This work explores the interaction of American Protestant missionaries with Iranians during the 1960s and 1970s. It focuses on the missionary activities of four American Protestant groups: Presbyterians, Assemblies of God, International Missions, and Southern Baptists. It argues that American missionaries’ predisposition toward their own culture confused their message of the gospel and added to the negative perception of Christianity among Iranians. This bias was seen primarily in the American missionaries’ desire to modernize Iran through education and healthcare, and between the missionaries’ relationship with Iranian Christians. Iranian attitudes towards missionary involvement in these areas are investigated, as is the changing American missionary strategy from a traditional method where missionaries had the final say on most matters related to American and Iranian Christian interaction, to the beginnings of an indigenous system where a partnership developed between the missionary and the Iranian Christian.

For the uninitiated the author has obligingly supplied a definition for the slasher/splatter film: "Any motion picture which contains scenes of extreme violence in graphic and grisly detail...." For those film viewers who think this is a good thing and are more likely to select The Texas Chainsaw Massacre than The Remains of the Day, or for those who are not quite sure but are nevertheless drawn to the phantasmagoric, or for those horrified by gratuitous violence and blood for blood's sake but are researching this filmic phenomenon, this reference book provides all the gory details. From At Midnight I'll Take Your Soul Away to Zombie 2: The Dead Are Among Us, this book is an exhaustive study of the splatter films of the 1960s and 1970s. After a history of the development of the genre, the main meat of the book is a filmography. Each entry includes extensive credits, alternate names and foreign release titles; availability of the film on videocassette; availability of soundtracks and film novelization; and reviews. Extensive cross-referencing is also included.

Previously unpublished photographs documenting buses and coaches around the Thames Valley during this interesting period.

Make love, not war. At the heart of the 1960s was a desire for change, a yearning for a new way of living and a rejection of the old order. From the civil rights movement or the Vietnam War to the Apollo moon landings or the launch of the birth control pill, and from the Beatles to the Beat Generation, it was a period of revolutionary change. Packed full of fabulous facts and quotes – from civil rights leaders and counterculture icons to writers, artists and musicians – this little book captures the key events, icons and ideas that defined this tumultuous decade. "A man may die, nations may rise and fall, but an idea lives on." John F. Kennedy, 1963 "We must learn to live together as brothers or perish together as fools." Martin Luther King, 1964 "We don't like their sound. Groups of guitars are on the way out." Decca executive, after turning down the Beatles, 1962 The yellow smiley face was born in 1963 when American graphic designer Harvey Ball was approached by State Mutual Life Assurance Company to create a morale booster for employees. In 1967, South African surgeon Christiaan Barnard performed the world's first human heart transplant. In 1969, Woodstock – one of the most famous music festivals of all time – took place. More than 400,000 people attended the three days of peace and music.

Over half a century on, the 1960s continue to generate strong intellectual and emotional responses - both positive and negative - and this is no less true in the arena of film. Making substantial use of new and underexplored archive resources that provide a wealth of information and insight on the period in question, this book offers a fresh perspective on the major resurgence of creativity and international appeal experienced by British cinema in that dramatic decade. Transformation and Tradition in 1960s British Cinema is the first scholarly volume on this period of British cinema for more than twenty-five years. It provides a major reconsideration of the period by focusing on the central tensions and contradiction between novelty/revolution and continuity/tradition during what remains a highly contentious period of cultural production and consumption.

Journey back to the Silver Age with the Mirth of a Nation himself, Archie Andrews! Continue the 80th anniversary celebration of Archie Comics with this special retrospective collection! Archie shined bright in the 1960s when his standalone title proved to be interesting, hilarious and unforgettable -- and the dates were always double-booked! "Decades" features some of the iconic stories that cemented his lasting imprint on the world.

Postbop Jazz in the 1960s shows innovations in postbop composition of the 1960s at the hands of jazz composers such as Wayne Shorter, Herbie Hancock, Chick Corea, among others. The book develops analytical pathways through a number of compositions, many of them well-known jazz compositions.

The first synoptic history of how the Royal Society faced up to the challenges of continued relevance from 1960 onwards.

In the 1950s and 1960s, luxury car buyers, from government ministers to captains of industry, almost invariably bought British. These were stately, dignified, and grand vehicles, with many featuring leather interiors and wood trim. Unfortunately, that market has now largely disappeared and, with it, so have the car-makers themselves. This new book covers cars in the over-3-litre class from the biggest names in British luxury motoring including Alvis, Daimler, and Lagonda, and high-end models from Austin, Rover, and Jaguar. It examines the features and characteristics of these classic cars, as well as explaining why they fell from prominence in the 1970s. Replete with beautiful photography throughout, this book is a loving portrait of the British luxury car, a dearly missed saloon defeated by foreign imports.