author’s commitment and contribution to it. Three of Sa'dī’s major works are analyzed – Būstān, Golestān and Sonnets – using Krippendoff's frequency approach. It is argued that Sa'dī deployed an array of evidentials in his work, from direct visual evidentials in Golestān and Sonnets to heard and quoted evidentials in Būstān. To illustrate this, the book includes translations of Sa'dī’s poetry and prose. In addition, the authors consider historical and contemporary manifestations of the Persian narrative style, as well as exploring the cultural concerns of the Persian speech community. The book will appeal to general linguists, practitioners of pragmatics and stylistics, literary critics, and those interested in contrastive analysis of literature and cultural studies.

Offers new perspectives on Sa'dallah Wannous' significance as a playwright and public intellectual in the Arab world and world theatre.

The Poetical gazette; the official organ of the Poetry society and a review of poetical affairs, nos. 4-7 issued as supplements to the Academy, v. 79, Oct. 15, Nov. 5, Dec. 3 and 31, 1910

This is study book four of The Sons of Sa-Nanada, the Ancient & Mystic Order of Iu-em-hetep, Jesus Christ. Question: where did the Roman's Christian deity originate? Answer: good question, the Roman's first worshiped a deity called Mithra. Mithra was an adaptation of the ancient Egyptian (Kemetian) deity Ra: hence Mith-Ra. Mithra was originally worshiped by the ancestors of the Persians when they were still united with the Dravidians of the Indus Valley. The Dravidians were already worshippers of Mithra. The hymns of the Vedas and Avesta celebrated the name of Mithra, and despite the differences between the two theological systems, the Vedic Mitra and the Persian Mithra have preserved the original Egyptian (Kemetian) origin of the Creative Force of Creation which is Ra. Both spiritual systems saw Mithra as a god of light, invoked together with Heaven, also known as Varuna by the Dravidians, and Ahura by the Persians; his main attribute was Protector of Truth, and the Antagonist of Falsehood and Lies.

Sa’adyah Gaon was an outstanding tenth-century Jewish thinker who was a pioneer in the fields in which he toiled and an inspiration for later Jewish writers. This study brings out the revolutionary aspects of his writing and its characteristic features while setting it in the context of his times, with each aspect of his work being considered in turn. An Epilogue sums up his importance in medieval Jewish culture.