A readable, captivating social history centered on the essence of Santa Fe--the lives of its Hispano and Anglo residents.

A history of the German presence in the American Southwest, from the mid-nineteenth century through the World War I era.

Debunks the great tourist myth, and explains how the Santa Fe architectural and design style, so popular with millions of visitors today, was consciously created by Anglos in the early 20th century.

Charles Montgomery's compelling narrative traces the history of the upper Rio Grande's modern Spanish heritage, showing how Anglos and Hispanos sought to redefine the region's social character by glorifying its Spanish colonial past. This readable book demonstrates that northern New Mexico's twentieth-century Spanish heritage owes as much to the coming of the Santa Fe Railroad in 1880 as to the first Spanish colonial campaign of 1598. As the railroad brought capital and migrants into the region, Anglos posed an unprecedented challenge to Hispano wealth and political power. Yet unlike their counterparts in California and Texas, the Anglo newcomers could not wholly displace their Spanish-speaking rivals. Nor could they segregate themselves or the upper Rio Grande from the image, well-known throughout the Southwest, of the disreputable Mexican. Instead, prominent Anglos and Hispanos found common cause in transcending the region's Mexican character. Turning to colonial symbols of the conquistador, the Franciscan missionary, and the humble Spanish settler, they recast northern New Mexico and its people.

A discussion of the emergence of Hispano identity among the Spanish-speaking people of New Mexico during the 19th and 20th centuries.

Richard L. Nostrand interprets the Hispanos’ experience in geographical terms. He demonstrates that their unique intermixture with Pueblo Indians, nomad Indians, Anglos, and Mexican Americans, combined with isolation in their particular natural and cultural environments, have given them a unique sense of place - a sense of homeland. Several processes shaped and reshaped the Hispano Homeland. Initial colonization left the Hispanos relatively isolated from cultural changes in the rest of New Spain, and gradual intermarriage with Pueblo and nomad Indians gave them new cultural features. As their numbers increased in the eighteenth century, they began to expand their Stronghold outward from the original colonies.

What can be learned from another retelling of the Tombstone saga? Recent revelations challenge the traditional view of Wyatt Earp's campaign against the Cow-boy confederation as a bloody personal feud a la western fiction. It was a seek and destroy mission sanctioned by the United States attorney general, the U.S. marshal and the Arizona Territory governor, following a year of corrupt law enforcement in league with the Cow-boys' livestock raids, stagecoach holdups and other atrocities. Presented in three sections, this book establishes the major players involved in the convergence on Tombstone, provides an account of Earp's activities during the 18 months prior to the final action and discusses the provenance and credibility of the "Otero Letter." Discovered in 2001, the letter--believed to be written by New Mexico Territory Governor Miguel Otero--offers evidence that Earp's party was given government aid. The author examines the details of the letter, including the shotgun dual between Earp and Curly Bill, the split between Earp and Doc Holliday, sanctuary for the Earp posse in Colorado and Holliday's extradition fight, Earp's covert assault resulting in Johnny Ringo's death, and the controversial courtship and marriage of Earp and Josephine Marcus.

With the arrival of the transcontinental railroad in the 1880s came the emergence of a modern and profoundly multicultural New Mexico. Native Americans, working-class Mexicans, elite Hispanos, and black and white newcomers all commingled and interacted in the territory in ways that had not been previously possible. But what did it mean to be white in this multiethnic milieu? And how did ideas of sexuality and racial supremacy shape ideas of citizenry and determine who would govern the region? Coyote Nation considers these questions as it explores how New Mexicans evaluated and categorized racial identities through bodily practices. Where ethnic groups were numerous and—in the wake of miscegenation—often difficult to discern, the ways one dressed, bathed, spoke, gestured, or even stood were largely instrumental in conveying one's race. Even such practices as cutting one's hair, shopping, drinking alcohol, or embalming a deceased loved one could inextricably link a person to a very specific racial identity. A fascinating history of an extraordinarily plural and polyglot region, Coyote Nation will be of value to historians of race and ethnicity in American culture.

This is one of the most important baseball books to be published in a long time, taking a comprehensive look at black participation in the national pastime from 1858 through 1900. It provides team rosters and team histories, player biographies, a list of umpires and games they officiated and information on team managers and team secretaries. Well known organizations like the Washington's Mutuals, Philadelphia Pythians, Chicago Uniques, St. Louis Black Stockings, Cuban Giants and Chicago Unions are documented, as well as lesser known teams like the Wilmington Mutuals, Newton Black Stockings, San Francisco Enterprise, Dallas Black Stockings, Galveston Flyaways, Louisville Brotherhoods and Helena Pastimes. Player biographies trace their connections between teams across the country. Essays frame the biographies, discussing the social and cultural events that shaped black baseball. Waiters and barbers formed the earliest organized clubs and developed local, regional and national circuits. Some players belonged to both white and colored clubs, and some umpires officiated colored, white and interracial matches. High schools nurtured young players and transformed them into powerhouse teams, like Cincinnati's Vigilant Base Ball Club. A special essay covers visual representations of black baseball and the artists who created them, including colored artists of color who were also baseballists.