The David Bowie Chronology, Volume 1, is a comprehensive look at his recording and release history. From the time he left school to pursue a career in music, David Bowie was always working. After years of struggling with bands, releasing singles and a debut album, all of which failed to chart, success first came with ñSpace Oddityî in 1969. The 1972 album The Rise And Fall Of Ziggy Stardust And The Spiders From Mars made David Bowie a household name. This Chronology covers every aspect of David BowieÍs recording career. It looks at his singles, albums and rarities. Demos, alternate versions, remixes and edits, side projects and his work with other artists such as Mott The Hoople and Lou Reed are all explored. The information is presented date by date in chronological order, accompanied by detailed descriptions of each song version, guest appearance, edit, non-album track and alternate version. The book also covers his tours and live appearances.

Planetary scientist and educator Ken Coles has teamed up with Ken Tanaka from the United States Geological Survey's Astrogeology team, and Phil Christensen, Principal Investigator of the Mars Odyssey orbiter's THEMIS science team, to produce this all-purpose reference atlas, The Atlas of Mars. Each of the thirty standard charts includes: a full-page color topographic map at 1:10,000,000 scale, a THEMIS daytime infrared map at the same scale with features labeled, a simplified geologic map of the corresponding area, and a section describing prominent features of interest. The Atlas is rounded out with extensive material on Mars' global characteristics, regional geography and geology, a glossary of terms, and an indexed gazetteer of up-to-date Martian feature names and nomenclature. This is an essential guide for a broad readership of academics, students, amateur astronomers, and space enthusiasts, replacing the NASA atlas from the 1970s.

This absorbing book tells the story of Mars since the dawn of mankind's curiosity for celestial wonders. It covers everything, right from our ancient beliefs, through the revolution in our concepts of the cosmos around us in the 1600s, to the present day knowledge and beyond. It takes the reader on a journey all the way to the futuristic visions of science fiction and terraformed Mars with conditions suitable to Earth life. The story is told in a readable form with an absence of technical jargon. The text is supported by informative imagery and a simple, but inspiring layout with some special features such as a "flip movie" of the rotation of Mars.

In Ancient Aliens on Mars II, New York Times bestselling author Mike Bara returns the reader to Mars to examine the enduring mysteries of the Red Planet. Building on the case made in Ancient Aliens on Mars and using data acquired from sophisticated new scientific instruments like the Mars Odyssey THEMIS infrared imager, Bara shows that the region of Cydonia overlays a vast underground city full of enormous structures and devices that may still be operating. He peels back the layers of mystery to show images of tunnel systems, temples and ruins, and exposes the sophisticated NASA conspiracy designed to hide them and discredit the researchers that discovered these exotic ruins. Bara also tackles the enigma of Mars’ hollowed out moon Phobos, and exposes evidence from over 30 years of observations that it is artificial. Long-held myths about Mars, including claims that it is protected by a sophisticated UFO defense system, are examined and illuminated. Data from the Mars rovers Spirit, Opportunity and Curiosity is examined; everything from fossilized plants to mechanical debris is exposed in images taken directly from NASA’s own archives. Finally, the author offers his take on the secret history of the Red Planet and what happened to the highly advanced civilization that once flourished there.

Addressing their shared passion for literature, art, and music, this book documents how Samuel Beckett and David Bowie produce extraordinarily empathetic creative outputs that reflect the experience and the effect of alienation. Through an exploration of their artistic practices, the study also illustrates how both artists articulate shared forms of human experience otherwise silenced by normative modes of representation. To liberate these experiences, Bowie and Beckett create alternative theatrical, musical, and philosophical spaces, which help frame the power relations of the psychological, verbal, and material places we inhabit. The result is that their work demonstrates how individuals are disciplined by the implicitly repressive social order of late capitalism, while, simultaneously, offering an informed political alternative. In making the injunctions of the social order apparent, Beckett and Bowie also transgress its terms, opening up new spaces beyond the conventional identities of family, nation, and gender, until both artists finally coalesce in the quantum space of the posthuman.

The Modè Book: How to Break into Fashion Journalism, is a 131-page reference that addresses the things most journalism textbooks do not. Traditional books focus on the structure of journalism with emphasis on how to write. The Modè Book gives tailored instruction on the creation, or advancement of a career in the fashion industry. Further, with print journalism changing rapidly, The Modè Book addresses how to exist in fashion media’s new normal where print is no longer king. Written in conversational tone, the text outlines current needs such as: how to promote the article after publication, social media, website building, brand collaborations, how to negotiate, and much more. The book features tons of examples of feature articles, pitching decks, sample queries, marketing templates, and original fashion photography – making this project more than a mere text, but a fashion collectible. Lastly, The Modè Book features writing guidelines for some of the biggest and emerging fashion magazines in the country. It is the ultimate reference for any journalist or aspiring writer who is interested in breaking into fashion as a niche.

THE ULTIMATE EDITION – EXPANDED AND UPDATED WITH MORE THAN 70,000 WORDS OF NEW MATERIALCritically acclaimed in its previous editions, The Complete David Bowie is recognized as the foremost source of analysis and information on every facet of Bowie's work. The A-Z of songs and the day-by-day dateline are the most complete ever published. From his boyhood skiffle performance at the 18th Bromley Scouts' Summer Camp, to the majesty of his final masterpiece Blackstar, every aspect of David Bowie's extraordinary career is explored and dissected by Nicholas Pegg's unrivalled combination of in-depth knowledge and penetrating insight. - The Albums – detailed production history and analysis of every album. - The Songs – hundreds of individual entries reveal the facts and anecdotes behind not just the famous recordings, but also the most obscure of unreleased rarities – from 'Absolute Beginners' to 'Ziggy Stardust', from 'Abdulmajid' to 'Zion'. - The Tours – set-lists and histories of every live show. - The Actor – a complete guide to Bowie's career on stage and screen. - Plus – the videos, the BBC radio sessions, the paintings, the internet and much more.

Weird Astronomy appeals to all who are interested in unusual celestial phenomena, whether they be amateur or professional astronomers or science buffs who just enjoy reading of odd coincidences, unexplained observations, and reports from space probes that "don’t quite fit." This book relates a variety of "unusual" astronomical observations – unusual in the sense of refusing to fit easily into accepted thinking, or unusual in the observation having been made under difficult or extreme circumstances. Although some of the topics covered are instances of "bad astronomy," most are not. Some of the observations recorded here have actually turned out to be important scientific breakthroughs. Included are some amusing anecdotes (such as the incident involving "potassium flares" in ordinary stars and the story of Abba 1, the solar system’s own flare star!), but the book’s purpose is not to ridicule those who report anomalous observations, nor is it to challenge scientific orthodoxy. It is more to demonstrate how what's "weird" often turns out to be far more significant than observations of what we expect to see.