“One of the great American poets . . . he sounds like nobody else.”—Helen Vendler “So I said I am Ezra / and the wind whipped my throat / gaming for the sounds of my voice. . . .” So begins one of the most remarkable oeuvres in the history of American poetry. The Complete Poems of A. R. Ammons, Volume I presents the first half of Archie Randolph Ammons’s long career, including the complete texts of his three book-length poems from that period: the verse diary Tape for the Turn of the Year, the Bollingen Prize–winning Sphere: The Form of a Motion, and the daring kaleidoscope of The Snow Poems, which late in life Ammons said of all his long poems was his favorite. Here are many of Ammons’s most widely celebrated lyrics and meditations, including “Corsons Inlet,” “Still,” “Gravelly Run,” and “The City Limits.” Others are more directly inspired by his roots in the rural south, among them “Nelly Myers,” “Silver,” and “Mule Song.” Here too are conversations with mountains (as in “Classic” and “Mountain Talk”) and exchanges with the wind (“The Wide Land” and “Mansion”), materialist explanations of reality (“Mechanism” and “Catalyst”) and prayers (such as the several poems titled “Hymn”). A poet drawn to theorizing about poetry, Ammons offers both sophisticated discussions of the art (as in “Poetics” and “Essay on Poetics”) and disarming assurance: “I believe in fun.” The text of each poem has been established after careful consideration of Ammons’s manuscripts and other prepublication materials. Endnotes detail the poems’ composition and publication histories, and also helpfully annotate references made within the poems. This volume confirms Richard Howard’s judgment: “Here was a great poet, surely one of the largest to speak among us.”

"At last! A superb translation of one of the great and greatly neglected Modernist poets! The map of Modernist poetry will never be quite the same."—Marjorie Perloff "Padgett's sparkling translations do marvelous justice to the eccentric and exciting poetry of Blaise Cendrars."—John Ashbery

William Blake (1757 - 1827) is one of the great figures in literature, by turns poet, artist and visonary. Profoundly libertarian in outlook, Blake's engagement with the issues of his day is well known and this - along with his own idiosynratic concerns - flows through his poetry and art. Like Milton before him, the prodigality of his allusions and references is little short of astonishing. Consquently, his longer viosnary poems can challege the modern reader, who will find in this avowedly open edition all they might need to interpret the poetry. W. H. Stevenson's Blake is a masterpiece of scrupulous scholarship. It is, as the editor makes clear in his introduction, 'designed to be widely, and fluently, read' and this Third Edition incorporates many changes to further that aim. Many of the headnotes have been rewritten and the footnotes updated. The full texts of the early prose tracts, All Religions are One and There is no Natural Religion, are included for the first time. In many instances, Blake's capitalisation has been restored, better to convey the expressive individuality of his writing. In addition, a full colour plate section contains a representation of Blake's most significant paintings and designs. As the 250th anniversary of his birth approaches, Blake has perhaps more readers than ever before; Blake: The Complete Poems will stand those readers, new and old, in good stead for many years to come.

In 1855 Walt Whitman published Leaves of Grass, the work which defined him as one of America's most influential voices, and which he added to throughout his life. A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation and what it meant to be an American. From the joyful 'Song of Myself' and 'I Sing the Body Electric' to the elegiac 'When Lilacs Last in the Dooryard Bloom'd', Whitman's art fuses oratory, journalism and song in a vivid celebration of humanity.

Percy Bysshe Shelley's 'The Complete Poems of Percy Bysshe Shelley' is a collection of the renowned poet's poetic works. Known for his revolutionary lyrical style and themes of political and social change, Shelley's poems are characterized by vivid imagery, intellectual depth, and emotional intensity. The collection includes acclaimed works such as 'Ode to the West Wind,' 'To a Skylark,' and 'Ozymandias'. Shelley's poetry is often associated with the Romantic Movement, reflecting his belief in the power of the imagination and the importance of individual expression. His works continue to captivate readers with their timeless relevance and profound insights into the human experience. Percy Bysshe Shelley, a prominent figure in English Romantic poetry, was a passionate advocate for social reform and political activism. His radical views and commitment to social justice are evident in his poetry, which challenges conventional beliefs and explores themes of freedom, love, and the power of art. Shelley's personal life, marked by tragedy and controversy, greatly influenced his writing, contributing to the depth and passion of his poetic works. I highly recommend 'The Complete Poems of Percy Bysshe Shelley' to readers interested in exploring the beauty and complexity of Romantic poetry. Shelley's timeless verses offer profound reflections on the human condition and inspire readers to contemplate the enduring power of art and creativity in shaping society and individual consciousness.

Percy Bysshe Shelley (1792-1822) was one of the major Romantic poets, and wrote what is critically recognised as some of the finest lyric poetry in the English language. This is the first volume of the five-volume The Poems of Shelley, which presents all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes supply the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. The present volume includes the 'Esdaile' poems, which only entered the public domain in the 1950s, printed in chronological order and integrated with the rest of Shelley's early output, and Queen Mab, the first of Shelley’s major poems, together with its extensive prose notes. The seminal Alastor volume is placed in the detailed context of Shelley’s overall poetic development. The ‘Scrope Davies’ notebook, only discovered in 1976, furnishes two otherwise unknown sonnets as well as alternative versions of ‘Hymn to Intellectual Beauty’ and ‘Mont Blanc’, which significantly influence our understanding of these important poems. This first volume contains new datings, and makes numerous corrections to long-established errors and misunderstandings in the transmission of Shelley's work. Its annotations and headnotes provide new perspectives on Shelley's literary, philosophical and political development The volumes of The Poems of Shelley form the most comprehensive edition of Shelley's poetry available to students and scholars.

An essential volume from “a master maker” (Richard Howard). “If you will sit with me in the light // of speech, I will sit with you. . . .” Readers who accept that invitation will find themselves in extraordinary company. The Complete Poems of A. R. Ammons, Volume II presents the second half of Archie Randolph Ammons’s long career, including the complete texts of his two book-length poems from that period: Garbage, for which he won his second National Book Award, and Glare, which drew special praise from the Academy of American Poets as it bestowed on him its highest honor, the Wallace Stevens Award. In addition, two appendices offer over one hundred and twenty previously uncollected poems dating from the 1950s to the late 1990s. Among this volume’s many highlights are celebrations of the natural world (such as “Hermit Lark” and “Lofty Calling”), poems of remembrance (as in “Chinaberry” and “Keeping Track”), prayers (“Singling & Doubling Together” and “Autonomy”), and compelling meditations on loss and mortality (such as “Easter Morning” and “In View of the Fact”). As in Volume I, the variety of scale is remarkable, ranging from the massiveness of Glare to the haiku-like brevity of “Pebble’s Story.” The text of each poem has been established after careful consideration of Ammons’s manuscripts and other prepublication materials. Endnotes detail the poems’ composition and publication histories, and also helpfully annotate references made within the poems. Celebrated poetry critic Helen Vendler’s introduction both humanizes Ammons and traces the growth of his outsized stature as a major poet, “unquestionably among the best-loved poets of our time” (David Lehman).

"A resource for the general reader, the student, and the scholar alike that provides easy access to a wealth of information to enhance the experience of reading the works of John Milton"--

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.