What links are there between Piet Mondrian’s unfinished work Victory Boogie Woogie (1942–4) and post-war Japanese and Japanese-style architectural photography? As far back as the mid-1950s, critics and photographers were inclined to link Mondrian’s painting with modern Japanese architecture and some historians were to go so far as to assert that Mondrian himself had been influenced by traditional Japanese architecture.Powerful associations such as these contributed to the coming together of Western and Japanese architectural modernity. They also underpinned the survival of Japonisme in architecture, or put another way, of the neo-Japonisme that emerged after the Second World War. However, while this kinship between Mondrian’s abstraction and the aesthetic of Japanese architecture is little apparent in architecture, it does show in architectural photography. This book, which takes a sidelong look at Mondrian, examines the works of the foremost among Japanese and American architectural photographers in an effort to interpret the dynamics of how the world of architecture was Japanized between 1945 and 1985.

While analyzing Damon Runyon's high spirited work in terms of historical contexts, popular culture, and of the changing function of the media, Schwarz argues that in his columns and stories Runyon was an indispensable figure in creating our public images of New York City culture, including our interest in the demi-monde and underworld that explains in part the success of The Godfather films and The Sopranos . In his lively and exuberant chapters that include a panoramic view of New York City between the World Wars - with a focus on its colourful nightlife - Schwarz examines virtually every facet of Runyon's career from sports writer, daily columnist, trial reporter, and Hollywood figure to the author of the still widely-read short stories that were the source of the Broadway hit Guys and Dolls . As part of his discussion of Runyon's art and the artistry of Runyon's fiction, Schwarz skilfully examines the special language of the Broadway stories known as 'Runyonese', and explains how 'Runyonese' has become an adjective for describing flamboyant behaviour.

Longlisted for the Penderyn Music Book Prize An Uncut Magazine Book of the Year A Rough Trade Book of the Year A Resident Book of the Year The story of soul legend P.P. Arnold is one of musical highs, personal lows and extraordinary endurance. From her origins in powerhouse church gospel, the talented singer's performing career began at the age of just seventeen when she joined the Ike & Tina Turner Revue. But little did the young Ikette know that her world was about to be turned upside-down... Upon arriving in London in 1966 to support the Rolling Stones, the shy but vivacious teenager caught the eye of frontman Mick Jagger. He would persuade her to stay in the city and record as a solo artist, ultimately leading to a five-decade career working with everyone from Rod Stewart, Eric Clapton, the Small Faces, Nick Drake and Barry Gibb to Peter Gabriel, Roger Waters, the KLF, Paul Weller and Primal Scream. However, it has been far from a gilded life for the soul superstar. After being forced into marriage upon becoming pregnant at the age of fifteen, Arnold went on to endure a string of devastating personal traumas. Yet the versatile musician survived it all and has continued to reinvent herself throughout the years -be that as a West End actress, a much-sought-after session singer or a renowned pop vocalist in her own right. Now, for the first time, P.P. Arnold shares her remarkable adventures. This is the long-awaited memoir of a true soul survivor. 'Jaw-dropping.' - Mojo 'Powerful.' - Woman's Hour 'Explosive.' - Daily Mail

The bestselling author of Shakey: Neil Young's Biography presents the first in-depth biography of the legendary soul singer Al Green. Al Green has blessed listeners with some of the biggest hits of the past fifty years. "Love and Happiness," "I'm Still in Love with You," "Let's Get Married," and "I'm Tired of Being Alone" are but a sampling of the iconic songs that led a generation to embrace love in perhaps the most tumultuous period in this country's history, an unparalleled body of work that has many calling Green one of the greatest soul singers of all time. The music legend has sold over 20 million albums and been sampled by numerous rappers, and even President Obama has been known to sing a chorus or two. The now-Bishop Green is without a doubt one of the most beloved yet inscrutable figures ever to grace the popular music stage, and he has managed to magically sidestep being successfully scrutinized in print. Until now. Acclaimed journalist and author Jimmy McDonough expertly tackles this most elusive of subjects and aims to present readers with the definitive portrait of a man everyone knows but few understand. McDonough manages to break through Green's joyous veneer to reveal the contrary, tortured, and solitary individual beneath, a man who spent decades dancing an uneasy tightrope between the sacred and the profane. From his childhood in the backwaters of Arkansas to commanding the stage in front of throngs of lusting fans to addressing a very different audience from the pulpit of his own church, readers will bear witness to the creation of some of the most electrifying soul music ever recorded; learn the hitherto untold real story behind Green's colorful down-home Memphis label, Hi Records; and--by way of countless in-depth interviews with major players in the story, some speaking for the very first time -- unravel one of the last great mysteries in popular music: Al Green.

Bombshell - Boogie Woogie II Your spouse, lover, significant other, or trusted friend - cheated on you. Wow! He or she betrayed the sacred vows and commitment you made on your wedding day, before witness and God only to leave you to suffer through the sickening whirlwind of anger, grief, anxiety, and, perhaps worst of all, your shattered sense of sense of self-esteem due to being caught up in the boogie woogie. You are terrified! Period! You feel hopeless; as there is no way you will ever be able to get past the horror and put the pieces of your devastated marriage or relationship back together again ... But it happened. You will get over it. Even the best in our society goes through the hurt and boogie woogie. Boogie Woogie II will share the pain, healing, laughter, and awareness of those perhaps caught up and those that were smart enough to heal and move on. But in order to defeat the boogie woogie the following notions must be accepted and understood: betrayal, being vengeful, feeling guilt, being in a state of fear, carrying around anger, feeling frustrated, and paranoid feelings, and disappointment (not necessarily in these order).

