Declaring that movies grant psychopaths much more power and fascination than they deserve, Wilson (psychology, Stephen F. Austin State U., Nacogdoches, Texas) profiles the various types portrayed, beginning with the computer HAL in 2001. He also discusses evil's imperfections, breach of character, mood and circumstance, the power within, justice, and other aspects. Annotation copyrighted by Book News, Inc., Portland, OR

People with disabilities have traditionally been denied access to sexuality education or the free expression of sexuality. Through a disability studies lens, this book considers the historical, legal, and ethical implications of sexuality education for people with disabilities. Editors Gibbon, Monaco, and Bateman and their contributors discuss the roles of family, culture, entertainment, education, and social media as they relate to sexuality education and explore contextual concepts such as intersectionality, the range of disabling conditions, and the connections between adolescent development and disability.The text concludes with recommendations to support people with disabilities in the transition to adulthood. The editors advocate for public policy improvements and a call to action for students, teachers, and families.

Regardless of his own sexual orientation, L. Frank Baum’s fictions revel in queer, trans, and other transgressive themes. Baum’s life in the late 1800s and early 1900s coincided with the rise of sexology in the Western world, as a cascade of studies heightened awareness of the complexity of human sexuality. His years of productivity also coincided with the rise of children’s literature as a unique field of artistic creation. Best known for his Oz series, Baum produced a staggering number of children’s and juvenile book series under male and female pseudonyms, including the Boy Fortune Hunters series, the Aunt Jane’s Nieces series, and the Mary Louise series, along with many miscellaneous tales for young readers. Baum envisioned his fantasy works as progressive fictions, aspiring to create in the Oz series “a modernized fairy tale, in which the wonderment and joy are retained and the heartaches and nightmares are left out.” In line with these progressive aspirations, his works are often sexually progressive as well, with surprisingly queer and trans touches that reject the standard fairy-tale narrative path toward love and marriage. From Ozma of Oz’s backstory as a boy named Tip to the genderless character Chick the Cherub, from the homosocial adventures of his Boy Fortune Hunters to the determined rejection of romance for Aunt Jane’s Nieces, Queer Oz: L. Frank Baum's Trans Tales and Other Astounding Adventures in Sex and Gender shows how Baum utilized the freedoms of children’s literature, in its carnivalesque celebration of a world turned upside-down, to reimagine the meanings of gender and sexuality in early twentieth-century America and to re-envision them for the future.

Kolbenschlag believes that modern social and economic conditions have changed every aspects of the American dream except the dream itself. She delves into the The Wizard of Oz to help describe America as "a nation of spiritual orphans." Dorothy, who is lost in Oz, becomes the symbol of alienation and of expectations and deprivation. She shows how most people in the United States discover that they are orphaned in many ways: by family of origin, by the gender, class, and culture in which they are socialized, by systems and institutions, and by traditional belief structures. Kolbenschlag argues that myths tell us truths about our experience, and stresses the need to know and "accept the inner orphan and bring together the apparently opposite goals of community and individuality." ISBN 0-06-064768-X: $16.95.

In Humanity and Human Sexuality: The Origin and Nature of Sexual Preference, Dr. Kevin Franklin embarks on an extraordinary exploration of the human being, of mind, and their potential. Delving deep into themes of confusion and disorder, he unveils how a ‘trickster-mind’ can hinder an individual’s true potential for life and freedom. Drawing from his own profound experiences of childhood psychosis, which once seemed to destine him for a life overshadowed by schizophrenia and the threat of early suicide, Dr. Franklin defies expectations. This book ventures beyond traditional boundaries to examine the metaphysical aspects of psychological order, offering a unique perspective on the often-misunderstood concepts of societal and psychological disorders. Dr. Franklin’s insights extend into a scientific demonstration of the innate origins and nature of both heterosexual and homosexual preferences. Humanity and Human Sexuality: The Origin and Nature of Sexual Preference illuminates various fields - Philosophy, Religion, History, Science, Society, and Psychology - offering a revolutionary viewpoint on these disciplines. It challenges long-held beliefs and misconceptions, particularly in the realms of sexual identity, the gender and transgender discussion, and the complex relationship between religion and science. Structured in two parts, the book first deconstructs the mythology of sexual identity, before reconstructing a comprehensive understanding of human sexuality. It seeks to resolve some of humanity’s most pressing issues: the lack of human compassion, the intricacies of gender identity, and the historical tensions between religious beliefs and scientific understanding. This book is an essential read for anyone seeking a deeper understanding of the origins and nature of sexual preference and identity, and the broader implications for society.

