Eyes of Aya By: Jahnah Barrie Aya is in eighth grade and lives with her unstable mother. After an episode, her mother is admitted to the psych hospital, and Aya moves in with her father she has not seen in years and her stepmother. As time goes by, Aya realizes her dad and stepmom are not who they say they are.

Within that period between adolescence and old age dwells different types of people all gathered together in one body, one brain, and one soul. No, that does not imply that we are all suffering from multiple personalities. The book is about the kinds of experiences that a person might have according to that person’s age, geopolitical place in time, and interests, which also change with time. Lewis Carroll alluded to the phenomenon. Consider Chapter V, “Advice from a Caterpillar,” of Alice’s Adventures in Wonderland wherein it says this: “Who are you?” said the Caterpillar. Alice replied, rather shyly, “I—I hardly know, Sir, just at present—at least I know who I was when I got up this morning, but I think I must have been changed several times since then.” Do you know what kind of person you were when you woke up this morning? Are you that same person now?

This book of oral tales from the south Indian region of Kannada represents the culmination of a lifetime of research by A. K. Ramanujan, one of the most revered scholars and writers of his time. The result of over three decades' labor, this long-awaited collection makes available for the first time a wealth of folktales from a region that has not yet been adequately represented in world literature. Ramanujan's skill as a translator, his graceful writing style, and his profound love and understanding of the subject enrich the tales that he collected, translated, and interpreted. With a written literature recorded from about 800 A.D., Kannada is rich in mythology, devotional and secular poetry, and more recently novels and plays. Ramanujan, born in Mysore in 1929, had an intimate knowledge of the language. In the 1950s, when working as a college lecturer, he began collecting these tales from everyone he could—servants, aunts, schoolteachers, children, carpenters, tailors. In 1970 he began translating and interpreting the tales, a project that absorbed him for the next three decades. When Ramanujan died in 1993, the translations were complete and he had written notes for about half of the tales. With its unsentimental sympathies, its laughter, and its delightfully vivid sense of detail, the collection stands as a significant and moving monument to Ramanujan's memory as a scholar and writer. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.

The gift of sight comes at a dangerous price When Deep Down Salvage begins the hunt for the Josephine Marie, it seems like any other dive...until Genevieve Wallace sees the vision of a dead woman in the water, her vacant eyes boring into Genevieve's very soul. Terrified and confused by what she saw, Genevieve is haunted by the memory, but no one — including her diving partner Thor Thompson — believes her. When a dead woman washes up on shore, everyone assumes this is Genevieve's "vision," but Genevieve knows the truth: the dead woman is not the ghost she saw but another victim of the same brutal killer. Sensing that the threat of death is coming closer, she and Thor are forced to acknowledge that some things can't be explained, but simply are. Somehow they have to link a violent past with a present-day mystery or risk losing themselves in an abyss of terror.

Enjoy New York Times bestselling author Terri Blackstock's Intervention novels as an e-book collection! Intervention Barbara Covington has one more chance to save her daughter from a devastating addiction: staging an intervention. But when eighteen-year-old Emily disappears on the way to drug treatment—and her interventionist is found dead at the airport where she was last seen—Barbara enters her darkest nightmare of all. Vicious Cycle To protect her newborn baby . . . Jordan has to abandon her. A sequel to Intervention, this latest novel of suspense and family loyalty by best-selling author Terri Blackstock offers a harrowing look at drug addiction, human trafficking, and the choices that can change lives forever. Downfall Despite Emily Covington’s sobriety, she can’t escape her past. Her years of active drug addiction have made her the scapegoat for everything, including a murder. Now she has to identify the real killer to clear her name and protect her family. From the explosive first pages, Terri Blackstock rockets the suspense level to new heights in Downfall, the third book in the best-selling, award-winning Intervention Series.

"I was hooked by the end of page one and laughing out loud by the middle of page two. Finally, a new author as witty and sassy as Janet Evanovich." -- Lark Susak Medium Dead is a fun urban fantasy chronicling the crime fighting adventures of Brenda - a reluctant medium - and Brian - a Vigilante Demon with an impish sense of humour. Think Stephanie Plum with magic and a dash of Carl Hiaasen. Brenda Steele is smart, funny and out of her depth. A Vigilante Demon called Brian wants her to find murdered spirits and help him track down their killers. But Brian doesn't just catch criminals, he likes to play with them first, and make the punishment fit the crime. As he tells Brenda, "if all you did was turn up, capture the bad guy then leave - century after century - you'd die of boredom." He's also reckless - his last partner died during one of his takedowns. Along the way, Brenda discovers that Brian isn't as old, or as powerful, as he led her to believe. He might even be human. Whereas the murderer they're hunting, and the child he's holding prisoner, might not.

In the last two decades, Private Investigator Marilyn Greene has found more than two hundred people — sometimes discovering in hours or minutes a person missing for years. In FINDER, Greene shares her news-making triumphs, the joyous family reunions she's made possible, and the chilling cases of dead ends. Often called in when all efforts by law enforcement officials have failed, she has traveled the country to locate runaways, children abducted by parents and strangers, and suicide and homicide victims. Hailed by Esquire as one of the "men and women under forty who are changing the face of America," Marilyn Greene's story is riveting true adventure. Here is the compelling account of how she uses her instincts and her experience to find "hopelessly lost" individuals; surprising techniques about how and where to look for missing persons; and the tools of her trade, from specially trained dogs to publicly available directories and maps. FINDER is an invaluable resource on missing-person cases — and spellbinding reading.

American novelists and poets who came of age in the early twentieth century were taught to avoid journalism "like wet sox and gin before breakfast." It dulled creativity, rewarded sensationalist content, and stole time from "serious" writing. Yet Willa Cather, W. E. B. Du Bois, Jessie Fauset, James Agee, T. S. Eliot, and Ernest Hemingway all worked in the editorial offices of groundbreaking popular magazines and helped to invent the house styles that defined McClure's, The Crisis, Time, Life, Esquire, and others. On Company Time tells the story of American modernism from inside the offices and on the pages of the most successful and stylish magazines of the twentieth century. Working across the borders of media history, the sociology of literature, print culture, and literary studies, Donal Harris draws out the profound institutional, economic, and aesthetic affiliations between modernism and American magazine culture. Starting in the 1890s, a growing number of writers found steady paychecks and regular publishing opportunities as editors and reporters at big magazines. Often privileging innovative style over late-breaking content, these magazines prized novelists and poets for their innovation and attention to literary craft. In recounting this history, On Company Time challenges the narrative of decline that often accompanies modernism's incorporation into midcentury middlebrow culture. Its integrated account of literary and journalistic form shows American modernism evolving within as opposed to against mass print culture. Harris's work also provides an understanding of modernism that extends beyond narratives centered on little magazines and other "institutions of modernism" that served narrow audiences. And for the writers, the "double life" of working for these magazines shaped modernism's literary form and created new models of authorship.

First published in 1979. This report offers a working model for the teaching of language and communication to the mentally handicapped which derives from both theory and practice, and tries to build a bridge between them. It provides detailed examples of teachers putting principles into action and illustrates how teachers and children work together. The report will be of interest to all those concerned with the welfare of the handicapped child, including the parents. It provides both a working text for teachers, and a basis for critical discussion about curriculum development and content in special needs schools.