A brilliant and poetic exploration of the way that we experience time in our everyday lives. Why does time seem so short? How does women's time differ from men's? Why does time seem to move slowly in the countryside and quickly in cities? How do different cultures around the world see time? In A Sideways Look at Time, Jay Griffiths takes readers on an extraordinary tour of time as we have never seen it before. With this dazzling and defiant work, Griffiths introduces us to dimensions of time that are largely forgotten in our modern lives. She presents an infectious argument for other, more magical times, the diverse cycles of nature, of folktale or carnival, when time is unlimited and on our side. This is a book for those who suspect that there's more to time than clocks. Irresistible and provocative, A Sideways Look at Time could change the way we view time-forever.

This volume examines changing boundaries between childhood and adulthood in British society and culture at the beginning of the twenty-first century − where these age boundaries are widely debated, policed, and contested − to investigate alternatives to conventional ideas of growing up. Building on observations, especially in children’s literature criticism, that human growth is shaped by a grand narrative that privileges adulthood, and on terminologies of non-normative growth, particularly in queer theory, this monograph develops growing sideways as a concept that queers this grand narrative by destabilising childhood and adulthood, and the boundaries between them. The concept is refined through close readings of twenty-first century British children’s literature, television series, film, and participatory events, troubling age boundaries via specific strategies in three conceptual areas: appearance, play, and space. Exploring power structures around age and gender, this monograph traces growing sideways as a distinct and important alternative discourse of human growth.

What is an art of life for what feels like the end of a world? In Raving McKenzie Wark takes readers into the undisclosed locations of New York’s thriving underground queer and trans rave scene. Techno, first and always a Black music, invites fresh sonic and temporal possibilities for this era of diminishing futures. Raving to techno is an art and a technique at which queer and trans bodies might be particularly adept but which is for anyone who lets the beat seduce them. Extending the rave’s sensations, situations, fog, lasers, drugs, and pounding sound systems onto the page, Wark invokes a trans practice of raving as a timely aesthetic for dancing in the ruins of this collapsing capital.

Do you as a tennis coach want to get a ready-to-go concept with 72 physical drills, 34 basic tennis drills with 2-12 variations of each drill, progressive development week by week over 2 years time and a red thread at Micro Tennis level? In that case, the book ”Micro Tennis - On Court Blue” may be the right book for you. Background; This book has emerged due to the absence of a well planned document for conducting serious training with children aged about 3-4 years. Children’s early years are very important for the child’s development as an athlete and later on as a healthier and more wholesome exerciser. An active child usually becomes more active as an adult too. Research shows that at different ages, different elements needs to be trained in particular, but the foundation of all motor learning is that you learn new things faster the younger you are. But, the learning should be target-oriented, well planned and be conducted with research as its foundation. That learning is done with joy and with elements of play is a must for children to feel a desire to learn new things. The purpose of this book is to give the tennis coaches, who works with children aged 3-5 years, a well planed training system. Through this book, coaches can systematically train their players step by step with the aim that the players learn to play with a broad physical base, with elements of tennis, which they’ll benefit from for the rest of their lives, not just in tennis. Fore more information please go to www.stonestennis.com.

Dealing with dynamics of processes that repeat themselves regularly, this revised and updated edition extends the thread from 1980 to the present day, concentrating on areas of interest where there will be much activity in the future. This involves going through spatial biochemical, electrophysiological, and organismic dynamical systems and patterns that were discovered by pursuing the theme of phase singularities introduced in the original book. In particular the work on excitability in cell membranes will be thoroughly updated as will the references throughout the book.

Mr. Barnes has 35 years of experience on Wall Street as researcher and trader, with 12 books on quant trading by major publishers ( McGraw Hill, John Wiley, e.g.) The book is for investors in general, people near retirement, and retirees; and details financial steps to take in the face of a weak economy with strong markets. The book is divided into a number of sections: a discussion of what is happening(markets around the world), what caused the mess, and finally what we can do about it. Chapter One details many massive events and functional problems we face. Chapter Two reviews extensively similar market histories, and what they portend. Chapter Three maps out possible scenarios of can occur and a description of a new era. Chapters Four, Five and Six lay out job finding, cost cutting. money placement, and stock market selection and timing for three different groups: working people, near retirement workers, and retirees. A table of worthy stocks to invest in (122) based on the best company analysis criteria ( earnings growth rate), when the time is appropriate ( when to enter the markets), along with four model portfolios (growth, value, conservative, and new era), are presented. A very important capital survival formula is also presented.

