Infuse your paintings with light and life! Whether you work outdoors or indoors, understanding the effects of light and shadow is key to making your art lifelike and engaging. Rather than providing a one-size-fits-all recipe for painting light, this book shows you how to capture the particular ambient qualities of any scene before you, be it a gloriously clear morning, a rainy afternoon, or the joyful dance of sunlight on water. • Master pastel artist Maggie Price shares techniques for painting beautiful light, rich shadows and convincing reflections. • 10 step-by-step demonstrations tackle a diversity of lighting situations, encompassing various weather conditions and times of day. • Five contributing artists explore different styles, approaches and subjects, including landscapes, water scenes and people. • Concepts are demonstrated with pastel but are applicable to any medium. An illuminating read for beginning and experienced artists alike, this book will help you engage your viewer by achieving that captivating sense of "being there."

If a spinning disk casts a round shadow does this shadow also spin? When you experience the total blackness of a cave, are you seeing in the dark? Or are you merely failing to see anything (just like your blind companion)? Seeing Dark Things uses visual riddles to explore our ability to see things that do not reflect light. Shadows and holes are anomalies for the causal theory of perception, which states that anything we see must be a cause of what we see. This requirement neatly explains why you see the front of a book's jacket and not its rear when you look at it face-on. However, the causal theory has trouble explaining how you manage to see the black letters on its surface. The letters are made visible by the light they fail to reflect rather than by the light they reflect. Nevertheless, Roy Sorensen defends the causal theory of perception by treating absences as causes. His fourteen chapters draw heavily on common sense and psychology to vindicate the assumption that we perceive absences. Seeing Dark Things is philosophy for the eye. It contains fifty-nine figures designed to prompt visual judgment. Sorensen proceeds bottom-up from observation rather than top-down from theory. He regards detailed analysis of absences as premature; he hopes a future theory will refine the pictorial thinking stimulated by the book's riddles. Just as the biologist pursues genetics with fruit flies, the metaphysician can study absences by means of shadows. Shadows are metaphysical amphibians with one foot on the terra firma of common sense and the other in the murky waters of nonbeing. Sorensen portrays the causal theory of perception's confrontation with the shadows as a triumph against alien attack - a victory that deepens a theory that resonates profoundly with common sense and science. In sum, Seeing Dark Things is an unorthodox defense of an orthodox theory. "Seeing Dark Things is an adventurous philosophical exercise in the ontology and epistemology of the commonsense world. Its treatment of the many puzzles that surround such putative 'negative' entities as shadows and holes will make it a classic on the literature on privations for many yeas to come. The book is also a wonderful example of how philosophy can be done without falling into the traps of the academic rigmarole. Sorensen is truly unique in his capacity to bring together classic philosophers, contemporary authors, and ticklish anecdotes." - Achille Varzi, Columbia University "This is a wonderful book, full of a profound, unsettling cleverness and weirdly satisfying counter-intuitiveness that the subject requires...a great book." - Richard Marshall, Bookforum "Sorensen is an extraordinarily fertile and imaginative philosopher, drawing widely on philosophy, physics, biology and vision science to mine his chosen quarry. His arguments, anecdotes and examples are always engaging. Add them to his effortless style and you have a rare commodity - a book of serious philosophy that many non-professionals will enjoy." - Ian Phillips, Times Literary Supplement "Sorensen's book is certainly fascinating and richly thought-provoking... he argues carefully and clearly in favour of his key claims, all of which merit very serious consideration, even if they sometimes provoke one to construct and defend alternative views. That, however, is surely the hallmark of the very best kind of philosophy writing. Seeing Dark Things is a model of this kind." - E.J. Lowe, Philosophy

This comprehensive bibliography covers writings about vampires and related creatures from the 19th century to the present. More than 6,000 entries document the vampire's penetration of Western culture, from scholarly discourse, to popular culture, politics and cook books. Sections by topic list works covering various aspects, including general sources, folklore and history, vampires in literature, music and art, metaphorical vampires and the contemporary vampire community. Vampires from film and television--from Bela Lugosi's Dracula to Buffy the Vampire Slayer, True Blood and the Twilight Saga--are well represented.

Stationhouse No. 1 once held the town's most prestigious fire & rescue unit, but in late 1959 almost the entire team was savagely slain, their remains burned. Years later, the grisly incidents which had taken place became legendary, and the terror never exactly stopped. Its history has been since drenched in the blood of many an unexplained death. When a group of adventurous, irresponsible horny teenagers decide the building would be perfect for their high school Junior Firefighter group's latest ceremonies, a new and relentless slaughterfest ensues unlike anything they could possibly survive, and unlike anything you've ever read.

The two volumes of the Learning to Photograph series give students and interested amateur photographers essential information about technique and design as well as an understanding of the big concepts of photography. Beginning and advanced photographers alike will find the content instructive, thoroughly explained, and effectively illustrated, making this book a useful resource for readers to develop their own craft. This second volume addresses the topics of visual design and composition. The authors describe various methods of visual design and how you can use these methods effectively. You will learn which techniques to use to design your images while at the same time training your photographic eye. You will develop the ability to support the message of your subject purposefully, hone your photographic style, and analyze your own work and the work of others competently. The striking images and informational graphics not only illustrate the concepts at hand, but also make the lessons visually pleasing and offer useful examples for readers to mimic in their own work. Topics include: Visual perception Composition, shapes, and lines Managing light Color and its effects Sharpness, blur, and movement The interplay of visual design elements Image analysis and evaluation The previous volume in the Learning to Photograph series addresses cameras, equipment, and basic photographic techniques.

Reprint of the original, first published in 1873. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Lift yourself into a new realm of lateral make-believe world. Indulge in artistic poetry that will lift you. Become disassociated from the matter of fact daily life that confronts us all today. Creativity is the mark of poetry as it sings our senses in appreciation and realises another perspective to what surrounds us. Another poem, another realm of understanding. An ideal book to have at your side, whether at home, relaxing on the beach, or on holiday lazing in any of the seasons of the year! Awake to an alternative mode of leisure of novel reading. Absorb and drift away with wordsmith that beckons you into a floating paradise of your very own. Poetry affords one to a taste of strength of suggestion that whets the palate very differently to the manner in which a fictional or non-fictional novel cannot achieve. Enjoy your journey through this book as your reading material companion. Which one will you choose as your favourite?

"This volume originates in the four unpublished Clark Lectures that Hollander delivered in 1999 at Trinity College, Cambridge. These lectures were planned to provide the core of a long-meditated book, though he never completed his revisions for this before he died in 2013."--Preface.

The Notebooks Of Leonardo Da Vinci, Complete By Leonardo Da Vinci Leonardo da Vinci—artist, inventor, and prototypical Renaissance man—is a perennial source of fascination because of his astonishing intellect and boundless curiosity about the natural and man-made world. During his life he created numerous works of art and kept voluminous notebooks that detailed his artistic and intellectual pursuits. The collection of writings and art in this magnificent book are drawn from his notebooks. The book organizes his wide range of interests into subjects such as human figures, light and shade, perspective and visual perception, anatomy, botany and landscape, geography, the physical sciences and astronomy, architecture, sculpture, and inventions. Nearly every piece of writing throughout the book is keyed to the piece of artwork it describes. The writing and art is selected by art historian H. Anna Suh, who provides fascinating commentary and insight into the material, making Leonardo's Notebooks an exquisite single-volume compendium celebrating his enduring genius. The Notebooks Of Leonardo Da Vinci, Complete By Leonardo Da Vinci