The fascinating and illustrated story behind the warship figureheads on display at The Box, Plymouth.

Temeros is a young man alone in the world and seeking his purpose in life. His father, Demetrius the silversmith of Ephesus, hated Paul and his rage led to tragedy leaving Temeros homeless, orphaned and scarred. Eventually, Temeros finds himself in the port of Myra where he joins the crew of an Egyptian grain ship, called The Emir, bound for Rome. During this voyage, he meets Paul and realizes he is not the monster his father believed him to be. He comes to faith in Christ and becomes Luke’s apprentice in treating the medical needs of the passengers and crew. It is not all smooth sailing, however. Someone sneaks aboard intent on revenge against Paul, but within a few hours the ship is caught in a terrible storm that threatens the lives of everyone on board. Eventually, The Emir runs aground on the island of Malta. When Temeros discovers the identity of the attacker, he and his newfound friends must rush to save Paul. Come along on The Last Voyage of The Emir as we explore what happens in the storm and the ensuing shipwreck.

The president of the United States' job is complex and has evolved throughout history. This informative text provides a clear understanding of how a person becomes president and their many responsibilities after their inauguration. Readers learn about how the president gets elected, their various roles, the power they have and how that is balanced with other branches of government, and controversies and hardships a president may face during their time in office. Full-color photographs, fact-filled sidebars, and informational graphic organizers enhance knowledge of this social studies curriculum topic and challenge readers to think critically about this important political position.

For over three centuries, New Englanders have set sail in search of fortune and adventure--yet death lurked on every voyage in the form of storms, privateers, disease and human error. In hope of being spared by the sea, superstitious mariners practiced cautionary rituals. During the winter of 1779, the crew aboard the "Family Trader" offered up gin to appease the squalling storms of Neptune. In the 1800s, after nearly fifty shipwrecks on Georges Bank between Cape Cod, Massachusetts, and Nova Scotia, a wizard paced the coast of Marblehead, shouting orders out to sea to guide passing ships to safety. As early as 1705, courageous settlers erected watch houses and lighted beacons at Beavertail Point outside Jamestown, Rhode Island, to aid mariners caught in the swells of Narragansett Bay. Join Robert A. Geake as he explores the forgotten traditions among New England mariners and their lives on land and sea.

It's turn-of-the-century New York, a city bursting with new life as the old century's order makes way for the mercantile class. But in the Pinkerton household a nineteenth-century embarrassment remains. Alice Pinkerton. Alice isn't mad exactly, but she's not sane either. She is tolerated, free to wander about, free to accompany her family to tea parties - free to be treated like a simpleton. But in truth Alice's mind is razor sharp, honed by a restless imagination, years of reading and a profound contempt for her surroundings. Left alone to read, to think, she has devoured the world that brings her mind alive: Shakespeare, Oscar Wilde, Michelangelo, Whitman, Poe, they are her inspiration; Jane Eyre, Catherine Moreland, Desdemona her companions. As she moves through the witless world around her, observing its prejudices, its shallow culture and its vanity, it is society that prompts her observations, viewing all through the prism of the art that has sustained and nourished her lonely life.

We’re almost sure this issue of LCRW is made up of more than a 100,000 letters and can guarantee that most are in the right place. Two huge stories anchor the issue, Nicole Kimberling explains that CSA means Crazy-Sexy Agriculture, and zombie hordes, vampires, cannibals, and many other ghouls tried to slip under the door. But it's not all monsters.

Ideologies have not been a focus of interest in the field of humanities and social sciences in recent decades, but rethinking the power of ideologies in the media sphere has recently returned to the scholarly discussion. The compilation book “Mediated Ideologies: Nordic Views on the History of the Press and Media Cultures” participates in this by providing selected yet justified approaches to media history from the point of view of ideological uses of media in the Nordic region. In this book, the role of media – comprising both popular media and news journalism – as a forum for ideologies and their circulation will be analyzed by focusing on the Nordic region. The perceived similarities in the media systems of the Nordic countries constitute a perfect extent for a regional media history against not only a European but also a global backdrop. This does not mean that there have not been many national differences. The book does not provide a chronological narrative of Nordic media history. Still, the ideology of media is approached not only from the standpoints of different media forms – film, television, newspapers, magazines, and periodicals – but also from several historical periods from the mid-19th century to the late 20th century. The chapters show the multidimensional role that the media has in transmitting ideologies to their audiences and the public sphere. They also demonstrate that analyzing the role of different ideologies, such as modernization, nationalism, solidarity, feminism, and peace movement in media history provides wider perspectives in understanding past and present media landscapes and people’s mediated experiences that are fostered by them. “Mediated Ideologies: Nordic Views on the History of the Press and Media Cultures” can be used both as a reference book and as a classroom adaption in the field of media, communication, and history studies.

A Sight & Sound Book of the Year Jez Stewart charts the course of this extraordinarily fertile area of British film from early experiments with stop-motion and the flourishing of animated drawings during WWI. He reveals how the rockier interwar period set the shape of the industry in enduring ways, and how creatives like Len Lye and Lotte Reiniger brought art to advertising and sponsored films, building a foundation for such distinctive talents as Bob Godfrey, Alison De Vere and George Dunning to unleash their independent visions in the age of commercial TV. Stewart highlights the integral role of women in the industry, the crucial boost delivered by the arrival of Channel 4, the emergence of online animation and much more. The book features 'close-up' analyses of key animators such as Lancelot Speed and Richard Williams, as well as more thematic takes on art, politics and music. It builds a framework for better appreciating Britain's landmark contributions to the art of animation, including Halas and Batchelor's Animal Farm (1954), Dunning's Yellow Submarine (1968) and the creations of Aardman Animations.

The secrets of Elm Medona thicken . . . with Harry Houdini! When Great-Uncle Thorne arrives at Elm Medona, Maisie and Felix's lives get shaken up again. Uncle Thorne moves the family into the mansion proper. One night, Great-Aunt Maisie arranges for Thorne, Maisie, and Felix to rendezvous with her in The Treasure Chest. Minutes later, Maisie and Felix find themselves at a magic show on Coney Island in 1893 starring Harry Houdini. As they follow him and his brother Dash to Pennsylvania and Rhode Island and back to New York City, they wonder what has become of Great-Aunt Maisie and Great-Uncle Thorne. Then one evening at Tom Pastor's Famous 14th Street Theater, the curtain opens and all is revealed.