In early 1869, Harry Wright of the Cincinnati Base Ball Club made an announcement to the sporting press: the Red Stockings would be the first all-professional club in the history of the game. The outcry could be heard in nearly every town in which the sport was played. Wright, however, paid little heed to their protests and went about his business of signing players. By the start of the season he had inked ten players to contracts, with salaries ranging from $600 to $1,400 annually. By June of 1870, the Red Stockings had compiled a 90-game winning streak and were recognized as the finest team in the game. How the Red Stockings were formed, who the players were, and why things came to an end are all fully covered in this detailed history.

WINNER of the Society for American Baseball Research's (SABR) 2017 Larry Ritter Awardfor best baseball book of the Deadball Era The complete story surrounding the most famous and significant player transaction in professional sports The sale of Babe Ruth by the Boston Red Sox to the New York Yankees in 1919 is one of the pivotal moments in baseball history, changing the fortunes of two of baseball's most storied franchises, and helping to create the legend of the greatest player the game has ever known. More than a simple transaction, the sale resulted in a deal that created the Yankee dynasty, turned Boston into an also-ran, helped save baseball after the Black Sox scandal and led the public to fall in love with Ruth. Award-winning baseball historian Glenn Stout reveals brand-new information about Babe and the unique political situation surrounding his sale, including: -Prohibition and the lifting of Blue Laws in New York affected Yankees owner and beer baron Jacob Ruppert -Previously unexplored documents reveal that the mortgage of Fenway Park did not factor into the Ruth sale - Ruth's disruptive influence on the Red Sox in 1918 and 1919, including sabermetrics showing his negative impact on the team as he went from pitcher to outfielder The Selling of the Babe is the first book to focus on the ramifications of the sale and captures the central moment of Ruth's evolution from player to icon, and will appeal to fans of The Kid and Pinstripe Empire. Babe's sale to New York and the subsequent selling of Ruth to America led baseball from the Deadball Era and sparked a new era in the game, one revolved around the long ball and one man, The Babe.

Why are Americans obsessed with the home run in sports, business, and even life? What made the steroid era inevitable? Revisiting the great home run seasons of Babe Ruth through those of Barry Bonds, All the Babe's Men answers these and other provocative questions. Baseball, and particularly the long ball itself, evolved via accident, necessity, and occasional subterfuge. During the dead-ball era, pitching ruled the game, and home run totals hovered in the single digits. Then a ban on the spitball and the compression of stadium dimensions set the stage for new sluggers to emerge, culminating in Ruth's historic sixty-homer season in 1927. The players, owners, and fans became hooked on the homer, but our addiction took us to excess. As the home run became the ultimate goal for hitters, players went to new lengths to increase their power and ability to swing for the fences. By the time Barry Bonds set a new single-season record in 2001, Americans had to face the fact that their national pastime had become corrupted from within. Through a play-by-play analysis of the game's historic long-ball seasons, its superstars, and the contemporary legal nightmares and tainted records, All the Babe's Men divulges how America evolved into a home run society where baseball is king.

A "marvelous" (Sports Illustrated) portrait of the three men whose lives were forever changed by WWI-era Boston and the Spanish flu: baseball star Babe Ruth, symphony conductor Karl Muck, and Harvard law student Charles Whittlesey. In the fall of 1918, a fever gripped Boston. The streets emptied as paranoia about the deadly Spanish flu spread. Newspapermen and vigilante investigators aggressively sought to discredit anyone who looked or sounded German. And as the war raged on, the enemy seemed to be lurking everywhere: prowling in submarines off the coast of Cape Cod, arriving on passenger ships in the harbor, or disguised as the radicals lecturing workers about the injustice of a sixty-hour workweek. War Fever explores this delirious moment in American history through the stories of three men: Karl Muck, the German conductor of the Boston Symphony Orchestra, accused of being an enemy spy; Charles Whittlesey, a Harvard law graduate who became an unlikely hero in Europe; and the most famous baseball player of all time, Babe Ruth, poised to revolutionize the game he loved. Together, they offer a gripping narrative of America at war and American culture in upheaval.

