The aim of the book is to contribute to the development of Christian bioethics. Particularly, it constitutes a Christian critique of the sovereign bioethics - he kind of bioethics that shapes the relevant discussions in the public arena, and unjustifiably imposes particular values, boundaries and conditions on the discussion relevant to bioethical dilemmas - with special reference to the issues surrounding euthanasia. This critique is made, firstly, on the ground of the assumption that all theories of human existence, including sovereign bioethics share a common ground - all theories serve their own needs of self-presentation through presenting their subjective principles as objective and therefore as appropriate for power claims over human life. This is exemplified through a thorough analysis of the current discussion on euthanasia. Such a procedure is an innovative way on how current bioethics should be examined and evaluated. Such a critique of the sovereign bioethics is further developed on the ground of the patristic tradition and particularly the works of John Damascene and Symeon the New Theologian. Within such a context, the fundamental elements of a Christian anthropology regarding the constitution of man, the character of pain and death as well as the importance of the free will in man are discussed. This discussion is culminated in the presentation of the character of the Christian voluntary death along with its implications from a bioethical point of view.

From a major scholar, a postcolonial perspective on key current and historical issues in Anglicanism, foregrounding the voices of theologians and church leaders from the Global South. In recent years, the Anglican Communion has been consumed by debates about gender, sexuality, authority, and biblical interpretation, which have frequently divided along North/South lines. Much of these controversies stem from the colonial history of Anglicanism. Written by a pioneer in postcolonial theology, this groundbreaking volume challenges Eurocentrism and racism in the Anglican Communion by highlighting the voices of theologians and church leaders from the Global South. The Anglican Tradition from a Postcolonial Perspective scrutinizes Anglican theology and history to advocate for the decolonization of the Church. It examines controversies on Christianity and the social order, economic justice, worship, gender and sexuality, women’s leadership, and the Church’s mission in a religiously pluralistic world.

With fourteen articles written by well-known anthropologists, this book addresses the theme of representation in anthropology and explores the directions in which anthropology is moving following the debates of the 1980s.

This book presents a clear and comprehensive introduction to the diverse and wide-ranging ethical aspects of war and peace. In a fair-minded and engaging analysis, Nigel Dower introduces the different ethical theories in traditional and contemporary debates ? realism, just war theory and pacifism ? and subjects each to detailed critical scrutiny. He frames these debates within a related but distinct framework of three approaches to international relations, namely skeptical realism, internationalism and cosmopolitanism. The book also identifies and evaluates two further important perspectives, militarism and pacificism. Whilst analyzing the advantages and disadvantages of the different outlooks, Dower makes a strong case for a cosmopolitan pacificist position, arguing that we need to see peace in more positive terms than merely the absence of war. The book uses a wide range of examples from across the world and includes discussion of nuclear weapons, new wars, terrorism, humanitarian intervention and human security. Written as a textbook for students who have no prior knowledge of philosophical ethics, The Ethics of War and Peace is designed to help students understand and see the relevance of how a professional philosopher can engage ethically with the world. Each chapter contains a helpful survey of its contents at the beginning and a set of questions for individual reflection or group discussion at the end. This book will be essential reading for students of security studies, conflict resolution, peace studies, philosophy and political theory and anyone interested in the ethical questions which arise from the study of war and peace.

What is cultural about vision--or visual about culture? In this ambitious book, Whitney Davis provides new answers to these difficult and important questions by presenting an original framework for understanding visual culture. Grounded in the theoretical traditions of art history, A General Theory of Visual Culture argues that, in a fully consolidated visual culture, artifacts and pictures have been made to be seen in a certain way; what Davis calls "visuality" is the visual perspective from which certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. In this book, Davis provides a systematic analysis of visuality and describes how it comes into being as a historical form of vision. Expansive in scope, A General Theory of Visual Culture draws on art history, aesthetics, the psychology of perception, the philosophy of reference, and vision science, as well as visual-cultural studies in history, sociology, and anthropology. It provides penetrating new definitions of form, style, and iconography, and draws important and sometimes surprising conclusions (for example, that vision does not always attain to visual culture, and that visual culture is not always wholly visible). The book uses examples from a variety of cultural traditions, from prehistory to the twentieth century, to support a theory designed to apply to all human traditions of making artifacts and pictures--that is, to visual culture as a worldwide phenomenon.

This is the first comprehensive text to address addiction and its multiple effects on and extensions into art, literature, philosophy, and psychology. Most research into addiction has taken place within the disciplines of medicine, criminology, politics, and social psychology. When seen from a broad cultural perspective, however, addiction emerges directly alongside modernity, haunting its various discourses of digression, dissent, and the transcendence of the commonplace. Who could even imagine modern writing without the addictive, visionary excesses of writers like Baudelaire, DeQuincey, Poe, Burroughs, or Artaud? Or, for that matter, modern culture without its "outsiders," its incorrigible addicts, its defaced subjects: smokers, users, overeaters, alcoholics, the insane? Taking a cultural studies approach to addiction, High Culture offers a readable and accessible collection of essays on these socially marginalized practices and discourses so central to modernity.

Peace, Culture, and Violence examines deeper sources of violence by providing a critical reflection on the forms of violence that permeate everyday life and our inability to recognize these forms of violence. Exploring the elements of culture that legitimize and normalize violence, the essays collected in this volume invite us to recognize and critically approach the violent aspects of reality we live in and encourage us to envision peaceful alternatives. Including chapters written by important scholars in the fields of Peace Studies and Social and Political Philosophy, the volume represents an endeavour to seek peace in a world deeply marred by violence. Topics include: thug culture, language, hegemony, police violence, war on drugs, war, terrorism, gender, anti-Semitism, and other topics. Contributors are: Amin Asfari, Edward Demenchonok, Andrew Fiala, William Gay, Fuat Gursozlu, Joshua M. Hall , Ron Hirschbein, Todd Jones, Sanjay Lal, Alessandro Rovati, Laleye Solomon Akinyemi, David Speetzen, and Lloyd Steffen.

Until now, the emphasis in studies of oral traditional works has been placed on addressing the correspondences among traditions--shared structures of "formula," "theme," and "story-pattern." Professor Foley argues that to give the vast and complex body of oral "literature" its due, we must first come to terms with the endemic heterogeneity of traditional oral epics, with their individual histories, genres, and documents, as well as both the synchronic and diachronic aspects of their poetics. This book explores the incongruencies among traditions and focuses on the qualities specific to certain oral and oral-derived works.