Ordinary. Banal. Quotidian. These words are rarely used to praise architecture, but in fact they represent the interest of a growing number of architects looking to the everyday to escape the ever-quickening cycles of consumption and fashion that have reduced architecture to a series of stylistic fads. Architecture of the Everyday makes a plea for an architecture that is emphatically un-monumental, anti-heroic, and unconcerned with formal extravagance. Edited by Deborah Berke and Steven Harris, this collection of writings, photo-essays, and projects describes an architecture that draws strength from its simplicity, use of common materials, and relationship to other fields of study. Topics range from a website that explores the politics of domesticity, to a transformation of the sidewalk in Los Angeles' Little Tokyo, to a discussion of the work of Robert Venturi and Denise Scott Brown. Contributors include Margaret Crawford, Peggy Deamer, Deborah Fausch, Ben Gianni and Mark Robbins, Joan Ockman, Ernest Pascucci, Alan Plattus, and Mary-Ann Ray. Deborah Berke and Steven Harris are currently associate professors of architecture at Yale University, and have their own practices in New York City.

Everyday Architecture of the Mid-Atlantic gives proof to the insights architecture offers into who we are culturally as a community, a region, and a nation.

How do public markets, as ordinary as they seem, carry the weight of a city’s history? How do such everyday buildings reflect a city’s changing political, social, and economic needs, through their yearslong transformations in forms, functions, and management? Integrating architecture and history, the book invites readers to go through the growth and governance of colonial Hong Kong by tracing the past and present of public markets as a study of extensive first-hand historical materials. As the readers witness the changes in Hong Kong markets from hawker pitches to classical market halls to clean modernist municipal complexes, the book offers a new perspective of understanding the familiar everyday markets with historical contexts possibly unfamiliar to most, studying markets as a microcosm of the city and a capsule of its history.

This fresh look at the Arts and Crafts Movement charts its origins in reformist ideals, its engagement with commercial culture, and its ultimate place in everyday households.

“Occasionally you come across a book that does everything it claims - and then some. This is one” (Blueprint) Architects have been responsible for many of the modern furniture classics of the 20th century - Mies's Barcelona Chair, Eileen Gray's side table and Le Corbusier's chaise longue. Furniture and Architecture takes a unique look at the relationship between architects and furniture design. Focusing not only on classic mid-20th-century design i.e. Eames, Mies, Le Corbusier and Gropius, it also provides a unique insight into who will produce the next generation of classics by asking an international-array of established designers to give their tips for the top young architect-designers. In additional it includes exclusive interviews with high-profile architects as well as with key figures in furniture manufacture and retail. A directory of specialist retailers, who sell architect-designed furniture, makes this an invaluable resource for architects and the interested public. The book includes comprehensive articles and images of popular modernist architects such as Erno Goldfinger, Arne Jacobsen and Eero Saarinen It also features interviews with architects Alvaro Siza, David Adjaye and Selfridges director Vittore Radice Lavishly illustrated with many full-colour images Contains a directory of specialist retailers selling architect-designed furniture