The Rock, the Curse, and the Hub is a collection of original essays about the people and places of Boston sports that live in the minds and memories of Bostonians and all Americans. Each chapter focuses on the games and the athletes, but also on which sports have defined Boston and Bostonians.

Edd Roush was once ejected from a game for falling asleep in the outfield. Dan Friend played left field while dressed in a bathrobe. Outfielder Len Koenecke was killed attempting history’s first skyjacking. Pitchers Fritz Peterson and Mike Kekich swapped not only their wives but also their children, station wagons, and pets. Baseball history is brimming with the weird, the bizarre, and the hard to believe. Baseball's Most Wanted™chronicles 700 of the most outlandish players, managers, and owners throughout baseball history. Its seventy lists describe in humorous detail baseball’s top-ten inept players, strange plays, bad practical jokes, bizarre nicknames, murderers, politicians, Don Juans, unusual contracts, notable nicknames, curses, worst trades, freak injuries, unsolved mysteries, least-known records, and more. Many of these anecdotes have been published here for the first time.

Presents the history of America from the earliest times of the Native Americans to the Clinton administration.

Beginning in 1963 with the publication of Betty Friedan's The Feminine Mystique and reaching a high pitch ten years later with the televised mega-event of the “Battle of the Sexes”—the tennis match between Billie Jean King and Bobby Riggs—the mass media were intimately involved with both the distribution and the understanding of the feminist message. This mass media promotion of the feminist profile, however, proved to be a double-edged sword, according to Patricia Bradley, author of Mass Media and the Shaping of American Feminism, 1963-1975. Although millions of women learned about feminism by way of the mass media, detrimental stereotypes emerged overnight. Often the events mounted by feminists to catch the media eye crystalized the negative image. All feminists soon came to be portrayed in the popular culture as “bra burners” and “strident women.” Such depictions not only demeaned the achievements of their movement but also limited discussion of feminism to those subjects the media considered worthy, primarily equal pay for equal work. Bradley's book examines the media traditions that served to curtail understandings of feminism. Journalists, following the craft formulas of their trade, equated feminism with the bizarre and the unusual. Even women journalists could not overcome the rules of “What Makes News.” By the time Billie Jean King confronted Bobby Riggs on the tennis court, feminism had become a commodity to be shaped to attract audiences. Finally, in mass media's pursuit of the new, counter-feminist messages came to replace feminism on the news agenda and helped set in place the conservative revolution of the 1980s. Bradley offers insight into how mass media constructs images and why such images have the kind of ongoing strength that discourages young women of today from calling themselves “feminist.” The author also asks how public issues are to be raised when those who ask the questions are negatively defined before the issues can even be discussed. Mass Media and the Shaping of American Feminism, 1963-1975 examines the media's role in creating the images of feminism that continue today. And it poses the dilemma of a call for systematic change in a mass media industry that does not have a place for systematic change in its agenda.

When House Speaker Paul Ryan urged U.S. women to have more children, and Ross Douthat requested “More babies, please,” in a New York Times column, they openly expressed what policymakers have been discussing for decades with greater discretion. Using technical language like “age structure,” “dependency ratio,” and “entitlement crisis,” establishment think tanks are raising the alarm: if U.S. women don’t get busy having more children, we’ll face an aging workforce, slack consumer demand, and a stagnant economy. Feminists generally believe that a prudish religious bloc is responsible for the protracted fight over reproductive freedom in the U.S. and that politicians only attack abortion and birth control to appeal to those “values voters.” But hidden behind this conventional explanation is a dramatic fight over women’s reproductive labor. On one side, elite policymakers want an expanding workforce reared with a minimum of employer spending and a maximum of unpaid women’s work. On the other side, women are refusing to produce children at levels desired by economic planners. By some measures our birth rate is the lowest it has ever been. With little access to childcare, family leave, health care, and with insufficient male participation, U.S. women are conducting a spontaneous birth strike. In other countries, panic over low birth rates has led governments to underwrite childbearing and childrearing with generous universal programs, but in the U.S., women have not yet realized the potential of our bargaining position. When we do, it will lead to new strategies for winning full access to abortion and birth control, and for improving the difficult working conditions U.S. parents now face when raising children.