Passionate, powerful and thought-provoking, in The Hidden Face of Eve, leading feminist writer Nawal El Saadawi provides a shocking account of the oppression of women in the Arab world. Inspired by her experiences working as a doctor in rural Egypt and her life as an activist for women's rights, she charts the injustices and violence faced by women in the society she grew up in, from legal inequality to honour killings and sexual violence, including female genital mutilation. Examining the historical roots of this oppression, she tackles the controversial topic of women and Islam, arguing that customs such as veiling and polygamy are contradictory to the fundamental teachings of the Muslim faith or any other. As necessary now as when it was first published, The Hidden Face of Eve is a classic of Arab feminist writing.

Most of us, at some point, experience the sense of God’s absence. Michael Card says that rather than letting the distance widen, this is exactly the time for a deeper pursuit of God. The method he proposes is recovery of the profound, biblical practice of lament.

This powerful account of the oppression of women in the Muslim world remains as shocking today as when it was first published, more than a quarter of a century ago. Nawal El Saadawi writes out of a powerful sense of the violence and injustice which permeated her society. Her experiences working as a doctor in villages around Egypt, witnessing prostitution, honour killings and sexual abuse, including female circumcision, drove her to give voice to this suffering. She goes on explore the causes of the situation through a discussion of the historical role of Arab women in religion and literature. Saadawi argues that the veil, polygamy and legal inequality are incompatible with the essence of Islam or any human faith. This edition, complete with a new foreword, lays claim to The Hidden Face of Eve's status as a classic of modern Arab writing.

INDEX HOW IT WAS LOST HOW IT WAS FOUND. DEBBY'S DEBUT. THE BROTHERS. NELLY'S HOSPITAL

Howard Lovecraft was an American writer who achieved posthumous fame through his influential works of horror fiction. Despite the fact that he was virtually unknown before he died, today he is known as the most influential author in his genre. “The Outsider and Other Stories” is a collection of wonderful short stories such as “The Book,” “He, What the Moon Brings,” “Hypnos” and others. These stories, full of mystery and fantastic creatures, have captured the minds of readers all over the world.

A collection of science-fiction short stories by the author of "Lucky's Harvest". They feature dozens of characters, a new way of travelling between the stars, a strange planet, magical powers, bravura set-pieces, and manoeuvres of narrative.

Reproduction of the original.

После смерти деда главный герой получает в наследство результаты исследований таинственных событий в Бостоне, связанных с деятельностью некой секты. Страшное землетрясение пробуждает от векового сна Повелителя Древности и его приближенных. Те, кто послабее рассудком, сходят с ума. «Ктулху восстанет в назначенный час» – поют служители жестокого культа, принося человеческие жертвы своему богу… Истории, вошедшие в сборник, отражают фантастические и мрачные сны, которые всю жизнь тревожили их автора – Говарда Лавкрафта. Легендарный рассказ «Зов Ктулху» стал основой для настоящего литературного культа. Читайте зарубежную литературу в оригинале!

Female genital excision, or the ritual of cutting the external genitals of girls and women, is undoubtedly one of the most heavily and widely debated cultural traditions of our time. By looking at how writers of African descent have presented the practice in their literary work, Elisabeth Bekers shows how the debate on female genital excision evolved over the last four decades of the twentieth century, in response to changing attitudes about ethnicity, nationalism, colonialism, feminism, and human rights. Rising Anthills (the title refers to a Dogon myth) analyzes works in English, French, and Arabic by African and African American writers, both women and men, from different parts of the African continent and the diaspora. Attending closely to the nuances of language and the complexities of the issue, Bekers explores lesser-known writers side by side with such recognizable names as Ngugi wa Thiong’o, Flora Nwapa, Nawal El Saadawi, Ahmadou Kourouma, Calixthe Beyala, Alice Walker, and Gloria Naylor. Following their literary discussions of female genital excision, she discerns a gradual evolution—from the 1960s, when writers mindful of its communal significance carefully “wrote around” the physical operation, through the 1970s and 1980s, when they began to speak out against the practice and their societies’ gender politics, to the late 1990s, when they situated their denunciations of female genital excision in a much broader, international context of women’s oppression and the struggle for women’s rights.