Set against the backdrop of a rapidly fissuring disciplinary landscape where poetry and science are increasingly viewed as irreconcilable and unrelated, Bernhard Kuhn's study uncovers a previously ignored, fundamental connection between autobiography and the natural sciences. Examining the autobiographies and scientific writings of Rousseau, Goethe, and Thoreau as representative of their ages, Kuhn challenges the now entrenched thesis of the "two cultures." Rather, these three writers are exemplary in that their autobiographical and scientific writings may be read not as separate or even antithetical but as mutually constitutive projects that challenge the newly emerging boundaries between scientific and humanistic thought during the Romantic period. Reading each writer's life stories and nature works side by side-as they were written-Kuhn reveals the scientific character of autobiographical writing while demonstrating the autobiographical nature of natural science. He considers all three writers in the context of scientific developments in their own times as well as ours, showing how each one marks a distinctive stage in the growing estrangement of the arts and sciences, from the self-assured epistemic unity of Rousseau's time, to the splintering of disciplines into competing ways of knowing under the pressures of specialization and professionalization during the late Romantic age of Thoreau. His book thus traces an unfolding drama, in which these writers and their contemporaries, each situated in an intellectual landscape more fragmented than the last, seek to keep together what modern culture is determined to break apart.

In this fascinating autobiography from one of the foremost geniuses of twentieth-century physics, Max Planck tells the story of his life, his aims, and his thinking. Published posthumously, the papers in this volume were written for the general reader and make accessible Planck’s scientific theories as well as his philosophical ideals, including his thoughts on ethics and morals.

Analogies play a fundamental role in science. To understand how and why, at a given moment, a certain analogy was used, one has to know the specific, historical circumstances under which the new idea was developed. This historical background is never presented in scientific articles and quite rarely in books. For the general reader, the undergraduate or graduate student who learns the subject for the first time, but also for the practitioner who looks for inspiration or who wants to understand what his colleague working in another field does, these historical circumstances can be fascinating and useful.This book discusses a series of analogy effects in subatomic physics, the prediction and theory of which the author has contributed to in the last 50 years. These phenomena are presented at a level accessible to the non-specialist, without formulae but with emphasis on the personal and historical background: memoirs of meetings, discussions and correspondence with collaborators and colleagues. As such, besides its scientific aspects, the book constitutes an absorbing witness account of a holocaust survivor who subsequently illegally crossed the Iron Curtain to escape communist persecution.

A lyrical memoir by one of the major figures of postmodernist architecture; with drawings of architectural projects prepared especially for the book. This revealing memoir by Aldo Rossi (1937–1997), one of the most visible and controversial figures ever on the international architecture scene, intermingles discussions of Rossi's architectural projects—including the major literary and artistic influences on his work—with his personal history. Drawn from notebooks Rossi kept beginning in 1971, these ruminations and reflections range from his obsession with theater to his concept of architecture as ritual.

This book sheds new light on the biographical approach in the history of physics by including the biographies of scientific objects, institutions, and concepts. What is a biography? Can biographies also be written for non-human subjects like scientific instruments, institutions or concepts? The respective chapters of this book discuss these controversial questions using examples from the history of physics. By approaching biography as metaphor, it transcends the boundaries between various perspectives on the history of physics, and enriches our grasp of the past.

Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importance. By conceiving autobiography in a wide sense that includes memoirs, diaries, self-portraits and autofiction as well as media transformations of the genre, this three-volume handbook offers a comprehensive survey of theoretical approaches, systematic aspects, and historical developments in an international and interdisciplinary perspective. While autobiography is usually considered to be a European tradition, special emphasis is placed on the modes of self-representation in non-Western cultures and on inter- and transcultural perspectives of the genre. The individual contributions are closely interconnected by a system of cross-references. The handbook addresses scholars of cultural and literary studies, students as well as non-academic readers.

First published in 2001. This is the first substantial reference work in English on the various forms that constitute "life writing." As this term suggests, the Encyclopedia explores not only autobiography and biography proper, but also letters, diaries, memoirs, family histories, case histories, and other ways in which individual lives have been recorded and structured. It includes entries on genres and subgenres, national and regional traditions from around the world, and important auto-biographical writers, as well as articles on related areas such as oral history, anthropology, testimonies, and the representation of life stories in non-verbal art forms.

Until the end of the eighteenth century, almost everyone believed that the empirical world of science could produce evidence for a wise and loving God. By the twenty-first century this comforting certainty has almost vanished. What caused such a cataclysmic change in attitudes to science and to the world? Science and Spirituality offers a new history of the interaction between Western science and faith, which explores their volatile connection, and challenges the myth of their being locked in inevitable conflict. Journeying from the French Revolution to the present day, and taking in such figures as Francis Bacon, René Descartes, Charles Darwin, Immanuel Kant, Albert Einstein, Mary Shelley and Stephen Hawking, David Knight shows how science evolved from medieval and Renaissance forms of natural theology into the empirical discipline we know today. Focusing on the overthrow of Church and State in revolutionary France, and on the crucial nineteenth century period when a newly emerging scientific community rendered science culturally accessible, Science and Spirituality shows how scientific disenchantment has provided some of our most flexible and powerful metaphors for God, such as the hidden puppet-master and the blind watchmaker, and illustrates how questions of moral and spiritual value continue to intervene in scientific endeavour.