Sent Out into the World contains a liturgical theology for a parish community and the new evangelization that is derived from a reading of The Order of the Dedication of a Church. For this reason, its content can be attributed directly to a liturgical rite of the Catholic Church. It is not the creation of any one person, but rather an exercise in lex orandi, lex credendi. It presents a vision of the parish that comes directly from a rite of the church and focuses the parish community, and its members, on the mission that it has within the body of Christ. Applying the content of the ordo to a parish community, it presents a theology for those communities in which most Catholics meet the Lord and practice their faith. The liturgical theology for a parish community that is presented here focuses all parish communities on Christ and his presence in the liturgical celebrations that take place in the parish churches. As this ritual powerfully reminds the baptized, from the liturgical and sacramental celebrations in which they encounter Christ in their parish church, the faithful are to be sent out into the world as ministers of the new evangelization. By reading this book, every Christian who practices his or her faith within a parish community will be reminded of the mission which they are called to live as members dismissed to go into the world at the end of every eucharistic celebration.

This book is an investigation of the foundation and evolution of romance in Iceland. The narrative type arose from the introduction of French narratives into the alien literary environment of Iceland and the acculturation of the import to indigenous literary traditions. The study focuses on the oldest Icelandic copies of three chansons de geste and four of the earliest indigenous romances, both types transmitted in an Icelandic codex from around 1300. The impact of the translated epic poems on the origin and development of the Icelandic romances was considerable, yet they have been largely neglected by scholars in favour of the courtly romances. This study attests the role played by the epic poems in the composition of romance in Iceland, which introduced the motifs of the aggressive female wooer and of Christian-heathen conflict.

(Double-column pages; foreword by John R. Kohlenberger III) A literal translation of the original text with symbols that allow the non-reader of Greek and Hebrew to discover the force and intent of the original.