Left as a newborn to die in a dumpster, she has no name. Tossed from state run orphanages to a string of foster homes, she has no family. Growing up hard, fast and street smart, she’s accomplished in hand to hand combat and accurate with a gun. With no money for college, she enlisted in the US Marine Corps out of high school and was quickly plucked from her unit when her sharp shooting and intellectual skills outshined her male counterparts. With no known past, she is deemed a perfect fit to a task force Washington denies exists. A selective assassin for the United States government, Jane Doe tracks known terrorists on domestic soil. Dispatched to Atlanta, Georgia with a kill assignment, Jane is tracking number Thirteen on The List. Her cover is secure in the library where she volunteers and her identity quiet until a journalist shows up on a tip to research a name and number she knows well—Three. Now she’ll be forced to choose between the target she desperately wants to eliminate for personal reasons and the assignment she’s been given, all while keeping the reporter from getting himself killed or worse, falling for Jane. Possessing a fertile imagination and a penchant for executing improvised but brilliant plans, Jane is a killing machine with ice running through her veins. Every time she goes to a different town, two things are certain: she’ll have a new name and someone is going to die.

Leaving Atlanta, Jane takes her next kill assignment in New York City. A terrorist plot so out of the realm of the ordinary, Jane expects to debunk the tip she’s been given and report back to Washington for another assignment. But when she discovers the plan unfolding for Times Square is real, she knows there’s only one mastermind who could execute such a heinous act—Three. Now with help from NYPD’s counterterrorism team, Jane has the chance to partner with an officer of their Hercules Team, Kelly Casey. But, Sergeant Casey has more than just information on her kill assignment and the man she’s been tracking for over a year. He could hold the key to what she’s been searching for her entire life. Reporter, Matt Matthews is in New York finding his way back to three things: his true identity, his family’s war profiteering empire and the woman he lost in Atlanta—Scarlett. As the clock ticks away, Jane must find a way to stop the attack and end the life of one man before he takes the lives of thousands.

Fleeing to Washington, D.C., Jane Doe searches not only for her kill assignment, but answers from the clandestine Coywolf project. Now as the lines between who is on the right side of the truth and justice begin to blur, Jane will question who is real and what is just. Unable to trust what she knows, Jane looks to exit the program she’s worked for so diligently when her focus shifts and she begins piecing together a life kept hidden from her for twenty-nine years. Matt Matthews is home to bury his godfather and join his family’s billion-dollar drone empire, Maxtronix. But his past his quickly catching up with him. And so is Jane. Still tracking Three, Jane will now have to stop a planned attack on Capitol Hill while keeping up Matt Matthews and not losing sight of the NYPD counterterrorism officer Kelly Casey, whom she can’t seem to shake. The final countdown has begun. For Jane. For Matt. For Three.

Utilizing a breadth of archival sources from activists, artists, and policymakers, Teenage Dreams examines the race- and class-inflected battles over adolescent women’s sexual and reproductive lives in the late twentieth and early twenty-first century United States. Charlie Jeffries finds that most adults in this period hesitated to advocate for adolescent sexual and reproductive rights, revealing a new culture war altogether--one between adults of various political stripes in the cultural mainstream who prioritized the desire to delay girlhood sexual experience at all costs, and adults who remained culturally underground in their support for teenagers’ access to frank sexual information, and who would dare to advocate for this in public. The book tells the story of how the latter group of adults fought alongside teenagers themselves, who constituted a large and increasingly visible part of this activism. The history of the debates over teenage sexual behavior reveals unexpected alliances in American political battles, and sheds new light on the resurgence of the right in the US in recent years.

