Using hundreds of primary sources, Charles Dickens in Love narrates the story of the most intense romances of Charles Dickens' life and shows how his novels both testify to his own strongest affections and serve as memorials to the young women he loved all too well, if not always wisely. When Charles Dickens died in 1870, he was the best-known man in the English-speaking world - the preeminent Victorian celebrity, universally mourned as both a noble spirit and the greatest of novelists. Yet, the first person named in his will was an unknown woman named Ellen Ternan - only a handful of people had any idea who she was. Of his romance with Ellen, Dickens had written, "it belongs to my life and probably will only die out of the same with the proprietor," and so it was. She remained the most important person in his life until his death. She was not the first woman who had fired his imagination. As a young man he had fallen deeply in love with a woman who "pervaded every chink and crevice" of his mind for three years, Maria Beadnell. When she eventually jilted him he vowed that "I never can love any human creature but yourself." A few years later he was stunned by the sudden death of his young sister-in-law, Mary Scott Hogarth, and worshiped her memory for the rest of his life. "I solemnly believe that so perfect a creature never breathed," he declared, and he died over thirty years later still wearing her ring. Charles Dickens has no rival as the most fertile creative imagination since William Shakespeare, and no one influenced his imagination more powerfully than these three women, his muses and teachers in the school of love.

The award-winning author of modern classics such as Schindler’s List and Napoleon’s Last Island is at his triumphant best with this “engrossing and transporting” (Financial Times) novel about the adventures of Charles Dickens’s son in the Australian Outback during the 1860s. Edward Dickens, the tenth child of England’s most famous author Charles Dickens, has consistently let his parents down. Unable to apply himself at school and adrift in life, the teenaged boy is sent to Australia in the hopes that he can make something of himself—or at least fail out of the public eye. He soon finds himself in the remote Outback, surrounded by Aboriginals, colonials, ex-convicts, ex-soldiers, and very few women. Determined to prove to his parents and more importantly, himself, that he can succeed in this vast and unfamiliar wilderness, Edward works hard at his new life amidst various livestock, bushrangers, shifty stock agents, and frontier battles. By reimagining the tale of a fascinating yet little-known figure in history, this “roguishly tender coming-of-age story” (Booklist) offers penetrating insights into Colonialism and the fate of Australia’s indigenous people, and a wonderfully intimate portrait of Charles Dickens, as seen through the eyes of his son.

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Featuring the quirkiest specimens in the Dickensian lexicon and culled from Charles Dickens' classic works, What the Dickens?! is a literary romp through the twisty alleyways of the Victorian vernacular. What larks! Dive into the world of literature's ultimate wordsmith, Charles Dickens, in this literary romp through his finest quips, barbs, and turns of phrase. Featuring 200 of Dickens' best-loved words, drawn from his fifteen novels and hundreds of short stories, What the Dickens?! is full of period-appropriate definitions, pithy commentary, and charming illustrations. Perfect for word nerds and book lovers of all ages, this volume will have you dragging your friends to the hippo-comedietta and bonneting your anti-Pickwickian adversaries like a proper Victorian in no time!

This is the standard reference guide to the works of Charles Dickens. The material is arranged alphabetically, in dictionary style, and provides a quick means of reference to the plots of the novels and to all the characters and places mentioned in the novels. There are also useful explanatory notes on allusions and phrases.

This 1996 book traces Dickens' interest in Shakespeare through his own reading and performance and through theatrical, literary and artistic sources.

Christmas villages warm the heart and hearth of many homes. Have you ever wondered what the people in those villages are doing? Where they are going? Where did they come from? Have they lived in that village all their lives? Elizabeth has lived in Hillshire Downs all her life. She has suffered the loss of her family in a plague that swept away almost more lives than it left. Will she and her youngest brother and sister survive the coldest winter remembered? God is their refuge and strength and ever-present help in time of trouble. He never fails. Richard returns after his wife and youngest child die - not from the plague. His heart is heavy, and he is at the end of his means. He must recover from his loss of everything. His son, Billy, needs him to be strong. Richard realizes he needs help and prays God will send him a job and some way to survive. Billy has loved Rebekah since childhood. Will she love him back? Will family complications create a situation in which hi love will never be declared? What of the lost boys and their futures? As Hillshire Downs comes back from the devastating plague, will the townsfolk be able to take care of their own and those who have been widowed, orphaned, and left destitute? As the village people find their Christmas treasure, or see their Christmas wishes come true, they find a Christmas worth waiting for.

Love's Madness is an important new contribution to the interdisciplinary study of insanity. Focusing on the figure of the love-mad woman, it presents a significant reassessment of the ways in which British medical writers and novelists of the nineteenth century thought about madness, femininity, and narrative convention. The book centers around studies of novels by Jane Austen, Sir Walter Scott, Charlotte Bront , Wilkie Collins, and Charles Dickens, as well as of previously neglected writings by Charles Maturin, Lady Caroline Lamb, and Edward Bulwer-Lytton, among others.

Presents a collection of interpretations of Charles Dickens's novel, Great expectations.