The Golden Girls, Designing Women, Living Single, Sex and the City, Girlfriends, Cashmere Mafia and Hot in Cleveland stand out as some of America's favorite television series. Their lovable "female foursome" characters engage in witty banter as they challenge American stereotypes about sex, love, family, work and community. These sitcoms and comedy-dramas live on as cable TV re-runs and through online fan communities, demonstrating mass appeal across generations of women and men. Connecting fan commentary with analysis by television scholars, this book explores the development of these series from the 1980s on, with a focus on the role of fan cultures in "reproducing" these popular American shows.

Earth and Gods is an attempt to introduce the reader to Heidegger's fully developed philosophy. The title Earth and Gods gives an im pression of not being a general study of Heidegger's philosophy. However, this is not true - the earth and the gods are fundamental ontological symbols of his fully developed philosophy, namely, his third and final phase of thought. This phase repeats the problems of both preceding phases in a fuller and more developed manner; hence, it implies them. The two preceding phases are the phase of Dasein and the phase of Being. These two phases are a natural flow of fundamental problems which reach their final formation and development in the phase of earth and gods. Dasein (the first phase) leads to Being, and Being (the second phase) bursts into fundamental ontological powers of Being (Seinsmiichte) which are earth and sky, gods and mortals (the third phase). Since earth is unthinkable without sky and since gods are gods in the world of mortals - of men, the title Earth and Gods is an abbreviation of these four fundamental powers of Being. Hence, an investigation of earth and gods is an attempt to present Heidegger's philosophy as a whole. Such a presentation provides the reader with the background necessary for a more adequate and efficient understanding of the writings of Heidegger himself. Thus, Earth and Gods may rightly be considered an introduction to Hei degger's philosophy.

In Brooklyn an Arab protester risks death in a desperate attempt to keep from being questioned by police. In Toronto a flight attendant’s body is found in her apartment several days after she discovers a disturbing secret about a passenger from her last flight. In Georgia, police uncover a package they expect to contain drugs, but what they find baffles even the most seasoned investigators. These seemingly disjointed events begin to intertwine when NYPD Detective Lieutenant David McClellan, who is reluctantly assigned to the Intelligence Division, engineers what is supposed to be a textbook sting operation, but turns out to be anything but. McClellan is plunged onto a bizarre and twisted trail of international terrorism and murder as he tracks an ex-Russian military intelligence operative, turned freelance terrorist, on a path of almost certain pyrotechnic devastation of an unknown target. Complicating the investigation, McClellan is partnered with a female detective with whom his personal life begins to involve. Department politics and bureaucratic self-preservation threaten to derail his investigation just as McClellan closes in on his quarry in a heart-stopping game of cat-and-mouse, matching his analytical abilities and street-wise perceptions, with the Russian’s meticulous cunning and capability for staying one step ahead.

A curious figure stalks the pages of a distinct subset of mass-market romance novels, aptly called “desert romances.” Animalistic yet sensitive, dark and attractive, the desert prince or sheikh emanates manliness and raw, sexual power. In the years since September 11, 2001, the sheikh character has steadily risen in popularity in romance novels, even while depictions of Arab masculinity as backward and violent in nature have dominated the cultural landscape. An Imperialist Love Story contributes to the broader conversation about the legacy of orientalist representations of Arabs in Western popular culture. Combining close readings of novels, discursive analysis of blogs and forums, and interviews with authors, Jarmakani explores popular investments in the war on terror by examining the collisions between fantasy and reality in desert romances. Focusing on issues of security, freedom, and liberal multiculturalism, she foregrounds the role that desire plays in contemporary formations of U.S. imperialism. Drawing on transnational feminist theory and cultural studies, An Imperialist Love Story offers a radical reinterpretation of the war on terror, demonstrating romance to be a powerful framework for understanding how it works, and how it perseveres.

2. The Host Property

Writing from a journal of love and care for his wife of 46 years as she courageously and faithfully--yet unsuccessfully--battled cancer for 19 months, the author conveys how God uses circumstances to prune and refine believers. (Motivation)

An Unconventional Lifetime Journey: My 269 Daily E-mail Stories collates and presents hundreds of short stories that provide humorous, touching, memorable, and insightful glimpses into the life of William Faulhaber. Retired after a long career in the sporting goods business, he began to e-mail reminiscences to a list of his friends. Hearing encouragement to keep writing, he wrote about a surprisingly wide array of topics: Americas bicentennial, golf-club shafts, plow horses, vacuum cleaner sales, pontoon boats, bingo, and miracles. To truly appreciate the reach of these stories, one must dive into the collection and explore its vast wealth. Many histories take as their topics the great and cataclysmic events: wars, the rise and fall of nations, discoveries that change the direction of human evolution. If you enjoy history, you may find room on your shelf for a book that takes the time to look at the little comings and goings that make up the life of one person among many who live in the world shaped by those big events. If that is the case, then An Unconventional Lifetime Journey: My 269 Daily E-mail Stories promises to give you that fine-grain detail that brings one mans story to life.

Among the multiple, subliminal passions that inspire our life in innumerable ways, literature shows us one that seems to play a particularly penetrating role in human concerns. This passion, which Tymieniecka calls an `esoteric passion', finds its projection and crystallization in space: it is the esoteric passion for space. This subliminal passion, investigated through literature, allows the philosopher to reach beneath the fallacious separations of nature, humanness and the cultural world, restoring the wholeness of experience that has become lost in the artificial one-sidedness of contemporary approaches, confined to language as they are. The elemental passion for place is investigated here in the literary fruits of creative imagination. Unravelled from the very depths of the primogenital, onto-poietic unfolding of life, the passion for place is revealed as projecting into the flux of life: it is a `station' of life-significance. This collection presents papers from two conferences of the International Society of Phenomenology and Literature held in Cambridge, MA in 1993/4.

A selection of fifteen of Ukraine's most important, dynamic and entertaining contemporary writers Under USSR rule, the subject matter and style of literary expression in Ukraine was strictly controlled and censored. But once Ukraine gained independence in 1991 its literary scene flourished, as the moving and delightful poems, essays and extracts collected here show. There are fifteen authors included in this book, both established and emerging, and in this anthology we see them grappling with history and the future, with big questions and small moments. From essays about Chernobyl to poetry about Robbie Williams, from fiction discussing Jimmy Hendrix live in Lviv to underground Ukrainian poetry of the Soviet era, WRITING FROM UKRAINE offers a unique window into a rich culture, a chance to experience a particularly Ukrainian sensibility and to celebrate Ukraine's nationhood, as told by its writers.