In late 2004, the Brennan Center for Justice began a research project to learn how well fair began a research project to learn how well fair use and free expression are faring among artists, scholars, and others who make critical contributions to culture and democratic discourse. Our discussions with members of PEN American Center, Women Make Movies, the College Art Association, and the Location One Gallery yielded two common themes. The first was that artists and scholars have great interest in, and confusion about, fair use. The second was a need for community support and pro bono legal assistance in their dealings with publishers, distributors, and other cultural gatekeepers.

The Story of Boogie-Woogie: A Left Hand Like God examines the socio-historical background of the boogie-woogie piano style, from its early appearances in the barrelhouses of lumber, turpentine, and railroad camps in the southern United States, to its emergence at rent parties in Chicago and St. Louis, to its rise as a popular form of music in the nightclubs of New York, to its status as an international craze during World War II. In this enhanced revision of A Left Hand Like God, Peter J. Silvester presents a comprehensive history of boogie-woogie, describing the style's appearance and development, its offshoots, and the pianists who made it famous, and studying its impact on rhythm and blues, urban blues, and big band swing, leading to the eventual revival of 'classical' boogie-woogie in concerts and festivals. Silvester discusses significant European and American pianists of boogie-woogie throughout history, providing biographical information about their life styles and musical influences and offering an analysis of their important recordings. The book also includes a new chapter on the contribution of national and independent record companies to the recording of boogie-woogie music. A thorough bibliography and a final appendix providing many of the bass patterns common in boogie-woogie make this a valuable reference.

Hours of bone-crunching zombie action with 100 paths and 50 endings to choose from—perfect for fans of The Walking Dead. "Creepy, chilling, and lots of nasty fun" (Jonathan Maberry). Inside these pages lies unspeakable horror. Bloodsplattering, brain-impaling, flesh-devouring horror. You’ve probably read your fair share of zombie stories. But this time it’s different. No longer can you sit idle as a bunch of fools make all the wrong moves. All hell is about to break loose—and YOU have a say in humanity’s survival. You have choices to make. Moral dilemmas. Strategic decisions. Weapons. Vehicles. Will you be a hero? Or will you cover your own ass at all costs? Can you withstand the coming hours, days, weeks, and months? Or will you die amidst the chaos and violence of a zombie uprising? Or, worst of all, will you become one of them?

Music, like romance, is the language of the soul. Music allows us to express ourselves, and in so doing makes us feel alive. Jazz music, the only art form created by Americans, reminds us that the genius of America is improvisation; a good beat, a contagious rhythm, an emotional ballad, creative improvisation, jazz has it all. Jazz is the story of extraordinary human beings, black and white, male and female, children of privilege and children of despair, who were able to do what most of us only dream of doing: create art on the spot. Their stories are told in Blue Notes. Blue Notes contains profiles of 365 jazz personalities, one for each day of the year. Each vignette tells a story, some heartwarming, others tragic, but all memorable. The daily entries also provide valuable information on jazz styles, jazz history, instruments and instrumentalists, and such related topics as jazz and religion, women in jazz, drug and alcohol abuse, and racism. These topics can be referenced through an extensive set of indexes. The book's appendix includes helpful background information, a concise overview of jazz music, and even a quiz on jazz biography. While Blue Notes is written for jazz fans in general, experts will value its comprehensive nature. So whether you are curious about jazz or simply love and appreciate music, Blue Notes will provide daily moments of discovery and help you recognize what the rest of the world already has, a music so compelling that it can be said to define the human being in the twentieth century.

"Etta tells it like it is. I related to every page. Great book!"--Ray Charles Etta James--brash, sassy, and uncannily gifted--has left a soul-sized footprint on modern music, from blues to R&B to jazz. As the Houston Chronicle puts it, her "expressive voice and exquisite dramatic timing can actually make you tremble." Rage to Survive captures that amazing voice. Etta tells riveting stories of her youth in Los Angeles--from being discovered at age five singing in her church choir (when celebrities like Lana Turner and Orson Welles would sneak in the back to listen to the girl genius) to why she hates encores (her father would drag her out of bed in the middle of the night to sing for his card-playing buddies) to her first hit record and her work with Chuck Berry, Tina Turner, and the great stars of the Golden Age of Soul. She tells of meeting the man she believes is her father--the legendary pool hustler Minnesota Fats--her recovery from the grip of drugs, her childhood dealing with a mother who worked on the streets, and her lifelong trouble with "bad men." To quote Liz Smith in Newsday: "Candid? Brutally honest? You don't know about candor and brutal honesty until you've read Etta's life story in her own rough, unvarnished, and humorously right-on words . . . any major movie studio would do itself a huge favor by turning this book into a sizzling, big-screen saga."