Focusing on the latest, longest, and greatest of the ancient Greek romances, this volume exploring Heliodorus' Aethiopica brings together fifteen established experts, each exploring a passage or section of the text in depth.

After many decades of neglect, the last forty years have seen a renewed scholarly appreciation of the literary value of the Greek novel. Within this renaissance of interest, four monographs have been published to date which focus on individual novels; I refer to the specialist studies of Achilles Tatius by Morales and Laplace and those of Chariton of Aphrodisias by Smith and Tilg. This book adds to this short list and takes as its singular focus Xenophon’s Ephesiaca. Among the five fully extant Greek novels, the Ephesiaca occupies the position of being an anomaly, since scholars have conventionally considered it to be either a poorly written text or an epitome of a more sophisticated lost original. This monograph challenges this view by arguing that the author of the Ephesiaca is a competent writer in artistic control of his text, insofar as his work has a coherent and emplotted focus on the protagonists’ progression in love and also includes references to earlier texts of the classical canon, not least Homer’s Odyssey and the Platonic dialogues on Love. At the same time, the Ephesiaca exhibits stylistically an overall simplicity, contains many repetitions and engages with other texts via a thematic, rather than a pointed, type of intertextuality; these and other features make this text different from the other extant Greek novels. This book explains this difference with the help of Couégnas’ view of ‘paraliterature,' a term that refers not to its status as ‘non-literature’ but rather to literature of a different kind, that is simple, action-oriented, and entertaining. By offering a definition of the Ephesiaca as a paraliterary narrative, this monograph sheds new light on this novel and its position within the Greek novelistic corpus, whilst also offering a more nuanced understanding of intertextuality and paraliterature.

How were freed people represented in the Roman world? This volume presents new research about the integration of freed persons into Roman society. It addresses the challenge of studying Roman freed persons on the basis of highly fragmentary sources whose contents have been fundamentally shaped by the forces of domination. Even though freed persons were defined through a common legal status and shared the experience of enslavement and manumission, many different interactions could derive from these commonalities in different periods and localities across the empire. Drawing on literary, epigraphic, and archaeological evidence, this book provides cases studies that test the various ways in which juridical categories and normative discourses shaped the social and cultural landscape in which freed people lived. By approaching the literary and epigraphic representations of freed persons in new ways, it nuances the impact of power asymmetries and social strategies on the cultural practices and lived experiences of freed persons.

A Companion to Byzantine Epistolography offers the first comprehensive introduction and scholarly guide to the cultural practice and literary genre of letter-writing in the Byzantine Empire.

Noting previously unrecognised allusions to literary works and contemporary events, this book presents an original portrait of the miscellanist Aulus Gellius ("Attic Nights") as a satirical writer and a Roman intellectual working within the cultural milieu of Antonine Rome.

Paidea, the yearning for, and display of knowledge, reached its height as a cultural concept in the works of the Second Sophistic, an elite literary and philosophical movement seeking to ape the style and achievements of the 5th and 4th centuries BC. A crucial element in the display of paidea was an ability to mix the witty and playful with the serious and instructive. The Second Sophistic is known as a Greek phenomenon, but these essays ask how the Latin author Apuleius fitted into this framework, and created a distinctively latin expression of paidea, focusing on the elements of playfulness at its heart.

Analyzes the characterization of the protagonists in the five extant, so-called 'ideal' Greek novels of the first few centuries C.E., using the conceptual couples of typification/individuation, idealistic/realistic characterization, and static/dynamic character to show their complexity.

The papers in this volume discuss, from various perspectives, the engagement of the ancient novels with their predecessors and aim to identify and interpret the resonances, of different degrees of closeness, of those texts (Homeric epics, traditional and nuptial poetry, the historiographical tradition, Greek theatre, Latin love elegy and pantomime) as elements of an intertextual and metadiscursive play.

A captivating new interpretation of Lucian as a fictional theorist and writer to stand alongside the novelists of the day.

Ceccarelli offers a history of the development of letter writing in ancient Greece from the archaic to the early Hellenistic period. Highlighting the specificity of letter-writing, the volume looks at documentary letters and traces the role of embedded letters in the texts of the ancient historians, in drama, and in the speeches of the orators.