No detailed description available for "The Atharvaveda".

In India both the Rgveda and the Atharvaveda represent the earliest age in the history of sacred literature. However the spirit of the Atharvaveda breathes of a prehistoric stage. Some of its charms, witchcrafts and exorcism go back to Indo-European period. Dr. A. Kuhn has proved how some of its spells for curing bodily ailments agree in purpose and content as well as to some extent even in form, with certain old German, Lettic and Russian charms. Every evil thing in nature, from a drought to a fever or bad qualities of the human heart, is personified and made the object of terror-stricken propitiation, or of attempt at circumvention through witchcraft, or the instrument of harm to others through the same compelling nature. Here as there, worship takes the form of conjuring, not prayer; its ministers are sorcerers, not priests. The synonyms of the Atharvaveda like Atharvangirasah, Bhrgavangirasah and Brahmaveda speak of the development and the status it has enjoyed from time to time. In domestic sacrifices the Atharvan influence has been indelible. A deep study of the Atharvaveda and other Vedic texts unfolds new dimensions to modern sciences namely Comparative Philology, Comparative Mythology, Comparative Religion and Comparative Literature. Though Vedic literature the practical teaching of the classical languages in Europe has undergone an important change. The intellectual debt of Europe to India has thus been immense. It may perhaps become greater still in these post-independence years. Its special features include: a comparative study of the Saunaka and the Paippalada schools; and pointed references to the latest but lesser known researches expressed in Sanskrit language in the sixteen volumes Vedic Padanukramakosa by Acarya Dr. Vishva Bandhu Shastri and his distinguishes colleagues. This will evoke response from enlightened scholars for our prospective publications on other works.

In India both the Rgveda and the Atharvaveda represent the earliest age in the history of sacred literature. However the spirit of the Atharvaveda breathes of a prehistoric stage. Some of its charms, witchcrafts and exorcism go back to Indo-European period. Dr. A. Kuhn has proved how some of its spells for curing bodily ailments agree in purpose and content as well as to some extent even in form, with certain old German, Lettic and Russian charms. Every evil thing in nature, from a drought to a fever or bad qualities of the human heart, is personified and made the object of terror-stricken propitiation, or of attempt at circumvention through witchcraft, or the instrument of harm to others through the same compelling nature. Here as there, worship takes the form of conjuring, not prayer; its ministers are sorcerers, not priests. The synonyms of the Atharvaveda like Atharvangirasah, Bhrgavangirasah and Brahmaveda speak of the development and the status it has enjoyed from time to time. In domestic sacrifices the Atharvan influence has been indelible. A deep study of the Atharvaveda and other Vedic texts unfolds new dimensions to modern sciences namely Comparative Philology, Comparative Mythology, Comparative Religion and Comparative Literature. Though Vedic literature the practical teaching of the classical languages in Europe has undergone an important change. The intellectual debt of Europe to India has thus been immense. It may perhaps become greater still in these post-independence years. Its special features include: a comparative study of the Saunaka and the Paippalada schools; and pointed references to the latest but lesser known researches expressed in Sanskrit language in the sixteen volumes Vedic Padanukramakosa by Acarya Dr. Vishva Bandhu Shastri and his distinguishes colleagues. This will evoke response from enlightened scholars for our prospective publications on other works.

Goddess Images Are Omnipresent Within The Cultural Fabric Of India, Yet Most Indians Are Unaware Of Uplifting Meanings These Images Convey. In The Book, Images Of Indian Goddesses,. Dr. Madhu Bazaz Wangu Explains The Emergence Of Indian Goddesses Within The Changing Social, Political And Cultural Environment From The Prehistoric To The Present Times And Explains Their Metaphysical Meanings. Why Are Hindu Goddesses Paradoxical In Nature? Why Are They Portrayed As Erotic And Maternal Simultaneously? Why Do They Have Multiple Arms? Why Do Some Of Them Have Their Own Vehicle (Vahana) And Some Do Not? Why Are Such Images Portrayed On The Popular Calendar- Posters? The Book Answers Such Questions And Helps The Reader Understand Their Meanings. The Goddesses Discussed Range From The Devoted Sita To The Sinister Kali; From The Warrior Durga To The Auspicious Shri Lakshmi; From The Erotic Radha To The Serene Sarasvati And Many Others. Dr. Wangu Firmly Feels That If Experienced Hindu Goddesses Have A Potential For Stimulating The Onlooker'S Innermost Self. Experiencing Goddess Imagery Uplifts This Worldly Life And Ponders The Nature Of The Other -Worldly Existence. Furthermore, The Book Argues That The Goddesses Are Stimulating And Empowering Models Not Only For Indian Women But For All. Images Of Indian Goddesses Helps A Common Person Understand And Appreciate The Bewildering Number Of Female Images Expressed In India'S Sacred Art. The Book Is Not Only Absorbing And Inspiring, It Also Offers A Visual Treasury Of Goddess Art Images. Its Text Is Food For The Mind And The Illustrations Are A Feast For The Eyes.