First published in 1989 and taking place in downtown Toronto, one of the earliest of the modern urban fantasies, Gate of Darkness, Circle of Light is the story of a fight against encroaching darkness by a developmentally handicapped young woman, a street musician with no idea of his potential, a bag-lady who's tired of picking up the pieces, and an adept of the light. Mixing actual Toronto ghost-stories with traditional Faire, a police procedural, and a cat, Gate of Darkness, Circle of Light opened a gate at street level to the urban fantasy that followed. REVIEWS "A mentally disadvantaged young woman who sees what other people don't, a street musician, a social worker, and a bag-lady join forces with an 'Adept of the Light' to fight the encroaching darkness that stalks the streets of modern Toronto. In a departure from the 'strict' fantasy of Child of the Grove (LJ 5/15/88) and The Last Wizard, Huff's real-world fantasy presents an enlightened, compassionate view of the forgotten heroes of urban society. Highly recommended." --Library Journal

Robert Bedford a very rich man is found in his locked Study dead. The police close the case as a suicide, but a young Architect and his girlfriend question the manner of the death. What happens next upsets the heirs to the Bedford fortune and the closed case.

Hock is hired by the son of the mayor of the city to investigate a woman who is suspected of being a threat to the political ambitions of his father. Hock quickly clears her, but in the process the mayors wife is murdered. Rehired to pursue the killer, Hock finds himself entangled with several exceptionally sexy women. Shydra, one of these, proves especially infuriating and distracting. With the help of the police and a crime boss in the city Hock doggedly follows the twists and turns of his inquiry as it moves towards its surprising conclusion.

They stand by side on the rock, facing out to sea. They are hidden from land here. Even spies would see nothing of them. It is spring 1917 in the Cornish coastal village of Zennor, and the young artist Clare Coyne is waking up to the world. Ignoring the whispers from her neighbours, she has struck a rare friendship with D.H. Lawrence and his German wife, who are hoping to escape the war-fever of London. In between painting and visits to her new friends she whiles away the warm days with her cousin John, who is on leave from the trenches, harbouring secrets she couldn't begin to understand. But as the heat picks up, so too do the fear and the gossip that haunt the village. And the freedom to love will come at a steep price. ______________________________________________ **Winner of the McKitterick Prize** 'Highly original and beautifully written' Sunday Telegraph 'Electrifying . . . Helen Dunmore mesmerizes you with her magical pen' Daily Mail 'Deceit gives Helen Dunmore's novel a jagged edge. Secrets, unspoken words, lies that have the truth wrapped up in them somewhere make Dunmore's stories ripples with menace and suspense' Sunday Times 'We believe in Clare's intelligence, talent and passion. A triumph' Independent on Sunday

Reproduction of the original: Darkness and Dawn by Frederic W. Farrar

Jon's days are numbered. The mine will consume his life any day. Will this offer to farm inside a game be any better? He wants nothing but to farm in the real world, and he’s given that chance in a VRMMORPG. With a new lease on life, he accepts it. But when he’s robbed of his only tool to farm sufficient quota, he has no other option but to enter the deadliest forest of the region and die at the hands of a druid to obtain a skill that will help him reach his goals. However. Death awaits at every step in the forest, and he can’t die more than thrice. What will Jon do? Find out more about Jon's epic journey in BlackFlame Online. You can expect below things from this book series. 1) Farming. 2) Unique Classes. 3) Town Building. 4) Epic large scale battles. 5) Forbidden Spells.

War is coming between the Shield Knight and the Exarch. But neither sees the dark power manipulating the battle from the shadows. To drive the Exarch from her stronghold on the Isle of Kordain, Ridmark is gambling on a bold strategy - to reach the Isle through the twisting caverns of the Deeps. But the caverns of the Deeps are filled with deadly dangers and deeper mysteries. And disturbing one of those mysteries might wake a darkness to dwarf even the Exarch herself...

I began writing The Days of Darkness in 1972. Where the story came from I don’t recall, only that I envisioned a man running for his life. Perhaps there is some connection to the writings of William Faulkner whose works I was studying at the time. At any rate I wrote only a few thousand words before laying the manuscript aside. Over the next few years I added to it, but I think I didn’t have a clear notion of where the story was going or what was to happen. Only after three decades had elapsed did I return to the writing. As I re-read it, I began to formulate a notion of what to do with it and to explore where it might be directed. Gradually I resumed writing and added characters, discovering where it was leading and following some unstated inclination or impetus. Soon it began to take shape, forcing me to deal with the larger issues of North versus South, black versus white, justice versus injustice, and man versus woman. I suppose The Days of Darkness is in some arcane way allegorical. But it isn’t possible for me to explain that or even to explore it; to me it’s just a story I wrote in which I try to say something meaningful. I think that is what all stories try to do.