The British terrain is a gold mine for the student of architecture. Ranging in era from ancient times to the present day—from Stonehenge to the Millennium Dome—this volume's 76 entries include palaces, castles, bridges, churches, country houses, and various public buildings and monuments, as well as such well-known features of British architecture and design as terraced houses, suburban semi-detached houses, and public telephone kiosks. Detailed yet accessible to nonspecialist readers, the alphabetical entries also provide cross-references and lists of additional information sources in both print and electronic formats. Appendixes list the entries by location, architectural style, and architect/designer; explain the defining characteristics of major British architectural styles; and discuss the importance of the Crown, peerage, and Parliament in British architectural history. Besides a detailed subject index, the volume includes a timeline, a general bibliography, a glossary of architectural terms, and an introduction that traces the development of British architecture from prehistoric and Roman times to the 21st century. Written by an associate professor of architecture at Oklahoma State University, Architecture of England, Scotland, and Wales, part of Greenwood's Reference Guides to National Architecture series, presents architectural biographies of these countries' most famous and significant structures.

The History of the Church through its Buildings takes the reader to meet people who lived through momentous religious changes in the very spaces where the story of the Church took shape. Buildings are about people, the people who conceived, designed, financed, and used them. Their stories become embedded in the very fabric itself, and as the fabric is changed through time in response to changing use, relationships, and beliefs, the architecture becomes the standing history of passing waves of humanity. This process takes on special significance in churches, where the arrangement of the space places members of the community in relationship with one another for the performance of the church's rites and ceremonies. Moreover, architectural forms and building materials can be used to establish relationships with other buildings in other places and other times. Coordinated systems of signs, symbols, and images proclaim beliefs and doctrine, and in a wider sense carry extended narratives of the people and their faith. Looking at the history of the church through its buildings allows us to establish a tangible connection to the lives of the people involved in some of the key moments and movements that shaped that history, and perhaps even a degree of intimacy with them. Standing in the same place where the worshippers of the past preached and taught, or in a space they built as a memorial, touching the stone they placed, or marking their final resting-place, holding a keepsake they treasured or seeing a relic they venerated, probably comes as close to a shared experience with these people as it is possible to come. Perhaps for a fleeting moment at such times their faces may come more clearly into focus...

Each year a billion dollars is spent on church buildings in the United States. Yet there is no authoritative book available to guide building committees, ministers, and others responsible for new churches in the theological implications of their work. Dr. White explores the theological and historical considerations relevant to building for Protestant worship. Surprisingly, these are often ignored by building committees, usually with disastrous results. His approach is highly original, especially in his theological treatment of worship; yet his book is also a operative in the largest sense, in that it relates theology to practice. Professor White begins with a critical analysis of contemporary concepts of Protestant worship and then defines the liturgical factors in church design. Following this, there are four chapters giving an historical account of various experiments from the third century to the present. This section indicates the tremendous variety of possibilities open to the church builder, many of which have been ignored too long. A final chapter deals with emotive factors - all vitally relevant to the architect: choir, liturgical art, and style. The opportunity to design a new church building occurs only once or twice in each generation of church members. It is all the more important that it be done carefully since the building will continue to affect the life of the congregation for many years. Until fundamental questions as to what the Church is and what the Church does in worship are raised, a congregation is not prepared to build. This book will help churches find the answers. The 155-item bibliography should be of value to many since a recent extensive bibliography on Protestant church architecture does not exist. This book also contains 60 diagrams of experiments in plan garnered from nearly 2000 years of history.

Reprint of the original, first published in 1843.

This illustrated account of the impact of the English Gothic revival on American church architecture in the mid-nineteenth century finds that this fundamentally conservative movement provided the foundation for a new, influential aesthetic. With meticulous research and carefully chosen illustrations, Phoebe Stanton here explores the influence of the English Gothic revival on American church architecture in the mid-nineteenth century, arguing that this fundamentally conservative movement provided a foundation for a new aesthetic. Examining the writings of the movement's leading proponents as well as a variety of important buildings, Stanton offers a comprehensive survey of the architectural principles and models that became most influential in America. She also confirms the importance of the Cambridge Camden Society, which provided the theoretical atmosphere and practical examples that helped to establish new standards of excellence in American architecture.