In this follow-up to his tremendously successful first novel, This Side of Paradise, F. Scott Fitzgerald again recaptures the Jazz Age's darker side as well as its excitement and joie de vivre. The Beautiful and Damned traces the meteoric path of two glittering young socialites. Building their marriage on the shaky foundation of an expected inheritance, they devote themselves to hedonistic pursuits that lead to moral and financial bankruptcy. The characters' self-indulgence and mutual destruction anticipated the tragic lives of Scott and his flapper wife, Zelda. The Fitzgeralds regarded the world as a stage and their lives as performances, and their glamorous doings became as well-known as any of Scott's books. In an eerie foreshadowing of the real-life couple's rapid descent into ruin, this lyric, compulsively readable narrative examines the perishable nature of dreams in the face of reality—a theme scrutinized with profound effect in the book's esteemed successor, The Great Gatsby.

Cyn, a witch, and Avian, executioner of the truly evil, discover that Cyn is an Echo, a conduit for souls of the dead, who will lose control unless she risks her life to vanquish the source of her power in Sleepy Hollow.

'The victor belongs to the spoils.' F. Scott Fitzgerald's second novel, The Beautiful and Damned (1922), is a devastating portrait of a generation of wealthy young Americans who struggle to find meaning and happiness in their lives. The sophisticated but emotionally fragile Anthony Patch enjoys an initially idyllic marriage to the beautiful Gloria Gilbert. But their intense romance turns sour as they waste their time and energy in decadent leisure and luxury. Their happiness comes to depend on gaining a vast inheritance from Anthony's grandfather, but they are stifled by their inner fears and are ill-prepared for the inevitable loss of youth and prosperity. Set amid the vibrant social and commercial world of New York in the early twentieth century, the novel expresses the promise and disillusionment of America at the start of the Jazz Age. This is the novel that confirmed Fitzgerald's status as the most celebrated young American writer of the Twenties. The author's exuberant and enchanting style is on full display, three years before the critical triumph of The Great Gatsby. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Written by longtime fan and author of the popular Damned website, Barry Hutchinson, celebrates the band's first 20 years - often referred to as the chaos years.

`The victor belongs to the spoils.' Fitzgerald's ironic epigraph to The Beautiful and Damned exemplifies his attitude toward the young rootless post-World War One generation who believed life to be meaningless and who pursued wealth despite its corrosive effect. Gloria and Anthony Patch party until money runs out; then their goal becomes Adam Patch's fortune. Gloria's beauty fades and Anthony's drinking takes its horrible toll. Fitzgerald here once again displays a wariness of the upper classes, `an abiding distrust, an animosity, toward the leisure class - not the conviction of a revolutionist but the smouldering hatred of a peasant'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Beautiful and the Damned looks for the first time at the broad social and cultural context for the development of portrait photography in the nineteenth century, showing how social and celebrity portraiture on the one hand, and scientific photography on the other, were different facets of the nineteenth-century fascination with classification and ordering.Between 1860 and 1900, editions of celebrity portraits, as well as the vogue for the carte de visite, fuelled the fashion for collecting and classifying photographs of the face. In an age of rapid industrialization and the growth of the middle classes, the carte de visite became a means of conferring social status, and family albums - which often incorporated photographs of royalty and public figures - were used to position family members within society at large.Photographic portraiture's rapid rise to popularity encouraged its diffusion to other spheres, and the portrait photograph was adopted by the new sciences and technologies to provide empirical evidence for theories of evolution, phrenology, racial types, insanity and criminality. A system of scrutiny or 'surveillance' of the face emerged represented here by extraordinary images from the files of the Parisian police of the nineteenth century, including some of the earliest scene-of-crime forensic photography.The Beautiful and the Damned is a significant addition to an important new area of photographic history. Illustrated with over 100 black-and-white images, this book also provides a comprehensive visual insight into the genre and features work by key figures such as Oscar Rejlander, Bassano, Eugène Atget and Julia Margaret Cameron.