This historical biography goes beyond popular legend to present a nuanced portrait of the first century Roman emperor. Commodus, who ruled over Rome from 177 to 192, is generally remembered as a debaucherous megalomaniac who fought as a gladiator. Ridiculed and maligned by historians since his own time, modern popular culture knows him as the patricidal villain in Ridley Scott’s film Gladiator. Much of his infamy is clearly based on fact, but John McHugh reveals a more complex story in the first full-length biography of Commodus to appear in English. McHugh sets Commodus’s twelve-year reign in its historical context, showing that the ‘kingdom of gold’ he supposedly inherited was actually an empire devastated by plague and war. Openly autocratic, Commodus compromised the privileges and vested interests of the senatorial clique, who therefore plotted to murder him. Surviving repeated conspiracies only convinced Commodus that he was under divine protection, increasingly identifying himself as Hercules reincarnate. This and his antics in the arena allowed his senatorial enemies to present Commodus as a mad tyrant—thereby justifying his eventual murder.

For many years, scholars struggled to write the history of the constitution and political structure of the Holy Roman Empire. This book argues that this was because the political and social order could not be understood without considering the rituals and symbols that held the Empire together. What determined the rules (and whether they were followed) depended on complex symbolic-ritual actions. By examining key moments in the political history of the Empire, the author shows that it was a vocabulary of symbols, not the actual written laws, that formed a political language indispensable in maintaining the common order.

With The Emperor and the Army in the Later Roman Empire, AD 235–395 Mark Hebblewhite offers the first study solely dedicated to examining the nature of the relationship between the emperor and his army in the politically and militarily volatile later Roman Empire. Bringing together a wide range of available literary, epigraphic and numismatic evidence he demonstrates that emperors of the period considered the army to be the key institution they had to mollify in order to retain power and consequently employed a range of strategies to keep the troops loyal to their cause. Key to these efforts were imperial attempts to project the emperor as a worthy general (imperator) and a generous provider of military pay and benefits. Also important were the honorific and symbolic gestures each emperor made to the army in order to convince them that they and the empire could only prosper under his rule.

Captain Jay Marsh had never questioned where his ultimate loyalty lay. He had witnessed the bloody horror left behind by the retreating Japanese army during World War II's final days. And he had abandoned his beautiful Filipina fiancée to see his duty through. But not even Marsh could guess the terrible personal price he would have to pay for his loyalty. He would follow General Douglas MacArthur to Tokyo itself. There he would become the brilliant, egocentric general's confidant, translator, surrogate son--and spy. Marsh would play a dangerous game of deliberate deceit and brutal injustice in the shadow world of postwar Japan's royal palaces and geisha houses, and recognize that the defeated emperor and his wily aides were exploiting MacArthur's ruthless ambition to become the American Caesar. The Emperor's General is a dramatic human story of the loss of innocence and the seduction of power, about the conflict between honor, duty, and love, all set against an extraordinary historical backdrop.