From the ashes of an African genocide lost love and a new evil arise. Lawyer Mike Ioannou is dead after a hit and run in Thailand. A home invasion threatens the life of medico Richard Dunlop. In Johannesburg, a car jacker nearly kills photo journalist Liesl Nel. Unrelated incidents in a dangerous world, or something else entirely? Australian war crimes prosecutor Carmel Shang joins the dots. All three victims are linked by a photograph that was clutched in the hand of a dying man nearly twenty years ago. The picture holds a clue to how madness gripped a country resulting in a million people losing their lives. Carmel has to not only confront the perpetrators of the unprecedented slaughter, but Richard and Liesl, the two people she never wanted to see again. Richard was the UN military doctor she was in love with in Rwanda, and Liesl was the woman who came between them. Now they are thrown together again, desperately trying to find out why the photograph is making them the target of an assassin. In a quest that takes them from South Africa’s Kruger National Park to Zambia, Australia, and back to Rwanda, where it all began, they find that amidst the indestructible majesty and beauty of Africa, yesterday’s merchants of death are dealing in a new currency – illegal traditional medicine and the barbaric live trade in endangered African wildlife; businesses they’re prepared to kill for to protect.

Publishing alongside the world premiere of Christopher Nolan's third Batman film "The Dark Knight Rises", Will Brooker's new book explores Batman's twenty-first century incarnations. Brooker's close analysis of "Batman Begins" and "The Dark Knight" offers a rigorous, accessible account of the complex relationship between popular films, audiences, and producers in our age of media convergence. By exploring themes of authorship, adaptation and intertextuality, he addresses a myriad of questions raised by these films: did "Batman Begins" end when "The Dark Knight began? Does its story include the Gotham Knight DVD, or the 'Why So Serious' viral marketing campaign? Is it separate from the parallel narratives of the Arkham Asylum videogame, the monthly comic books, the animated series and the graphic novels? Can the brightly campy incarnations of the Batman ever be fully repressed by "The Dark Knight", or are they an intrinsic part of the character? Do all of these various manifestations feed into a single Batman metanarrative? This will be a vital text for film students and academics, as well as legions of Batman fans.

A new, broad, comprehensive view of the innovative poetry of the late, great Trappist monk and religious philosopher Thomas Merton. Poet, Trappist monk, religious philosopher, translator, social criticthe late Thomas Merton was all these things. Until now, no selection from his great body of poetry has afforded a comprehensive view of his varied and largely innovative work. In the Dark Before Dawn: New Selected Poems of Thomas Merton is not only double the size of Merton's earlier Selected Poems (1967), it also arranges his poetry thematically and chronologically, so that readers can follow the poet's multifarious interrelated lines of thought as well as his poetic development over the decades, from his college days in the 1930s to his untimely accidental death in Bangkok in 1968 during his personal Eastern pilgrimage. The selections are grouped under eight thematic headings"Geography's Landscapes," "Poems from the Monastery," "Poems of the Sacred," "Songs of Contemplation," "History's Voices: Past and Present," "Engaging the World," "On Being Human," "Merton and Other Languages."