Shows that the administrative bodies of international organizations can develop informal working routines that allow them to exert influence beyond their formal autonomy. It is relevant to all political scientists as well as broader audiences interested in the dynamics of global policy making and the role of public administrations therein.

"Reading Matter" defines a comprehensive set of methodological approaches that can be used to analyze and interpret material culture and relate it to personality and society. The author's focus is on the material culture of postliterate societies and cultures, both contemporary and historical. In the first part of the book, Berger offers discussions of the main concepts found in semiotic, historical, anthropological, psychoanalytic, Marxist, and sociological analysis. The second part uses these disciplines to investigate one subject--fashion--and what the author calls the "denimization" phenomenon, showing how different methods of "reading" material culture end up with different perspectives on things--even when they are dealing with the same topic.

This volume, through theoretical essays and empirically grounded pieces on Le Corbusier's designs, contemporary suburbs, and the planning agendas of the World Trade Center site, provides theory on the appreciation of site and context in architecture.

This volume presents a multidisciplinary perspective on dance scholarship and practice as they have evolved in India and its diaspora, outlining how dance histories have been written and re-written, how aesthetic and pedagogical conventions have changed and are changing, and how politico-economic shifts have shaped Indian dance and its negotiation with modernity.. Written by eminent and emergent scholars and practitioners of Indian dance, the articles make dance a foundational socio-cultural and aesthetic phenomena that reflects and impacts upon various cultural intercourses -- from art and architecture to popular culture, and social justice issues. They also highlight the interplay of various frameworks: global, national, and local/indigenous for studying these diverse performance contexts, using dance as a critical lens to analyse current debates on nationalism, transnationalism, gender and sexuality, and postcolonial politics. At the performace level, some articles question the accepted divisions of Indian dance (‘classical’, ‘folk’, and ‘popular’) and critique the dominant values associated with classical dance forms. Finally, the book brings together both experiential and objective dimensions of bodily knowledge through dance.

Substantive, ethnographically informed research on the politics of Black hair Drawing on interviews with over 50 women, from teens to seniors, Hair Matters is the first book on the politics of Black hair to be based on substantive, ethnographically informed research. Focusing on the everyday discussions that Black women have among themselves and about themselves, Ingrid Banks analyzes how talking about hair reveals Black women's ideas about race, gender, sexuality, beauty, and power. Ultimately, what emerges is a survey of Black women's consciousness within both their own communities and mainstream culture at large.

In Essays on Derek Parfit's On What Matters, seven leadingmoral philosophers offer critical evaluations of the central ideaspresented in a greatly anticipated new work by world-renowned moralphilosopher Derek Parfit. Presents critical assessments of what promises to be one of thekey moral philosophy texts of our time Features essays by a team of leading philosophers includingPrinceton's Michael Smith, one of the world's leadingmeta-ethicists Addresses Parfit's central thesis - that the main ethicaltheories can agree on what matters - as well as his defense ofmoral realism

Dance Matters Too: Markets, Memories, Identities is a rich intellectual contribution to the growing field of dance studies in India. It forges new avenues of scholarly inquiry and critical engagement and opens the field in innovative ways. This volume builds on Dance Matters (2009), which mapped the interdisciplinary breadth of the field. The chapters presented here continue to underline the uniqueness of a field that is a blend of critical scholarship on aesthetics and performance with the humanities and social sciences. Including diverse material, analytical approaches and perspectives from scholars and practitioners, this multidimensional volume explores debates on dance preservation and tradition in globalizing India, multimedia choreographies and the circulation of dance via electronic media, embodiment and memory, power, democracy and bourgeoning markets, classification and censorship, and corporatization and Bollywood. This tour de force will appeal to those in dance and performance studies, cultural studies, sociology as well as to readers interested in tradition, modernity, gender and globalization.