Reproduction of the original: Woman in Sacred History by Harriet Beecher Stowe

Simple Soulful Sacred is a guidebook for the modern woman who seeks clarity and guidance on how to live the life of her dreams, on her own terms. It's for the women of our time-the mothers, teachers, healers, light workers, dreamers, creators, leaders-who are ready to find their voice, speak their truth and own their power, whilst living life with less hustle and more flow. For modern women wanting more for their lives, it's the now age definition of having it all. Women are rising; ready to step out of the cloak of masculine traits that keep them striving for a version of success that is not their own. Ready to stop hiding their light and playing the comparison game. And ready to fully embody their feminine power. Because while the feminine may have been disowned and devalued for centuries, we are so done with that story now. But it's still a paradox. Because within this very rising, women are longing to step out of the noise and chaos, to live more simply. They want time and space for what's most important to them; and the comfort, consciousness and connection that often gets lost in the busyness and distractions of daily life. This book is the bridge women have been seeking. Written with the time-poor reader in mind, this book includes 200 short-form chapters, the perfect length for dipping into while commuting; during a lunch break or at the end of the day. The perfect gift, or self-gift, for women of all ages.

Late antique and early medieval hagiographic texts present holy women as simultaneously pious and corrupt, hideous and beautiful, exemplars of depravity and models of sanctity. In Sacred Fictions Lynda Coon unpacks these paradoxical representations to reveal the construction and circumscription of women's roles in the early Christian centuries. Coon discerns three distinct paradigms for female sanctity in saints' lives and patristic and monastic writings. Women are recurrently figured as repentant desert hermits, wealthy widows, or cloistered ascetic nuns, and biblical discourse informs the narrative content, rhetorical strategies, and symbolic meanings of these texts in complex and multivalent ways. If hagiographers made their women saints walk on water, resurrect the dead, or consecrate the Eucharist, they also curbed the power of women by teaching that the daughters of Eve must make their bodies impenetrable through militant chastity or spiritual exile and must eradicate self-indulgence through ascetic attire or philanthropy. The windows the sacred fiction of holy women open on the past are far from transparent; driven by both literary invention and moral imperative, the stories they tell helped shape Western gender constructs that have survived into modern times.

This book presents the way in which African American women writers (Hannah Crafts, Zora Neale Hurston and Toni Morrison) have followed the spiritual endeavor of black Christianity as created by early nineteenth-century spiritual narratives to construct a sacred reading of the black female self. The sacred femininity that puts the ethics and aesthetics of African American women at the center of a certain mode of (African) Americanness relies on a view of spirituality that joins women ontologically and validates affective modes of representation as an innovative means to obtain social and personal empowerment.

Overlooking Lago di Orta in the foothills of the Northern Italian Alps, the Renaissance-era Sacro Monte di Orta (a UNESCO World Heritage site) is spectacle and hagiography, theme park and treatise. Sacro Monte di Orta is a sacred mountain complex that extolls the life of St. Francis of Assisi through fresco, statuary, and built environment. Descending from the vision of the 16th-century Archbishop Carlo Borromeo, the design and execution of the chapels express the Catholic Church's desire to define, or, perhaps redefine itself for a transforming Christian diaspora. And in the struggle to provide a spiritual and geographical front against the spread of Protestantism into the Italian peninsula, the Catholic Church mustered the most powerful weapon it had: the widely popular native Italian saint, Francis of Assisi.Sacred Views of Saint Francis: The Sacro Monte di Orta examines this important pilgrimage site where Francis is embraced as a ne plus ultra saint. The book delves into a pivotal moment in the life of the Catholic Church as revealed through the artistic program of the Sacro Monte's twenty-one chapels, providing a nuanced understanding of the role the site played in the Counter-Reformation.The Sacro Monte di Orta was, in its way, a new hagiographical text vital to post-Tridentine Italy. Sacred Views provides research and analysis of this popular, yet critically neglected Franciscan devotional site. Sacred Views is the first significant scholarly work on the Sacro Monte di Orta in English and one of the very few full-length treatments in any language. It includes a catalogue of artists, over one hundred photographs, maps, short essays on each chapel, and longer essays that examine some of the most significant chapels in greater detail.

Religion is often denounced as one of the tools used by patriarchal societies to maintain the status quo, and especially to persuade women to accept subordinate roles. This does not explain, however, the existence of many religious groups in which women are both leaders and the majority of participants. How are these women's religions different from those dominated by men? What can we learn from them about the special ways in which women experience their unique reality? In this fascinating and pathbreaking work--the first comparative study of women's religions--Susan Starr Sered seeks answers to these compelling questions. Looking for common threads linking groups as diverse as the ancestral cults of the Black Caribs of Belize, Korean shamanism, Christian Science, and the Feminist Spirituality movement, Sered finds that motherhood and motherly concerns play a vital role in these female-dominated groups. Nurturing and concern for others are at the center, as are healing arts and ways of dealing with illness and the death of children. Religion not only enables women to find sacred meaning in their daily lives, from the preparation of food to caring for their families, but an offer intense and personal relationships with deities and spirits--often through ecstatic possession trance--as well as opportunities to celebrate and mourn with other women. By examining the shared experiences of women across great cultural divides, Priestess, Mother, Sacred Sister offers a new understanding of the role gender plays in determining how individuals grapple with the ultimate questions of existence. In the process, it not only highlights the profound differences between men and women, but the equally important ways in which we are all alike.

First published in 2004. These four classic masterpieces in esoteric research by the noted orientalist - M. Penzer explore customs and traditions from other cultures and periods of history which, for all their apparent strangeness, mask fundamental subjects of continuing interest. The first concerns the motif of the poison damsel -- the beauty who dealt death in many forms to her admirers - which originated in India, was prevalent in medieval Europe, and persists today in the belief of the femme fatale. The volume includes a study in the ancient Tate of the Two Thieves, an essay on sacred prostitution in India, the ancient East and West Africa, and an exhaustive treatment of the custom of chewing the betel or areca nut which is widespread in the far East from India through Indonesia to New Guinea. A natural stimulant and narcotic whose effects are similar to that of tobacco, betel is of growing interest to the medical world, and has, as the author shows here, a rich legacy of customs and belief.

Well, this is about a poem about somebody who fell in love with a woman who either didn't pay attention to him or the man was scared to reveal his feelings. So, the man sat down and wrote a poem about his feelings. That man is me and it could be you.