The final season of "Lost" took everyone on one last, cross-dimensional ride towards eternity. We saw how being a candidate can be deadly, found a new way to reunite with the dead, and discovered a new meaning for the phrase "Man in Black." Months later, we're either just starting to reflect on it all, or cursing that we ever looked for answers in the first place. For those who still don't regret the last six years, "Lost: It Only Ends Once" takes one final look at the end, and all that came after. The author of "Lost Episode Guide For Others" and "Lost: The Island's Greatest Hits" helps sum up the final 18 1/2 hours, and updates his list of the 42 greatest episodes, characters and scenes of all time. In the process, he shares his own journey inside the Lost fandom, and helps fellow Losties heed the show's final message "To remember....and to let go."

How does science fiction imagine forms of life that are plausible, and yet different from anything that we already know? Fluid Futures is about how science fiction imagines an open future. Science fiction does not claim to predict what will actually happen in times to come. But it offers pictures of potential developments; it narrates the unfolding of possibilities for change that are already implicit, or incipient, in the present moment. As Rod Serling said, science fiction is “the improbable made possible.” The book starts by looking at three tools that are commonly used in science fiction to address futurity: extrapolation, speculation, and fabulation. It goes on to consider concrete examples of how science fiction texts employ these tools to illustrate ways in which the future might be different from – but not entirely discontinuous with – the present-day conditions with which we are familiar. Fluid Futures insists upon the aboutness of science fiction, as it depicts situations and ideas that are at once possible and difficult to grasp. The book then explores how the genre embraces fictionality and narrative, reconceives time, and projects images of possible worlds. The point of the book is not to give a theory of science fiction. Instead, it emphasizes the ways that science fiction texts themselves propose theories, leading readers to reconceive concepts that we have taken for granted.

You've got questions: about space, time, gravity, and the odds of meeting your older self inside a wormhole. All the answers you need are right here. As a species, we may not agree on much, but one thing brings us all together: a need to know. We all wonder, and deep down we all have the same big questions. Why can't I travel back in time? Where did the universe come from? What's inside a black hole? Can I rearrange the particles in my cat and turn it into a dog? Physics professor Daniel Whiteson and researcher-turned-cartoonist Jorge Cham are experts at explaining science in ways we can all understand, in their books and on their popular podcast, Daniel and Jorge Explain the Universe. With their signature blend of humour and oh-now-I-get-it clarity, Jorge and Daniel offer short, accessible, and lighthearted answers to some of the most common, most outrageous, and most profound questions about the universe they've been asked. This witty, entertaining, and fully illustrated book is an essential troubleshooting guide for the perplexing aspects of reality, big and small, from the invisible particles that make up your body to the identical version of you currently reading this exact sentence in the corner of some other galaxy. If the universe came with an FAQ, this would be it.

Children are thoroughly, shockingly queer, as Kathryn Bond Stockton explains in The Queer Child, where she examines children’s strangeness, even some children’s subliminal “gayness,” in the twentieth century. Estranging, broadening, darkening forms of children emerge as this book illuminates the child queered by innocence, the child queered by color, the child queered by Freud, the child queered by money, and the grown homosexual metaphorically seen as a child (or as an animal), alongside the gay child. What might the notion of a “gay” child do to conceptions of the child? How might it outline the pain, closets, emotional labors, sexual motives, and sideways movements that attend all children, however we deny it? Engaging and challenging the work of sociologists, legal theorists, and historians, Stockton coins the term “growing sideways” to describe ways of growing that defy the usual sense of growing “up” in a linear trajectory toward full stature, marriage, reproduction, and the relinquishing of childish ways. Growing sideways is a mode of irregular growth involving odd lingerings, wayward paths, and fertile delays. Contending that children’s queerness is rendered and explored best in fictional forms, including literature, film, and television, Stockton offers dazzling readings of works ranging from novels by Henry James, Radclyffe Hall, Virginia Woolf, Djuna Barnes, and Vladimir Nabokov to the movies Guess Who’s Coming to Dinner, The Hanging Garden, Heavenly Creatures, Hoop Dreams, and the 2005 remake of Willy Wonka and the Chocolate Factory. The result is a fascinating look at children’s masochism, their interactions with pedophiles and animals, their unfathomable, hazy motives (leading them at times into sex, seduction, delinquency, and murder), their interracial appetites, and their love of consumption and destruction through the alluring economy of candy.