The first full-length study of a pivotal figure in American evangelical faith James Dobson—child psychologist, author, radio personality, and founder of the Christian conservative organization Focus on the Family—published his first book, Dare to Discipline, in 1970 and quickly became the go-to family expert for evangelical parents across the United States as American evangelicalism rose as a major political force. The family expert became a leading voice in the Reagan Revolution, and played a role in making American evangelicals even more firmly associated with the Republican Party. Dobson’s principle beliefs are that the family is the center of Christian America and that the traditional family must be defended from perceived threats such as gay rights, feminism, abortion, and the secularization of public schools. Dobson and Focus on the Family dominated Christian media through print, radio, and online venues, and their message reached millions of American evangelical households, shaping the cultural sensibilities and political attitudes of evangelical families throughout the culture wars from the 1980s into the 2000s. Family Matters: James Dobson and Focus on the Family’s Crusade for the Christian Home by Hilde Løvdal Stephens is an insightful history and analysis of James Dobson’s rise to fame, effect on American evangelical culture, and subsequent descent from relevance. Extensively researched, Løvdal Stephens scoured through Dobson’s books, articles, and other materials published by Focus on the Family in order to explore how evangelicals defined and defended the traditional family as an ideal and as a symbol in an ever-changing world. By contextualizing the history of Dobson’s reign, Løvdal Stephens’s discerning analysis fills an important gap in our understandings of the politics and culture of late twentieth-century conservative Christianity in the United States. She explores complex topics ranging from Dobson’s celebration of what he believes are timeless biblical values, such as maintaining strict and defined gender roles, to the ways Dobson and Focus on the Family balanced their basic ideals with real everyday lives of average American evangelical families, facing the realities of divorce, working mothers, and other perceived threats to the traditional family.

Collection of the five hundred films that have been selected, to date, for preservation by the National Film Preservation Board, and are thereby listed in the National Film Registry.

An introduction to film history, this anthology covers the history of film from 1895. It is arranged chronologically, and each chapter contains an introduction on the key developments within the period. Various types of film history are undertaken to enable students to become familiar with different types of film historical research.

This book was written with the express purpose of bringing about an initial transformation in a person in 180 days.. Instructions should be followed exactly. Just reading it is not as important as STUDYING and DOING what you are asked to do. This guide is a manual that one takes with him everywhere in order to be able to engage its Actions. Its accent is on bringing about a balance between the physical and metaphysical laws of life in order to achieve a permanent Self-Love, Contentment and the personal power to achieve all you desire.

This encyclopedia examines the phenomenon of deception from a variety of perspectives and in a multitude of contexts. It offers readers an accessibly written and engaging resource that sheds light on when, why, and how we lie. Ironically, it seems to be a universal truth that everyone lies. From innocent "white lies" to elaborate deceptions, humans appear to be hard-wired for dishonesty. But what psychological or evolutionary purpose does lying serve? What motivates us to lie, and what effects do such lies have on those around us and on our own physiology and mental health? What are the differences between types of lies, and how do various forms of dishonesty manifest themselves in such areas as politics, advertising, and social media? And, perhaps most importantly, how can we spot liars in our everyday lives and encourage those around us—and even ourselves—to be more honest? Lies: The Science behind Deception provides a broad and multifaceted introduction to this fascinating topic. More than 175 entries address the many forms of lying, the purpose and development of such behaviors, and their consequences. It also includes practical sidebars that help readers to deal with lying and liars in their own lives.

During the 1990s, films such as sex, lies, and videotape, The Crying Game, Pulp Fiction, Good Will Hunting, and Shakespeare in Love earned substantial sums at the box office along with extensive critical acclaim. A disproportionate number of these hits came from one company: Miramax. Indie, Inc. surveys Miramax’s evolution from independent producer-distributor to studio subsidiary, chronicling how one company transformed not just the independent film world but the film and media industries more broadly. As Alisa Perren illustrates, Miramax’s activities had an impact on everything from film festival practices to marketing strategies, talent development to awards campaigning. Case studies of key films, including The Piano, Kids, Scream, The English Patient, and Life Is Beautiful, reveal how Miramax went beyond influencing Hollywood business practices and motion picture aesthetics to shaping popular and critical discourses about cinema during the 1990s. Indie, Inc. does what other books about contemporary low-budget cinema have not—it transcends discussions of “American indies” to look at the range of Miramax-released genre films, foreign-language films, and English-language imports released over the course of the decade. The book illustrates that what both the press and scholars have typically represented as the “rise of the American independent” was in fact part of a larger reconfiguration of the media industries toward niche-oriented products.