Sandy Kurtz has problems. He's got a baby on the way, his wife doesn't love him, and he's struggling to find passion or purpose at his big-box retail job. And, once a month, he turns into a werewolf. In Darrin Doyle's deft hands, Sandy's story is a tall tale for our times, an absurd and darkly comedic take on toxic masculinity, small-town America, and the terror of not knowing who you are—or who you're capable of becoming. Join us on the trip. Feel the power of the full moon as it turns you into a carnivore capable of ruling the wilds of rural Michigan. Taste the rich blood of a pulsing animal heart; feel it cascade down your face as you transform into what you always wanted to be. Enter...the wolf.

CHAPTER I What determined the speech that startled him in the course of their encounter scarcely matters, being probably but some words spoken by himself quite without intention—spoken as they lingered and slowly moved together after their renewal of acquaintance. He had been conveyed by friends an hour or two before to the house at which she was staying; the party of visitors at the other house, of whom he was one, and thanks to whom it was his theory, as always, that he was lost in the crowd, had been invited over to luncheon. There had been after luncheon much dispersal, all in the interest of the original motive, a view of Weatherend itself and the fine things, intrinsic features, pictures, heirlooms, treasures of all the arts, that made the place almost famous; and the great rooms were so numerous that guests could wander at their will, hang back from the principal group and in cases where they took such matters with the last seriousness give themselves up to mysterious appreciations and measurements. There were persons to be observed, singly or in couples, bending toward objects in out-of-the-way corners with their hands on their knees and their heads nodding quite as with the emphasis of an excited sense of smell. When they were two they either mingled their sounds of ecstasy or melted into silences of even deeper import, so that there were aspects of the occasion that gave it for Marcher much the air of the “look round,” previous to a sale highly advertised, that excites or quenches, as may be, the dream of acquisition.

Before his death in 1870, Robert E. Lee penned a letter to Col. Charles Marshall in which he argued that we must cast our eyes backward in times of turmoil and change, concluding that Òit is history that teaches us to hope.Ó Charles Pierce Roland, one of the nationÕs most distinguished and respected historians, has done exactly that, devoting his career to examining the SouthÕs tumultuous path in the years preceding and following the Civil War. History Teaches Us to Hope: Reflections on the Civil War and Southern History is an unprecedented compilation of works by the man the volume editor John David Smith calls a Òdogged researcher, gifted stylist, and keen interpreter of historical questions.ÓThroughout his career, Roland has published groundbreaking books, including The Confederacy (1960), The Improbable Era: The South since World War II (1976), and An American Iliad: The Story of the Civil War (1991). In addition, he has garnered acclaim for two biographical studies of Civil War leaders: Albert Sidney Johnston (1964), a life of the top field general in the Confederate army, and Reflections on Lee (1995), a revisionist assessment of a great but frequently misunderstood general. The first section of History Teaches Us to Hope, ÒThe Man, The Soldier, The Historian,Ó offers personal reflections by Roland and features his famous ÒGI CharlieÓ speech, ÒA Citizen Soldier Recalls World War II.Ó Civil WarÐrelated writings appear in the following two sections, which include RolandÕs theories on the true causes of the war and four previously unpublished articles on Civil War leadership. The final section brings together RolandÕs writings on the evolution of southern history and identity, outlining his views on the persistence of a distinct southern culture and his belief in its durability. History Teaches Us to Hope is essential reading for those who desire a complete understanding of the Civil War and southern history. It offers a fascinating portrait of an extraordinary historian.

One in twenty drinkers in North America have an alcohol dependency problem, and 12% of men and 2.2% of women suffer from a disease that is alcohol-related or die prematurely due to alcohol intake. Statistics show that 85% percent of people in alcohol rehabilitation programs will relapse. This book is a practical addition or alternative to recovery. Learn how to take charge of your life as you read about the author's horrendous true life story and follow her through 31 days of rehabilitation.#xD;#xD;** This book contains mature subject matter and language **