Telling stories: an essay on gender, violence and popular culture -- Morality, legality and gender violence in Angel -- Policing the boundaries of desire in Buffy the vampire slayer -- Gender, ethics and political community in Generation kill -- Feminism and political strategy in The west wing -- Gender, violence and security in Oz -- Security and governance after modernity in Firefly -- Hope and the politics of natality in The corner -- Points de capiton: aesthetics, ethics and critique.

Innocence, Heterosexuality, and the Queerness of Children’s Literature examines distinguished classics of children’s literature both old and new—including L. Frank Baum’s Oz books, Laura Ingalls Wilder’s Little House series, J. K. Rowling’s Harry Potter novels, Lemony Snicket’s A Series of Unfortunate Events, and Stephenie Meyer’s Twilight series—to explore the queer tensions between innocence and heterosexuality within their pages. Pugh argues that children cannot retain their innocence of sexuality while learning about normative heterosexuality, yet this inherent paradox runs throughout many classic narratives of literature for young readers. Children’s literature typically endorses heterosexuality through its invisible presence as the de facto sexual identity of countless protagonists and their families, yet heterosexuality’s ubiquity is counterbalanced by its occlusion when authors shield their readers from forthright considerations of one of humanity’s most basic and primal instincts. The book demonstrates that tensions between innocence and sexuality render much of children’s literature queer, especially when these texts disavow sexuality through celebrations of innocence. In this original study, Pugh develops interpretations of sexuality that few critics have yet ventured, paving the way for future scholarly engagement with larger questions about the ideological role of children's literature and representations of children's sexuality. Tison Pugh is Associate Professor in the Department of English at the University of Central Florida. He is the author of Queering Medieval Genres and Sexuality and Its Queer Discontents in Middle English Literature and has published on children’s literature in such journals as Children’s Literature, The Lion and the Unicorn, and Marvels and Tales.

When L. Frank Baum wrote The Wonderful Wizard of Oz, he created an American myth that has endured the test of time. Echoes of Dorothy and her friends are everywhere: popular television shows often have an Oz episode, novelists borrow character types and echo familiar scenes, and every media--from Broadway to The Muppets--has some variation or continuation of Baum's work. This collection of essays follows Baum's archetypal characters as they've changed over time in order to examine what those changes mean in relation to Oz, American culture and basic human truths. Essays also serve as a bridge between academia and fandom, with contributors representing a cross-section of Oz scholarship from backgrounds including The International Wizard of Oz Club and the Children's Literature Association.

“An academic memoir . . . addresses topics as diverse as Hindu Tantra, Christian mysticism, American counterculture, and the history of the paranormal.” —Los Angeles Review of Books Over the course of his twenty-five-year career, Jeffrey J. Kripal’s study of religion has had two major areas of focus: the erotic expression of mystical experience and the rise of the paranormal in American culture. This book brings these two halves together in surprising ways through a blend of memoir, manifesto, and anthology, drawing new connections between these two realms of human experience and revealing Kripal’s body of work to be a dynamic whole that has the potential to renew and reshape the study of religion. Kripal tells his story, biographically, historically and politically contextualizing each of the six books of his Chicago corpus, from Kali’s Child to Mutants and Mystics, all the while answering his censors and critics and exploring new implications of his thought. In the process, he begins to sketch out a speculative “new comparativism” in twenty theses. The result is a new vision for the study of religion, one that takes in the best of the past, engages with outside critiques from the sciences and the humanities, and begins to blaze a new positive path forward. A major work decades in the making, Secret Body will become a landmark in the study of religion. “Kripal presents us with a compilation of theories, cultural references and anecdotes making up an impassioned thesis about the future of religious studies and ‘what human beings may become’ . . . For all its eccentricities, Kripal’s work is playful, engaging and original.” —Times Higher Education

The Wizard of Oz has captured the imagination of the public since publication of L. Frank Baum's first book of the series in 1900. Oz has shaped the way we read children's literature, view motion pictures and experience musicals. Oz has captured the scholarly imagination as well. The seventeen essays in this book address numerous questions of the boundaries between literature, film, and stage--and these have become essential to Oz scholarship. Together the essays explore the ways in which Oz tells us much about ourselves, our society, and our journeys.