During the summer of 1964, over one thousand people, including many college students went to Mississippi as part of a state wide effort to register African-American voters and to establish teaching centers that became known as "Freedom Schools." Participants began their training at a college campus in Ohio. Motivated by a strong sense of social justice, Tracy Sugarman, an artist and commercial illustrator from Westport, Connecticut, joined the volunteers in Ohio and set out to document the people and events of what turned out to be an historic period. Sugarman joined the freedom riders, and while somewhat older and more experienced than most of them, was an active participant throughout. Sugarman traveled to Mississippi and shared all the experiences of the workers as well as their fears and anxiety as they were greeted by anger and violence by many white Mississippians. Sugarman describes and beautifully illustrates the living conditions, day-to-day activities, and the interpersonal relationships that developed between the host families and the visitors. The author introduces us and vividly portrays many of the important people in the movement, including Bob Moses and many others, but he also focuses on the ordinary citizens and hosts. Other works have set forth the significant events that occurred during that summer, including especially the Goodman/Schwerner/Chaney murders that took place in Neshoba County and startled the American public. This first hand account focuses more on the human experiences and its meaning for participants. It is an essential source of information about what Freedom Summer did for those who took part in it and now, with the 50th anniversary of Freedom Summer, Stranger at the Gates will bring to life this momentous period for modern readers. Most of the wonderful illustrations created for the 1966 edition of Stranger at the Gates have been reproduced here, and as a special bonus, 26 illustrations that were not included in the original book are included in a gallery of Freedom Summer in brilliant drawings that bring to life, in Tracy Sugarman's powerful reportorial style, the people and places of 1964 Mississippi.

"The Strangers in Our Midst tells the story of how American evangelicals have responded to refugees and immigrants - ranging from the Cuban refugee influx in the 1960s, to the Southeast Asian refugees in the 1980s, to undocumented immigrants from Latin America in the 1990s and 2000s. Evangelical Christians have been a pillar of US immigration and refugee policy since the end of World War II in two key ways: by acting as refugee sponsors and by offering legalization assistance to undocumented immigrants. They developed an elaborate evangelical theology of hospitality, which emphasized scriptural commands to "welcome the stranger." Initially, evangelicals did not distinguish between legal immigrants and refugees and "illegal," undocumented immigrants. However, a growing anti-immigrant consensus in American society at large and their political alignment with the Republican Party caused them to shed their welcoming approach to immigrants in the 1990s. Evangelicals were now divided in their stances on immigration, as conservative evangelicals viewed only legal immigrants as deserving of their aid, while progressive evangelicals-led by their Latinx coreligionists-emphasized the need for Christians to help all immigrants. In the twenty-first century, a group of Latinx evangelical leaders resurrected and reshaped the evangelical theology of hospitality in an effort to turn the tide in the evangelical debate on immigration. The results are mixed: Unprecedented numbers of evangelicals favor a pathway to citizenship for undocumented immigrants. Yet as the 2016 presidential election showed, this preference had no impact on their political choices"--

Who do you turn to, when everyone's a stranger and you stop believing what your own eyes see? Finnie Doyle and Paddy Lamb are leaving city life in Edinburgh behind them and moving to the little town of Simmerton. Paddy has landed a partnership in a local solicitors and Finnie's snagged a job as a church deacon. Their rented cottage is quaint; their new colleagues are charming, and they can't believe their luck. But witnessing the bloody aftermath of a brutal murder changes everything. They've each been keeping secrets about their pasts. And they both know their precious new start won't survive a scandal. Together, for the best of reasons, they make the worst decision of their lives. And that's only the beginning. The deep, deep valley where Simmerton sits is unlike anywhere Finn and Paddy have been before. They are not the only ones hiding in its shadow and very soon they've lost control of the game they decided to play... Praise for Catriona McPherson: 'An unnerving and suspenseful novel' Karin Slaughter 'Just the right mixture of spookiness and mystery' James Oswald 'A gripping thriller' Ian Rankin 'A Gothic feast of a novel, this is a country house book with a difference: contemporary, punchy and disturbing, but using the tricks and twists of the best of Christie' Ann Cleeves 'Go To My Grave is both a classic 'country house mystery' and a thriller. Atmospheric, with mind-bending twists, a narrator who may or may not be reliable, and an ending that will take your breath away and leave you astonished' Louise Penny ' . . . drew me in from the very first page, and I stayed up late reading it because I couldn't wait to find out what happened next. That's the definition of a good book' Charlaine Harris, #1 New York Times bestselling author 'A tale that shivers with suspense' The New York Times

Contemporary efforts to treat sex offenders are rooted in the post-Second World War era, in which an unshakable faith in science convinced many Canadian parents that pedophilia could be cured. Strangers in Our Midst explores the popularization of the notion of sexual deviancy as a way of understanding sexual behaviour, the emergence in Canada of legislation directed at sex offenders, and the evolution of treatment programs in Ontario. Popular discourses regarding sexual deviancy, legislative action against sex criminals, and the implementation of treatment programs for sex offenders have been widely attributed to a reactionary, conservative moral panic over changing sex and gender roles after the Second World War. Elise Chenier challenges this assumption, arguing that, in Canada, advocates of sex-offender treatment were actually liberal progressives. Drawing on previously unexamined sources, including medical reports, government commissions, prison files, and interviews with key figures, Strangers in Our Midst offers an original critical analysis of the rise of sexological thinking in Canada, and shows how what was conceived as a humane alternative to traditional punishment could be put into practice in inhumane ways.

"[These volumes] are endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.

The advent of photography opened up new worlds to 19th century viewers, who were able to visualize themselves and the world beyond in unprecedented detail. But the emphasis on the photography's objectivity masked the subjectivity inherent in deciding what to record, from what angle and when. This text examines this inherent subjectivity. Drawing on photographs that come from personal albums, corporate archives, commercial photographers, government reports and which were produced as art, as record, as data, the work shows how the photography shaped and was shaped by geographical concerns.