The era that inspired Stranger Things... The 1980s were marked by the rise of conservative politics, the outbreak of the AIDS epidemic and, at the decade's close, the crumbling of the Berlin Wall – an event that heralded the start of a new age in global politics. Culturally, there was an explosion of creativity while material wealth and consumerism were on the rise. Icons such as Madonna and Michael Jackson dominated the music charts, groundbreaking films like E.T. captured hearts and the rise of cable television led to an abundance of entertainment options. Packed full of fabulous facts and fascinating quotes, this little book explores the key events, icons and ideas that defined the coolest of decades. "Mr Gorbachev, tear down this wall!" Ronald Reagan, 1987 "I am not less life-loving than you are. But I cannot sell my birthright, nor am I prepared to sell the birthright of the people to be free." Nelson Mandela, 1985 "I stand for freedom of expression, doing what you believe in and going after your dreams." Madonna On 8 December 1980, ex-Beatle John Lennon was shot dead. MTV, Music Television launched on 1 August 1981. In 1983, the Motorola DynaTac 8000X – affectionately known as "the Brick" – was launched. It could store 30 numbers.

A visual portrait of a British city and its people fighting to survive an era of industrial decline, captured by a steelworker-turned-photographer. The social, industrial, and economic changes imposed on the Sheffield area during the 1980s are captured with remarkable clarity in this volume featuring the work of steelworker-turned-photographer Martin Jenkinson. Like many northern England and Scottish cities during that decade, Sheffield went through troubled times, even as parts of southeast England, especially the City of London, boomed. The gap between north and south became a chasm. Jenkinson photographed people in their everyday lives at work and at play. However, where he particularly excelled was his work with the trade union and labor movement, in workplaces and on protests, demonstrations, and pickets. Some of the images in this book capture joy and laughter; some portray suffering. They provide a loud cry for social justice, a better world where unemployment is no more, poverty is swept away, and everyone, black and white, male and female, can enjoy a life where their talents are used for the collective improvement of all. In reflecting on the not-so-distant past, Jenkinson’s photographs are about a world we still must aim to obtain.

The 1980s is remembered as a time of big hair, synthetic music, and microwave cookery. It is also remembered as the heyday of conservative politics, socioeconomic inequality, and moral panics. It is dichotomously remembered as either a nostalgic age of innocence or a regressive moral wasteland, depending on who you ask, and when. But, most of all, it is remembered. In retro fashion trends, in '80s-based film and television narratives, and through countless rebooted movies, video games, superheroes, and even political slogans imploring us to Make America Great Again (Again). More than merely a historical period, "the '80s" has grown into a contested myth, ever-evolving through the critical and expressive lens of popular culture. This book explores the many shapes the '80s mythos has taken across a diverse array of media. Essays examine television series such as Stranger Things, Cobra Kai, and POSE, films such as Dallas Buyers Club, Summer of '84, and Chocolate Babies, as well as video games, pop music, and toys. Collectively, these essays explore how representations of the 1980s influence the way we think about our past, our present, and our future.

The Routledge Handbook of English Language and Digital Humanities serves as a reference point for key developments related to the ways in which the digital turn has shaped the study of the English language and of how the resulting methodological approaches have permeated other disciplines. It draws on modern linguistics and discourse analysis for its analytical methods and applies these approaches to the exploration and theorisation of issues within the humanities. Divided into three sections, this handbook covers: sources and corpora; analytical approaches; English language at the interface with other areas of research in the digital humanities. In covering these areas, more traditional approaches and methodologies in the humanities are recast and research challenges are re-framed through the lens of the digital. The essays in this volume highlight the opportunities for new questions to be asked and long-standing questions to be reconsidered when drawing on the digital in humanities research. This is a ground-breaking collection of essays offering incisive and essential reading for anyone with an interest in the English language and digital humanities.