This study examines women’s prophetic writings in seventeenth-century Britain as the literary outcome of a discourse of social transformation that integrates religious conscience, political participation, and gender identity. The following pages approach prophecy as a culture, a language, and a catalyst for collective change as the individual prophet conceptualized it. While the corpus of prophetic writing continues to grow as the result of archival research, this monograph complements our particular knowledge of women’s prophecy in the seventeenth century with a global assessment of what makes speech prophetic in the first place, and what are the differences and similarities between texts that fall into the prophetic mode. These disparities and commonalities stand out in the radical language of prophecy as well as in the way it creates an authorial centre. Examining how authorship is represented in several configurations of prophetic delivery, such as essays on prophecy, poetic prophecy, spiritual autobiography, and election narratives, the different chapters consider why prophecy peaked in the years of the civil wars and how it evolved towards the eighteenth century. The analyses extrapolate the peculiarities of each case study as being representative of a form of textually-based activism that enabled women to gain a deeper understanding of themselves as creators of independent meaning that empowered them as individuals, citizens, and believers.

While writings by early modern Quaker women have been discussed and quoted fairly extensively, relatively few of their texts are readily or widely available. The chief purpose of this edition is to rectify this state of affairs in one central area - that of autobiographical writing. The edition contains substantial excerpts from a range of self-writings by Quaker women, composed between the 1650s and circa 1710: letters, testimonies, memoirs, accounts of spiritual development, narratives of persecution and imprisonment. Six of the texts have been freshly edited from manuscripts (including Mary Penington's A Brief Account); the others have been transcribed from the first printed editions. In his general introduction to the volume, the editor sketches the history of the Quaker movement from the 1650s to the early 1700s, and considers the role of female Quakers during the first and second phases of the movement. The introduction also surveys the types and purposes of autobiographical writings produced by female Friends, and relates these writings to key Quaker ideas, concerns and practices regarding the inner light, scripture, testimony, plain speaking, friendship, gender and community. Booy indicates the wider context of the development of autobiographical writing during the seventeenth century, and discusses briefly issues to do with the construction of the self in writing. Each text is prefaced by a substantial headnote providing biographical and historical information. Footnotes supply biblical and other references, and gloss unfamiliar or specialist vocabulary. The volume includes a comprehensive bibliography of primary and secondary materials. The edition is aimed at all those interested in the history of the Quakers, whether they be scholars in the fields of religious, cultural and women's studies, or of history and literature generally.

What did it mean to be mad in seventeenth-century England? This book uses vivid autobiographical accounts of mental disorder to explore the ways madness was identified and experienced from the inside, asking how certain people came to be defined as insane, and what we can learn from the accounts they wrote.

Working life of Women in the Seventeenth Century, originally published in 1919, was the first comprehensive analysis of the daily lives of ordinary women in early modern England. It remains the most wide ranging introduction to the subject. Clark uses a variety of documentary sources to illuminate the experience of women in the past. Gentlewomen left memoirs, letters, and household accounts detailing administration of their family estates; craftsmen's wives and widows figure in the apprenticeship and licensing records of guilds and towns; the wives of yeomen, husbandmen and labourers are glimpsed in court evidence, petitions and the registers of parish poor relief. Alice Clark's evidence dates from the later sixteenth to the early eighteenth century, and her analysis addresses a broad transition, from a medieval subsistence economy to the industrial capitalism of the nineteenth and early twentieth centuries. Clark's conclusions about the effects of industrial capitalism on women's working conditions and contribution to the economy were controversial in her own time and remain so today. Her vivid portrayal of the everyday lives of working women - and all women who worked - in seventeenth-century England remains unsurpassed. This book was first published in 1919.

Early modern autobiographies and diaries provide a unique insight into women's lives and how they remembered, interpreted and represented their experiences. Sharon Seelig analyzes the writings of six seventeenth-century women: diaries by Margaret Hoby and Anne Clifford, more extended narratives by Lucy Hutchinson, Ann Fanshawe, and Anne Halkett, and the extraordinarily varied and self-dramatizing publications of Margaret Cavendish. Combining an original account of the development of autobiography with analysis of the texts, Seelig explores the relation between the writers' choices of genre and form and the stories they chose to tell.

A pioneering, diverse collection that provides insight into the powerful motive of self-expression that inspired women autobiographers around the eighteenth century.

Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importance. By conceiving autobiography in a wide sense that includes memoirs, diaries, self-portraits and autofiction as well as media transformations of the genre, this three-volume handbook offers a comprehensive survey of theoretical approaches, systematic aspects, and historical developments in an international and interdisciplinary perspective. While autobiography is usually considered to be a European tradition, special emphasis is placed on the modes of self-representation in non-Western cultures and on inter- and transcultural perspectives of the genre. The individual contributions are closely interconnected by a system of cross-references. The handbook addresses scholars of cultural and literary studies, students as well as non-academic readers.

This remarkable anthology assembles for the first time 144 primary texts and documents written by women between 1550 and 1700 and reveals an unprecedented view of the intellectual and literary lives of women in early modern England

Living by the Pen traces the pattern of the development of women's fiction from 1696 to 1796 and offers an interpretation of its distinctive features. It focuses upon the writers rather than their works, and identifies professional novelists. Through examination of the extra-literary context, and particularly the publishing market, the book asks why and how women earned a living by the pen. Cheryl Turner has researched and lectured widely in the field of eighteenth-century women's writing.

First published in 2001. This is the first substantial reference work in English on the various forms that constitute "life writing." As this term suggests, the Encyclopedia explores not only autobiography and biography proper, but also letters, diaries, memoirs, family histories, case histories, and other ways in which individual lives have been recorded and structured. It includes entries on genres and subgenres, national and regional traditions from around the world, and important auto-biographical writers, as well as articles on related areas such as oral history, anthropology, testimonies, and the representation of life stories in non-verbal art forms.