Though this collection of novellas and short stories from English writer Juliana Horatia Ewing centers around younger protagonists, it will appeal to readers of any age. In the titular story, hero Charlie leads his family through the process of preparing to survive through the most calamitous of circumstances.

Enjoy five original fairy tales in this collection by Ariele Sieling. Written in the same style as Grimm's fairy tales, each story seeks to explore modern values in the context of an eccentric world filled with wild animals, kings and queens, magic, and more. In The Bald Princess, meet Elspeth, who is in search of a hair piece that will do justice to her eventual role as queen. In The Twilight Wood, meet Eloita, a young guard tasked with protecting a prince who is determined to understand a powerful forest that kills all who enter it. In The Guilt of the Enchantress, meet Liaandra, a powerful battle mage who makes a terrible mistake that changes the course of her life forever. In The Wolf Princess, meet Sable, cursed as a child to run with the wolves, but who has embraced her new identity with gusto—until her parents start searching for her in earnest. In The Milkmaid and the Death Weed, meet Fiora, a young milkmaid who sets out to seek her fortune, only to discover that everything she touches dies. This book is the first in a series of anthologies filled with brand-new engaging and heart-warming fairy tales.

This volume was intended as a sequel to Andersen’s 1864 Stories and Tales (see end pages of this book) and was aimed at slightly older children. This book of fairy tales and stories deals with more complex moral questions, without sacrificing Andersen’s characteristic imaginative and fantasy elements. The series of sketches of varying lengths in this book arose from the Andersen’s experiences when as a youth he went to seek his fortune Copenhagen, in the capital of his native land; and the story entitled "Under the Willow Tree" is said likewise to have its foundation in fact. Containing 45 stories and tales, it is Illustrated with 80 woodcuts done by the brothers Dalziel, from illustrations by Alfred Water Bayes. Some of the stories in this volume are: * What the Moon Saw * The Story of the Year * The Goblin and the Huckster * In a Thousand Years * The Bond of Friendship * Jack the Dullard * Under the Willow Tree * The Beetle * A Leaf from the Sky * The Dumb Book; plus many, many more. So, we invite you to download this ebook, find a comfy chair and settle in to be entertained for hours. 10% of the profit from the sale of this book will be donated to charities. ---------------------------- KEYWORDS/TAGS: Folklore, fairy tales, myths, legends, folk tales, children’s stories, bedtime, fables, culture, cultural, What the Moon Saw, Story of the Year, Good for Nothing, Difference, Everything, Right Place, Goblin, Huckster, Thousand Years, Bond, Friendship, Jack the Dullard, Something, Under, Willow Tree, Beetle, Old Man, Always Right, Wind, Waldemar Daa, Daughters, Ib, Christine, Ole, Tower-Keeper, Bottle-Neck, Good Humour, leaf, Sky, Dumb, Book, Jewish Girl, Thorny Road, Honour, Old Gravestone, Old Bachelor, Nightcap, Marsh King, Daughter, Last Dream, Old Oak Tree, Christmas Tale, Bell-deep, Puppet Showman, Pigs, Anne Lisbeth, Charming, Duck, yard, Trod, tread, stood, Loaf, bread, Sand dunes, Bishop of Borglum, Warriors, Snow Man, Two Maidens, Farmyard Cock, Weathercock, Pen, Inkstand, Child, Grave, Soup, Sausage Peg, Wise Men, Butterfly, Uttermost, Parts, Sea, Phœnix Bird, phoenix

Reproduction of the original: A Great Emergency and Other Tales by Juliana Horatia Gatty Ewing

The opportunity here offered [Footnote: By the appearance in England several years ago of an edition of the author's writings as then collected.] to give some account of the genesis of these Californian sketches, and the conditions under which they were conceived, is peculiarly tempting to an author who has been obliged to retain a decent professional reticence under a cloud of ingenious surmise, theory, and misinterpretation. He very gladly seizes this opportunity to establish the chronology of the sketches, and incidentally to show that what are considered the "happy accidents" of literature are very apt to be the results of quite logical and often prosaic processes. The author's first volume was published in 1865 in a thin book of verse, containing, besides the titular poem, "The Lost Galleon," various patriotic contributions to the lyrics of the Civil War, then raging, and certain better known humorous pieces, which have been hitherto interspersed with his later poems in separate volumes, but are now restored to their former companionship. This was followed in 1867 by "The Condensed Novels," originally contributed to the "San Francisco Californian," a journal then edited by the author, and a number of local sketches entitled "Bohemian Papers," making a single not very plethoric volume, the author's first book of prose. But he deems it worthy of consideration that during this period, i.e. from 1862 to 1866, he produced "The Society upon the Stanislaus" and "The Story of M'liss,"—the first a dialectical poem, the second a Californian romance,—his first efforts toward indicating a peculiarly characteristic Western American literature. He would like to offer these facts as evidence of his very early, half-boyish but very enthusiastic belief in such a possibility,—a belief which never deserted him, and which, a few years later, from the better-known pages of "The Overland Monthly," he was able to demonstrate to a larger and more cosmopolitan audience in the story of "The Luck of Roaring Camp" and the poem of the "Heathen Chinee." But it was one of the anomalies of the very condition of life that he worked amidst, and endeavored to portray, that these first efforts were rewarded by very little success; and, as he will presently show, even "The Luck of Roaring Camp" depended for its recognition in California upon its success elsewhere. Hence the critical reader will observe that the bulk of these earlier efforts, as shown in the first two volumes, were marked by very little flavor of the soil, but were addressed to an audience half foreign in their sympathies, and still imbued with Eastern or New England habits and literary traditions. "Home" was still potent with these voluntary exiles in their moments of relaxation. Eastern magazines and current Eastern literature formed their literary recreation, and the sale of the better class of periodicals was singularly great. Nor was the taste confined to American literature. The illustrated and satirical English journals were as frequently seen in California as in Massachusetts; and the author records that he has experienced more difficulty in procuring a copy of "Punch" in an English provincial town than was his fortune at "Red Dog" or "One-Horse Gulch." An audience thus liberally equipped and familiar with the best modern writers was naturally critical and exacting, and no one appreciates more than he does the salutary effects of this severe discipline upon his earlier efforts.