The definitive three-volume edition of St Teresa of Avila's prose and poetry, in Professor E. Allison Peers's justly celebrated translation.

The ultimate guide to Rio de Janeiro, the Rough Guide offers detailed coverage of sites from the Christ statue at Corcovado to the fun-filled beaches of Copacabana and Ipanema, together with comprehensive reviews to suit all budgets of accommodation and restaurants in the city and state of Rio de Janeiro. The definitive guide to Rio de Janeiro carnival and the best year-round Rio de Janiero nightlife, in-depth advice is provided for finding the best carnival parades and street party "blocos"; how to get to the purpose built parade ground "Sambodromo"; staying safe in Rio; finding the best street sambas; and all the Rio de Janeiro carnival warm-up events at samba schools, nightclubs and city shows. Rio offers far more than carnival and beaches, however. With the best coverage of fascinating less-visited areas like Santa Teresa, downtown and the Zona Norte, there are also background chapters on Rio de Janeiro's turbulent history, Afro-Brazilian influences, and the growth of favelas and reviews of tours of them that both informative and beneficial to the community. Now a premier destination for sports, comprehensive information is given on football matches at the Maracana stadium and on Rio's football clubs, as well as coverage of volleyball, capoeira, Brazilian Ju-Jitsu and hiking in the beautiful Tijuca national park, one of the largest urban forests in the world. Handy information is also provided on getting out of town to destinations elsewhere in the state of Rio sucy as Paraty, Petrópolis, Ilha Grande and Búzios.

Winner of the 2011 SCSC Bainton Prize for Reference Works The “canon” of Hispanic mysticism is expanding. No longer is our picture of this special brand of early modern devotional practice limited to a handful of venerable saints. Instead, we recognize a wide range of “marginal” figures as practitioners of mysticism, broadly defined. Neither do we limit the study of mysticism necessarily to the Christian religion, nor even to the realm of literature. Representations of mysticism are also found in the visual, plastic and musical arts. The terminology and theoretical framework of mysticism permeate early modern Hispanic cultures. Paradoxically, by taking a more inclusive approach to studying mysticism in its “marginal” manifestations, we draw mysticism—in all its complex iterations—back toward its rightful place at the center of early modern spiritual experience. Contributors: Colin Thompson, Alastair Hamilton, Christina Lee, Clara E. Herrera, Darcy Donahue, Elena del Río Parra, Evelyn Toft, Fernando Durán López, Francisco Morales, Freddy Domínguez, Glyn Redworth, Jane Ackerman, Jessica Boon, José Adriano de Freitas Carvalho, Luce López-Baralt, María Carrión, Maryrica Lottman, and Tess Knighton.

Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importance. By conceiving autobiography in a wide sense that includes memoirs, diaries, self-portraits and autofiction as well as media transformations of the genre, this three-volume handbook offers a comprehensive survey of theoretical approaches, systematic aspects, and historical developments in an international and interdisciplinary perspective. While autobiography is usually considered to be a European tradition, special emphasis is placed on the modes of self-representation in non-Western cultures and on inter- and transcultural perspectives of the genre. The individual contributions are closely interconnected by a system of cross-references. The handbook addresses scholars of cultural and literary studies, students as well as non-academic readers.