Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

"The splendour of Asia" by L. Adams Beck. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Ruth Fuller Sasaki, who died in 1967, was a pivotal figure in the emergence and development of Zen Buddhism in the United States. She is the only Westerner — and woman — to be made a priest of a Daitoku–ji temple and was mentor to Burton Watson, Philip Yampolsky, and Gary Snyder, and mother–in–law of Alan Watts. This is the first biography of her remarkable life. Few devoted their lives to Zen Buddhism as Ruth Fuller did. As a senior student of Sokei — an Sasaki in New York — Ruth helped him develop the infrastructure of what would eventually become The First Zen Institute in New York City. She married Sasaki in 1944, and it was her mission to maintain the Institute and later, to establish The First Zen Institute of America in Japan. Her legacy remains today in the Zen facilities she helped build in New York and abroad and in the many texts she saw through translation, published from the 1950s to the 1970s. For the first time in book form, three of her writings are included here — Zen: A Religion, Zen: A Method for Religious Awakening, and Rinzai Zen Study for Foreigners in Japan.

SPLENDOUR OF BUDDHISM IN BURMA A JOURNEY TO THE GOLDEN LAND BY PASCAL CHRISTEL An illustrated book offers a wide-ranging overview of Buddhism in Myanmar. Having been struck by the wonder and visual magnificence of Myanmar (Burma) during his travels there in 2015, Christel was inspired to write this work exploring the intricacies of the land, which, as he points out, has yet to be completely overrun with tourists. Visitors may find the place difficult to understand in any case, the author explains: “This is not a simple issue of democracy versus military junta. The practice of Theravada Buddhism for almost 90 per cent of the population includes some fatalism in order to reach nirvana.” Although Christel’s volume looks at a broad spectrum of the country’s life and art, the main focus here is on the many sects and flavors of Buddhism and the various ways the religion intertwines itself with all levels of society. Buddhism, the author writes, “is all over, sovereign in the behavior of people, their way of life, their kindness, and their beliefs, but also in the art and architecture.” That architecture in all its variety forms the heart of his book and is brought alive in a profusion of prints, ancient illustrations, and hundreds of original images by assorted photographers. Christel explores dozens of the nation’s art forms, from pottery and lacquer work to ancient manuscripts and various architectural styles. He explains everything with an assured combination of enthusiasm and knowledge, whether he’s writing about a tiny, obscure shrine perched on stilts off some little-visited waterway or an elaborate temple complex. The energy in tackling all of these details never flags; the author is always excited about the next discovery. “Burma is a treasure and a delight,” he writes. “One’s eyes are never at rest, and one must have the camera always ready for a shot.” Readers, whether they’ve been to Myanmar or not, will feel as if they’ve trekked all over the country with a friendly, knowledgeable guide. A comprehensive, engrossing, and splendidly illustrated guide to the Buddhist art and architecture of Myanmar. Review Program: KIRKUS INDIE Categories: ART & PHOTOGRAPHY | PHILOSOPHY & RELIGION

This interdisciplinary study is the first book to provide a complete survey of Śrī Nālandā Mahāvihāra from the perspective of its educational curricula as well as its religious influence. It provides detailed descriptions of the origin, growth, management, and academic and cultural life of Nālandā, with particular attention to its pedagogy, curriculum, teachers, and students. It also presents an alternative interpretation of nationalist and popular notions about Śrī Nālandā as an international university and proves that it was, at its core, a Buddhist monastery and an institution of Buddhist learning focused on the study and promotion of Buddhism.