Every four years, the International Calvin Congress gathers a wide spectrum of presenters from leading scholars to early-career researchers to learn from each other through several days of plenary lectures, panel sessions, and discussions. This volume of collected essays features current research on John Calvin, with a focus on the impact of the exile experience in early modern Europe. Several contributions explore how exile and return shaped Calvin and Reformed communities more generally, while others shed light on key topics in Calvin research, including explorations of his biblical exegesis, theological insights, and the impact of debates with his contemporaries. This volume brings together both senior scholars and newer voices in Calvin studies.

"Migration throws objects, identities and ideas into flux across a global network of travelling cultures. Examining life-changing journeys that transplanted artists and intellectuals from one cultural context to another, Exiles, Diasporas & Strangers offers a thematic overview of the critical and creative role of estrangement and displacement in the story of 20th-century art.Revealing the traumatic conditions that shaped numerous variants of modernism – among indigenous artists in Australia and Canada as much as émigré art historians from Central Europe – these critical studies also highlight multidirectional patterns of cross-appropriation that trouble the settled boundaries of national belonging, whether manifested in 1920s Nigeria or in post-modern works by black British artists of the 1980s. Coming up to date with historical perspectives on conceptual art’s engagement with alterity, Exiles, Diasporas & Strangers makes a unique contribution to art history’s rapprochement with the post-colonial turn.--

Finding place and identity in a globalized world

Hundreds of German-speaking film professionals took refuge in Hollywood during the 1930s and 1940s, making a lasting contribution to American cinema. Hailing from Austria, Hungary, Poland, Russia, and the Ukraine, as well as Germany, and including Ernst Lubitsch, Fred Zinnemann, Billy Wilder, and Fritz Lang, these multicultural, multilingual writers and directors betrayed distinct cultural sensibilities in their art. Gerd Gemünden focuses on Edgar G. Ulmer’s The Black Cat (1934), William Dieterle’s The Life of Emile Zola (1937), Ernst Lubitsch’s To Be or Not to Be (1942), Bertold Brecht and Fritz Lang’s Hangmen Also Die (1943), Fred Zinneman’s Act of Violence (1948), and Peter Lorre’s Der Verlorene (1951), engaging with issues of realism, auteurism, and genre while tracing the relationship between film and history, Hollywood politics and censorship, and exile and (re)migration.

The Intellectual as Stranger explores the historical association between images of the intellectual and those of the stranger, or the outsider to society. Using detailed case-studies, Pels examines the ambiguous strangerhood of political intellectuals such as Marx, Durkheim, Sorel, Freyer and Hendrik de Man.

Throughout its entire history, the discipline of anthropology has been perceived as undermining, or even discrediting, Christian faith. Many of its most prominent theorists have been agnostics who assumed that ethnographic findings and theories had exposed religious beliefs to be untenable. E. B. Tylor, the founder of the discipline in Britain, lost his faith through studying anthropology. James Frazer saw the material that he presented in his highly influential work, The Golden Bough, as demonstrating that Christian thought was based on the erroneous thought patterns of 'savages.' On the other hand, some of the most eminent anthropologists have been Christians, including E. E. Evans-Pritchard, Mary Douglas, Victor Turner, and Edith Turner. Moreover, they openly presented articulate reasons for how their religious convictions cohered with their professional work. Despite being a major site of friction between faith and modern thought, the relationship between anthropology and Christianity has never before been the subject of a book-length study. In this groundbreaking work, Timothy Larsen examines the point where doubt and faith collide with anthropological theory and evidence.

This collection of the Pope's writings and talks on the plight of migrants and refugees shows his deep knowledge and concern. It points out how followers of Christ are obliged to understand the root causes of mass movement of peoples and to act in light of their suffering.

In Shaping the Stranger Churches: Migrants in England and the Troubles in the Netherlands, 1547–1585, Silke Muylaert explores the struggles confronting the Netherlandish churches in England when they engaged with (or disengaged from) the Reformation and the Revolt back in their homeland. The churches were conflicted over the limits of religious zeal and over political loyalty. How far could Reformers go to promote their faith without committing sin? How much loyalty did they owe to Philip II and William of Orange? While previous narratives ascribe a certain radicalism to the foreign churches, Muylaert uncovers the difficulties confronting expatriate churches to provide support for Reformed churches or organise resistance against authorities back home.