Dear Reader Man is not only a physical entity but represents a cogent expression or an equilibrium of forces, so to say, stimulated by certain higher principles. The zodiacal signs govern these principles also. We know that the signs are grouped into three types, cardinal, fixed and mutable. These three sets of signs govern the three chief modes of expression of the vital body (Pran. amaya), thus complicating the mechanisms of the human constitution. The cardinal signs denote activity and govern the functional activities of life. Circulation, respiration, digestion and excretion and such other vital activities are controlled by these signs. The occultist should gain hold over these functions in order to overcome the effects of the cardinal signs. The fixed signs govern the emotions and the desires of man. Wish, desire, anger, aversion, attraction and repulsion are governed by these signs. The behaviour nature of man which lies beyond the control of his intelligence and understanding comes under their control. In this book I am trying my best to explain the complete details about signs and their secrets which is hidden in universe. This is ancient wisdom and I believe you will love reading and learn a lot from this book if you are interested in the world of astrology. Regards, Saket Shah

Expansive in its historical range, vast sources and scholarly research, it contains rare, unpublished, primary material and refuses to discriminate between issues of sex, sexuality and gender.Secret Sexualities is expansive in its historical range, vast sources and scholarly research. It contains rare, unpublished, primary material, extensive critical and contextual material by the editor, and refuses to discriminate between issues of sex, sexuality and gender.The coverage includes:* extracts dealing with anatomy and medicine* the cultural construction of eunuchs and hermaphrodites* famous trials for sodomy and the forgotten victims of the law* representations of effeminate men, fops and sodomites* Sapphic texts which portray cross-dressing, mannish women and female husbands

A personal account of life in the orbit of Mao and Zhao En-Lai and one woman's effort to tell what it was like to be at the center of the storm. The history of China in the twentieth century is comprised of a long series of shocks: the 1911 revolution, the civil war between the communists and the nationalists, the Japanese invasion, the revolution, the various catastrophic campaigns initiated by Chairman Mao between 1949 and 1976, its great opening to the world under Deng, and the Tiananmen Square Massacre. Yuan-tsung Chen, who is now 90, lived through most of it, and at certain points in close proximity to the seat of communist power. Born in Shanghai in 1929, she came to know Zhou En-Lai-second only to Mao in importance--as a young girl while living in Chongqing, where Chiang Kai--Shek's government had relocated to, during the war against Japan. That connection to Zhou helped her save her husband's life in Cultural Revolution. After the communists took power, she obtained a job in one of the culture ministries. While there, she frequently engaged with the upper echelon of the party and was a first-hand witness to some of the purges that the regime regularly initiated. Eventually, the commissar she worked under was denounced in 1957, and she barely escaped being purged herself. Later, during Cultural Revolution, she and her husband were purged and sent to live in a rough, poor area. She and her husband finally moved to Hong Kong, with Zhou's special permission, in 1971. A first-hand account of what life was like in the period before the revolution and in Mao's China, The Secret Listener gives a unique perspective on the era, and Chen's vantage point provides us with a new perspective on the Maoist regime-one of the most radical political experiments in modern history and a force that genuinely changed the world.

Paper Secrets is the first book of a family saga involving the Black and Coleman families having mixed feeling for each other. Vivian Black and Louise Coleman were best friends during their childhood years in the 1930's until circumstances led to a ten-year separation. When they meet again in college, Louise is extremely rich and Vivian is attending college on an academic scholarship. They both fall in love with the same handsome, wealthy upperclassmen John Williams from Richmond, VA and the former friends find themselves at odds over for his affection. Louise is used to having her way and doesn't take no for an answer. She is determined to have him and will not let a little thing like his love for Vivian get in the way. Paper Secrets, a story with many misunderstandings, trials, and even lost loved ones for both families caused by the discovery of various pieces of paper. While some family members are anxious to have the secrets revealed, others want them hidden or forgotten forever. Lawsuits and threats of public humiliation are the least of their worries with the secrets looming over their heads.

"Alfredo Alcala is one of the most disciplined and perceptive artists inking in comics. The years of distinguished work have earned Alfredo a special place in comics history." — Gil Kane. In the late 1960s, an extremely talented group of Filipino illustrators took the American comic book industry by storm — and the late Alfredo Alcala led the way, working for both Marvel and DC on such popular characters as Conan the Barbarian and Batman. This unique work is loaded with amazing art and pointers on observational methods, composition, and other techniques. In addition to insightful interviews with Alcala, the book features pages from his groundbreaking masterwork, Voltar, which was hailed as a new concept in comic book form, an epic in narrative art, and a milestone in sequential art illustration. Students, professionals, teachers, and fans will treasure this inspiring volume and its insider's look at comic book artistry. "A wonderful look at the thought process of one of the best artist/inkers in comic book history and should be read, not just by comic book fans, but by anyone who appreciates great art." — Rushford Public Library