Unlike any other text that discusses day hospital programming, A Guide to Creative Group Programming in the Psychiatric Day Hospital contains protocols for the invention of new groups, saving you the time and effort needed to create one yourself. Intended for social workers, psychologists, and occupational therapists, this book introduces new and unique methods on how to invent or manage groups for a day hospital program, inpatient unit, or intensive outpatient program. The text also includes exercises that address the topics of motivation, self-esteem, shifting cognitive distortions, and risk-taking in relationships. Because the protocols were created with different types of patient groups in mind, this book contains ideas not offered in typical treatment settings. A Guide to Creative Group Programming in the Psychiatric Day Hospital is designed to help clinicians capture the interest of patients and to promote the discourse of important treatment issues by providing: 50 protocols for operating existing day hospital, inpatient or outpatient groups advice, professional opinions, and notes from the author to the clinician on all protocols exercises to help patients strengthen their abilities to handle the activities of daily living and socialization several hypothetical exercises, complete with a list of preparations, a description of the activity, and progress notes from observations with patient assessments numerous examples that use parts of popular movies to create new groups and stimulate discussion comprehensive, easy-to-follow instructions for both clinicians and patients The protocols in A Guide to Creative Group Programming in the Psychiatric Day Hospital contain detailed example activities complete with worksheets, skits, sample discussions, and hypothetical patient reactions to certain topics. Many exercises request that the patient set goals for himself or herself before starting a new topic. In addition, there is suggested homework for the patient to complete after a topic has been discussed, allowing you to monitor what your patients have learned and how they have improved after the exercise. After reading A Guide to Creative Group Programming in the Psychiatric Day Hospital, you’ll be ready to treat your patients using easy, effective methods that will lead to successful group discussions and lessen the chance of patient relapse.

Existing research on monsters acknowledges the deep impact monsters have especially on Politics, Gender, Life Sciences, Aesthetics and Philosophy. From Sigmund Freud’s essay ‘The Uncanny’ to Scott Poole’s ‘Monsters in America’, previous studies offer detailed insights about uncanny and immoral monsters. However, our anthology wants to overcome these restrictions by bringing together multidisciplinary authors with very different approaches to monsters and setting up variety and increasing diversification of thought as ‘guiding patterns’. Existing research hints that monsters are embedded in social and scientific exclusionary relationships but very seldom copes with them in detail. Erving Goffman’s doesn’t explicitly talk about monsters in his book ‘Stigma’, but his study is an exceptional case which shows that monsters are stigmatized by society because of their deviations from norms, but they can form groups with fellow monsters and develop techniques for handling their stigma. Our book is to be understood as a complement and a ‘further development’ of previous studies: The essays of our anthology pay attention to mechanisms of inequality and exclusion concerning specific historical and present monsters, based on their research materials within their specific frameworks, in order to ‘create’ engaging, constructive, critical and diverse approaches to monsters, even utopian visions of a future of societies shared by monsters. Our book proposes the usual view, that humans look in a horrified way at monsters, but adds that monsters can look in a critical and even likewise frightened way at the very societies which stigmatize them.

The Revelation to John has been with us for about 2000 years and has been the subject of diverse attempts at interpretation. The Revelation as given is a vision of the end time work of the Son of Man and the sole purpose is to prepare humanity for that mission and offer them the chance to recognise the last Envoy of God when He does come. It is only with this understanding in view that the Revelation can be appreciated. All the promised messages for the end-time are now available to us and I believe we are in a better position to understand the message of The Revelation. Indeed, I believe that we urgently need to understand its message. The urge and pressure amongst all striving human spirits to unravel the mysteries of The Revelation represents this need. This study is not a substitute for The Revelation, but may be regarded as a call for a deeper study and hopefully an awakening to the need to experience the times in a more alert manner. The work is offered in the recognition that the Revelation is being fulfilled in this epoch and as such is a must read for all striving human spirits

In medieval literature, when humans and animals meet—whether as friends or foes—issues of mastery and submission are often at stake. In the Skin of a Beast shows how the concept of sovereignty comes to the fore in such narratives, reflecting larger concerns about relations of authority and dominion at play in both human-animal and human-human interactions. Peggy McCracken discusses a range of literary texts and images from medieval France, including romances in which animal skins appear in symbolic displays of power, fictional explorations of the wolf’s desire for human domestication, and tales of women and snakes converging in a representation of territorial claims and noble status. These works reveal that the qualities traditionally used to define sovereignty—lineage and gender among them—are in fact mobile and contingent. In medieval literary texts, as McCracken demonstrates, human dominion over animals is a disputed model for sovereign relations among people: it justifies exploitation even as it mandates protection and care, and it depends on reiterations of human-animal difference that paradoxically expose the tenuous nature of human exceptionalism.