Previous ed.: New York: Barricade Books, c1996.

The Macks divert our gaze from our contemporary red-faced, cloven-hoofed misrepresentation of demons to remind us of the ancient roles demons were originally assigned to play. From the Tommyknockers of North American mountain mines to the South African Mbulu that waits in the river for lone travelers, A Field Guide to Demons classifies these creatures by their domains--water, mountain, forest--rather than in alphabetical or cultural order, dishing out antique and contemporary lore on these most misunderstood of spirits. A Field Guide to Demons melds folklore and mythology; maintains a surprisingly evenhanded view of demons; and reveals their role as the necessary challenger to established order, the antagonist--without which there could be no hero--and the darkness through which goodness shines brightest. --Brian Patterson

Undoubtedly the most notorious title in director Ken Russell’s controversial filmography, The Devils (1973) caused a real furor on its initial theatrical release, only to largely disappear for many years. This Devil’s Advocate considers the film’s historical context, as the timing of the first appearance of The Devils is of particular importance, its authorship and adaptation (Russell’s auteur reputation aside, the screenplay is based on John Whiting’s 1961 play of the same name, which was in turn based on Aldous Huxley’s 1952 book The Devils of Loudun), and its generic hybridity. Darren Arnold goes on to examine the themes prevalent in the film—this is the only film of Russell’s which the director considered to be political—and considers the representation of gender and sexuality, gender fluidity, and how sex and religion clash to interesting and controversial effect. He concludes by revisiting the film’s censorship travails and the various versions of The Devils that have appeared on both big and small screens, and the film’s legacy and influence.

Thefield guide to some of the most horrific and fascinating creatures found in mythology and...

Devils may be elevated before the eye not only as a luminous lesson to mankind, but as the instigators of evil, to be trodden underfoot. Contents include devils; names of devils; marshaling of devils; Christian devils; origin of the devil; hell; devil in art; legends; proverbs; exorcism. Many of the sketches found in this book were brought from distant countries, some aglow with a richness which time has not dimmed. The Paranormal, the new ebook series from F&W Media International Ltd, resurrecting rare titles, classic publications and out-of-print texts, as well as new ebook titles on the supernatural - other-worldly books for the digital age. The series includes a range of paranormal subjects from angels, fairies and UFOs to near-death experiences, vampires, ghosts and witchcraft.

Harry Maul, also known as The Hawk, is a safe-breaker, forger, jewel thief, and one of the cleverest 'gentleman' crooks, wanted by the police and also by criminal gangs. He follows another band of criminals, cracks their communication code, keeps outsmarting them and getting to their target before they do. Frank Packard (1877-1942) was a Canadian novelist best known for his Jimmie Dale mystery series. As a young man he worked as a civil engineer for the Canadian Pacific Railway. His experiences working on the railroad led to his writing a series of railroad stories and novels. Packard also wrote number of mystery novels, the most famous of which featured a character called Jimmie Dale, a wealthy playboy by day and a fearless crime fighter by night. Jimmie Dale novels brought the idea of a costume and mask for hero's secret identity, and also established the concept of a hero's secret hideout or lair.

Reading Contemporary Picturebooks takes a look at one of the most vibrant branches of children's literature - the modern picturebook. This exciting new book takes a sample of contemporary picturebooks and closely examines the features that make them distinctive and then suggests a way of characterising the 'interanimation' of words and pictures that is the essence of the form. The reasons for the picturebook's vitality and flexibility are also explored and the close bond between the picturebook and its readers is analyzed. Advances in our understanding of how visual images are organized are examined and the book concludes with an attempt to redescribe the picturebook in such a way that pictures, readers and text may be drawn together. Picturing Text will be of interest to students, teachers and researchers interested in reading, children's literature and media studies.

This book situates the picturebook genre within the widespread international phenomenon of crossover literature, examining an international corpus of picturebooks — including artists’ books, wordless picturebooks, and celebrity picturebooks — that appeal to readers of all ages. Focusing on contemporary picturebooks, Sandra Beckett shows that the picturebook has traditionally been seen as a children’s genre, but in the eyes of many authors, illustrators, and publishers, it is a narrative form that can address any and all age groups. Innovative graphics and formats as well as the creative, often complex dialogue between text and image provide multiple levels of meaning and invite readers of all ages to consider texts that are primarily marketed as children’s books. The interplay of text and image that distinguishes the picturebook from other forms of fiction and makes it a unique art form also makes it the ultimate crossover genre. Crossover picturebooks are often very complex texts that are challenging for adults as well as children. Many are characterized by difficult "adult" themes, genre blending, metafictive discourse, intertextuality, sophisticated graphics, and complex text-image interplay. Exciting experiments with new formats and techniques, as well as novel interactions with new media and technologies have made the picturebook one of the most vibrant and innovative contemporary literary genres, one that seems to know no boundaries. Crossover Picturebooks is a valuable addition to the study of a genre that is gaining increasing recognition and appreciation, and contributes significantly to the field of children’s literature as a whole.

An occultism reference chronicling the quest for metaphysical truth, from astronomers to astrologers, necromancers to sorcerers, alchemists to prophets. If the history of black magic and the occult reveals anything, it’s that the drive to marshal the unseen powers of the dark, and bend them to mortal will, is as old as mankind itself. Men and women have believed, in virtually every age and in every land, that there is another world—a world of spirits and souls, angels and demons, gods and monsters, a world that might hold the answers to the great mysteries: What is the meaning of life? Do humans decide their own fate? Is there a Heaven? And, perhaps more important, is there a Hell? As they sought the answers to these questions, the occult pioneers often stumbled upon real and verifiable truths. Here, in one spellbinding volume, is a history of the major occult arts—necromancy, sorcery, astrology, alchemy, and prophecy—as they have been practiced from ancient Babylon to the present day. Raising Hell weaves history with mythology, quotes, anecdotes, and illustrations to provide a vivid chronicle of the evolution of the occult arts. From the origins of the pentagram and the sacred circle, to the incantations of necromancers, to the prophecies of Nostradamus, this definitive source offers a compelling look at the black arts and those who risked their lives—and some say their souls—to explore them.