Where were the women of the so-called `Auden Generation'?During this era of rapidly changing gender roles,social values and world politics,women produced a rich variety of poetry.But until now their work has largely been lost or ignored;in Women's Poetry of the 1930s Jane Dowson finally redresses the balance and recovers women's place in the literary history of the interwar years.This comprehensive and beautifully edited collection includes: *Previously uncollected poems by authors such as Winifred Holtby and Naomi Mitchison *Poems which are now out of print,such as those by Vita Sackville-West and Frances Cornford *Poems previously neglected by poets including Ann Ridler and Sylvia Townsend Warner *An extensive critical introduction and individual biographies of each poet Poetry lovers,students and scholars alike will find Women's Poetry of the 1930s an invaluable resource and a collection to treasure.

Decentering the traditional narrative of American breadlines, Soviet show trials and German fascists, The Global 1930s takes a truly international approach to exploring this turbulent decade. Though nationalism was prevalent throughout this period, Matera and Kent contend that the 1930s are better characterized by the development of internationalist impulses and transnational connections, and this volume illlustrates how the familiar events of this decade shaped and were shaped by a much wider global context. Thematically organized, this book is divided into four main parts, covering the evolving concept and trappings of modernism, growing political and cultural internationalism, the global economic crisis and challenges to liberalism. Chapters discuss topics such as the rivalry between imperial powers, colonial migration and race relations, rising anti-colonial sentiments, feminism and gender dynamics around the world, the Great Depression and its far-reaching repercussions, the spread of both communist and fascist political ideologies and the descent once more into global warfare. This book deftly interrogates the western-focused historical tropes of the interwar years, emphasizing the importance and interconnectedness of events in Asia, Africa and Latin America. Wide-ranging and comprehensive, it is essential and fascinating reading for all students of the international history of the 1930s.

French Anti-Americanism offers a historical exploration of the central role of anti-Americanism in French thought, and the often compromised position of France's intelligentsia during World War II. It was in the years preceding World War II, with its complex fears and uncertainties, that America first took center stage as a target for French anxieties. Dr. Seth D. Armus examines the cultural stability of French anti-Americanism and how it has survived colossal political shifts nearly unchanged. Focusing on the contributions made by inter-war intellectuals, this book demonstrates how some of the most striking elements of contemporary anti-Americanism, including a frequent intersection with anti-Semitism, were fully developed six or seven decades ago. Through a study of characters ranging from Nazi collaborators to Catholic humanists, Dr. Armus provides a sophisticated analysis of French anti-Americanism as a cultural phenomenon-distinct from mere political opposition to American foreign policy. French Anti-Americanism is an engaging read that will appeal to scholars of French and American studies, as well as those interested in international relations.

"Traces the American silk industry, once the world's largest, through case studies of the Nonotuck (Northampton, Massachusetts), Haskell (Westbrook, Maine), and Mallinson (New York and Pennsylvania) silk companies. Examines entrepreneurs as well as history of technology and products from sewing-machine thread to mass-produced plain and high-fashion silks"--Provided by publisher.

Many people have fond memories of Friday nights and Saturday afternoons spent in theatres watching cowboy stars of the 1930s, 1940s, and 1950s chase villains across the silver screen or help a heroine out of harm's way. Over 2,600 Westerns were produced between 1930 and 1955 and they became a defining part of American culture. This work focuses on the idea that Westerns were one of the vehicles by which viewers learned the values and norms of a wide range of social relationships and behavior, and thus examines the ways in which Western movies reflected American life and culture during this quarter century. Chapters discuss such topics as the ways that Westerns included current events in film plot and dialogue, reinforced the role of Christianity in American culture, reflected the emergence of a strong central government, and mirrored attitudes toward private enterprise. Also covered is how Westerns represented racial minorities, women, and Indians.

Once war broke out in September 1930 the Nazi Party newspaper, Völkischer Beobachter, sent its first representative to London. Soon afterwards, German residents in London established an Ortsgruppe, or local Nazi group, which provided Party members with a place to congregate and support the new movement. By 1933, more than 100 members belonged to the London group. The Nazis in pre-war London created a dilemma for the Foreign Office and the Home Office, who were divided as to how best to treat residents whose allegiance was to the German Reich. Some felt that all Nazi organizations should be banned, and Party Members should not be allowed to enter the UK. Others, including MI5, argued that it would be easier to keep track of Nazis if they were in-country. Previously unpublished German documents reveal the fate of German diplomats, journalists, and professionals, many of whom were interned in Britain or deported to Nazi Germany once war broke out on 3 September 1939. Nazis in Pre-War London is the first book to study the history of the Nazis in Britain. An Appendix lists the details concerning the nearly 400 German Party members, as well as Nazi journalists, who spent time in Britain prior to the war.

Despite the stock market crash of October 1929, thousands of theatregoers still flocked to the Great White Way throughout the country’s darkest years. In keeping with the Depression and the events leading up to World War II, 1930s Broadway was distinguished by numerous political revues and musicals, including three by George Gershwin (Strike Up the Band, Of Thee I Sing, and Let ’Em Eat Cake). The decade also saw the last musicals by Gershwin, Jerome Kern, and Vincent Youmans; found Richard Rodgers and Lorenz Hart in full flower; and introduced both Kurt Weill and Harold Arlen’s music to Broadway. In The Complete Book of 1930s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 1930 through 1939. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. It includes such shows as Anything Goes, As Thousands Cheer, Babes in Arms, The Boys from Syracuse, The Cradle Will Rock, The Green Pastures, Hellzapoppin, Hot Mikado, Porgy and Bess, Roberta, and various editions of Ziegfeld Follies. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and list of published scripts, as well as lists of black-themed and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1930s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.

Scholars of film history and feminist studies will appreciate the breadth of work in this volume.

An Encyclopedic Dictionary of Women in Early American Films: 1895-1930 is an A-to-Z reference guide (illustrated with over 150 hard-to-find photographs!) that dispels the myth that men dominated the film industry during its formative years. Denise Lowe, author of Women and American Television: An Encyclopedia, presents a rich collection that profiles many of the women who were crucial to the development of cinema as an industryand as an art form. Whether working behind the scenes as producers or publicists, behind the cameras as writers, directors, or editors, or in front of the lens as flappers, vamps, or serial queens, hundreds of women made profound and lasting contributions to the evolution of the motion picture production.

Until recently, immigration policy was largely in the hands of a small group of bureaucrats, who strove desperately to fend off "offensive" peoples. Barbara Roberts explores these government officials, showing how they not only kept the doors closed but also managed to find a way to get rid of some of those who managed to break through their carefully guarded barriers. Robert's important book explores a dark history with an honest and objective style. Published in English.