A social tragedy is a collective representation of injustice. Baker demonstrates how social tragedies facilitate moral action and discusses a series of contemporary case studies – the death of Princess Diana, Zinédine Zidane's 2006 World Cup scandal, KONY 2012 – to examine their social and political effects.

Winner of the 2017 Paul Sweezy Marxist Sociology Book Award from the American Sociological Association Although humans have long depended on oceans and aquatic ecosystems for sustenance and trade, only recently has human influence on these resources dramatically increased, transforming and undermining oceanic environments throughout the world. Marine ecosystems are in a crisis that is global in scope, rapid in pace, and colossal in scale. In The Tragedy of the Commodity, sociologists Stefano B. Longo, Rebecca Clausen, and Brett Clark explore the role human influence plays in this crisis, highlighting the social and economic forces that are at the heart of this looming ecological problem. In a critique of the classic theory “the tragedy of the commons” by ecologist Garrett Hardin, the authors move beyond simplistic explanations—such as unrestrained self-interest or population growth—to argue that it is the commodification of aquatic resources that leads to the depletion of fisheries and the development of environmentally suspect means of aquaculture. To illustrate this argument, the book features two fascinating case studies—the thousand-year history of the bluefin tuna fishery in the Mediterranean and the massive Pacific salmon fishery. Longo, Clausen, and Clark describe how new fishing technologies, transformations in ships and storage capacities, and the expansion of seafood markets combined to alter radically and permanently these crucial ecosystems. In doing so, the authors underscore how the particular organization of social production contributes to ecological degradation and an increase in the pressures placed upon the ocean. The authors highlight the historical, political, economic, and cultural forces that shape how we interact with the larger biophysical world. A path-breaking analysis of overfishing, The Tragedy of the Commodity yields insight into issues such as deforestation, biodiversity loss, pollution, and climate change.

While trauma and loss can occur anywhere, most suffering is experienced as personal tragedy. Yet some tragedies transcend everyday life's sad but inevitable traumas to become notorious public events: de facto "public" tragedies. In these crises, suffering is made publicly visible and lamentable. Such tragedies are defined by public accusations, social blame, outpourings of grief and anger, spontaneous memorialization, and collective action. These, in turn, generate a comparable set of political reactions, including denial, denunciation, counterclaims, blame avoidance, and a competition to control memories of the event. Disasters and crises are no more or less common today than in the past, but public tragedies now seem ubiquitous. After Tragedy Strikes argues that they are now epochal—public tragedies have become the day's definitive social and political events. Thomas D. Beamish deftly explores this phenomenon by developing the historical context within which these events occur and the role that political elites, the media, and an emergent ideology of victimhood have played in cultivating their ascendence.

What role do novels, drama, and tragedy play within Christian thought and living? The twentieth century Catholic theologian Hans Urs von Balthasar addressed these questions using tragic drama. For him, Christ was the true tragic hero of the world who exceeded all tragic literature and experience. Balthasar demonstrated how ancient, pre-Christian tragedy and Renaissance works contained important Christian concepts, but he critiqued modern novels as failing to be either truly tragic or Christian. By examining the tragic novels of Thomas Hardy on their own terms, we have an important counterpoint to Balthasar's argument that the novel is too prosaic for theological reflection. Hardy's novels are an apt pairing for examination and critique, as they are both classically and biblically influenced, as well as contemporary.The larger implication for Balthasar's theology is that his innovations in theological aesthetics and tragedy must be expanded in the light of modernity and the tragic novel.

India prides itself in a rich tradition of diversity, dialogue and debate. Our democracy draws its sustenance from this tradition. Myths, texts and systems of faith and thought have been cherished, revisited and also challenged. They have often inspired imaginative versions through oral retellings and local adaptations. The dynamism of Indian culture has kept it open to influences and has stood the test of time. In Words Matter, edited by eminent poet and scholar K. Satchidanandan, scholars and writers including Romila Thapar, Githa Hariharan, Pankaj Mishra, Salil Tripathi and Ananya Vajpeyi discuss these definitive values from various points of view. The contributors argue that we must nurture critical thinking to fight all kinds of discrimination and insularity. It lies in our interest as a modern nation to preserve our cultural strength and help democracy flourish.

This volume will be of interest to scholars examining the relationship between culture and identity, concepts of individual and group agency in multicultural settings, and the effect that our globalising world has on regional cultural systems and local communities. From Conflict to Recognition: Moving Multiculturalism Forward grew out of research presented at the 3rd Global Conference of Multiculturalism, Conflict and Belonging held by Inter-Disciplinary.net at Mansfield College, Oxford University in September 2009. The conference provided a platform for researchers from diverse regions of the world and a variety of fields to present their work and engage each other on the major cultural transformations and epistemological shifts occurring in the current global paradigm. A unique aspect of the volume is its dialogic structure: each author refers to the work of other authors in the book; thus forming threads through-out the work, which link what are often perceived as unrelated issues. The volume is comprised of thirteen chapters divided into four thematic sections: Rights, Culture and Recognition; Complex Stories of Identity Formation; The Interweaving of Self and Other – Being and Belonging; and Crossing Boundaries and the Language of the Aesthetic.

This collection of writings brings together Northrop Frye's large body of work on Shakespeare and other Renaissance writers (with the exception of Milton, who is featured in other volumes), and includes major articles, introductions, public lectures, and four previously published books. Spanning forty years of Frye's career as a university professor and literary critic, these insightful analyses not only reveal the author's formidable intellect but also offer the reader a transformative experience of creative imagination. With extensive annotation and an in-depth critical introduction, the volume demonstrates Frye's wide-ranging knowledge of Renaissance culture and its pivotal significance in his work, his impact on Renaissance criticism and the Stratford Shakespeare Festival, and his continuing importance as a literary theorist. Troni V. Grande is an associate professor in the Department of English at the University of Regina. Garry Sherbert is an associate professor in the Department of English at the University of Regina.

Read e-Book of "CLASSICAL LITERATURE AND HISTORY OF ENGLISH LITERATURE" (English Book) for B.A. 5th Semester for all UP State Universities Common Minimum Syllabus as per NEP. ये ई-बुक्स खासतौर पर यूपी राज्य विश्वविद्यालय के लिए डिजाइन की गई हैं। जैसे भीम राव अंबेडकर विश्वविद्यालय आगरा, चौधरी चरण सिंह विश्वविद्यालय मेरठ, महात्मा गांधी काशी विद्या पीठ, वाराणसी, गोरखपुर विश्वविद्यालय, रज्जू भैया विश्वविद्यालय प्रयागराज, रुहेलखंड विश्वविद्यालय, बरेली, पूर्वांचल विश्वविद्यालय आदि।