Minima Memoria attests to the impact of the works of Jean-François Lyotard, one of the most influential French philosophers of the twentieth century, and the continuing effects of these works across a wide array of fields: philosophy, literature, political theory, gender theory, aesthetics, and psychoanalysis. Particular attention is paid to Lyotard's repeated warnings regarding the way in which the complexity of events can be occluded in the very attempt to represent them. Indeed, through the contributors' careful and critical analysis, Lyotard's complex intellectual trajectory—all the way up to the posthumously published works The Confession of Augustine and The Misery of Philosophy—is traced in different and often conflicting manners, which bring out the different currents that traverse his writings and the sites of tension that such terms as "different," "affect," and "infancy" mark. What emerges is not a grand narrative that would organize Lyotard's life and work around one unifying idea, but multifaceted approaches that extend in new and unforeseen directions.

Explores why Derrida, Hegel, and Heidegger conceive of their thought as a “movement” rather than as a presentation of results or conclusions. This book explores the idea shared by Derrida, Hegel, and Heidegger that the value of their thought is not found in its results or conclusions, but in its “movement.” All three describe the heart of their work in terms of a pathway, development, or movement that seems to deprive their thought of a solid ground. Johan de Jong argues that this is a structural vulnerability that is the source of its value, tracing Derrida’s indirect method from his early to later works, and critically considering his engagements with Hegel and Heidegger. De Jong’s analysis locates an affinity among Hegel, Heidegger, and Derrida in a shared distrust of externality and, against the grain of some Levinasian commentaries, argues that Derrida’s indirectness results in an ethics of complicity. The Movement of Showing answers a central question that many polemics about continental philosophy and postmodernism revolve around, namely: with which methods does one philosophize responsibly? It shows the difference between critique and polemics, and why simply taking up a position for or against is insufficient in order to think responsibly. “The scope and focus of this book is unusual and requires a lot of mastery of various periods and ideas in philosophy. It stands in a category of its own. For those familiar with the ambitious trajectory in Western ontology and modern philosophy that connects and runs through Hegel, Heidegger, and Derrida, this book will be a thrill to read.” — Emilia Angelova, Concordia University

On the first Sunday in the month of August, 1815, at ten o’clock precisely—as on every Sunday morning—the sacristan of the parish church at Sairmeuse sounded the three strokes of the bell which warn the faithful that the priest is ascending the steps of the altar to celebrate high mass. The church was already more than half full, and from every side little groups of peasants were hurrying into the church-yard. The women were all in their bravest attire, with cunning little fichus crossed upon their breasts, broad-striped, brightly colored skirts, and large white coifs. Being as economical as they were coquettish, they came barefooted, bringing their shoes in their hands, but put them on reverentially before entering the house of God......

This early work by Émile Gaboriau was originally published in the late 19th century and we are now republishing it with a brand new introduction. 'The Honor of the Name' is one of Gaboriau's novels of crime and mystery. Émile Gaboriau was born in the small town of Saujon, Charente-Maritime, France. During his twenties, he became a secretary to Paul Féval - a an author now regarded as one of the fathers of modern crime fiction, whose Jean Diable (1862) is seen as the world's first modern detective novel.

Tempting the Preacher's Daughter Plain preacher's daughter Violet Benson is always the wallflower—until charismatic gambler Cade Foster takes her under his wing. Suddenly the men of Morrow Creek start looking at her with new eyes—and the women with envy—but Violet is interested in only one man: Cade. Agreeing to be his "lucky charm," Violet becomes embroiled in the gambler's thrilling world. With her newfound confidence, Violet is determined to uncover the secret sorrow behind the eyes that smolder beneath Cade's Stetson, and prove to this fascinating man that he can take the biggest gamble of all…with his heart.

Look at the Birdie is a collection of fourteen previously unpublished short stories from one of the most original writers in all of American fiction. In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and often funny portrait of life in post–World War II America—a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. Determined to trip up a murder suspect, a small-town police chief relies on the good word of a scrupulous newspaper delivery boy whose dedication to his craft—and to his cowardly father—may hold the key to cracking the case. The Honor of a Newsboy and the thirteen other never-before-published pieces that comprise Look at the Birdie serve as an unexpected gift for devoted readers who thought that Kurt Vonnegut's unique voice had been stilled forever—and provide a terrific introduction to his short fiction for anyone who has yet to experience his genius.

In the long history of European prose, few works have been more influential and popular than Amadis of Gaul. It is a landmark work among the knight-errantry tales and probably derives from an oral tradition. Although its original author is unknown, it was likely written during the early fourteenth century, with the first known version of this work, dating from 1508, written in Spanish by Garci Ordóñez (or Rodríguez) de Montalvo. An early bestseller of the age of printing, Amadis of Gaul was translated into dozens of languages and spawned sequels and imitators over the centuries. A handsome, valiant, and undefeatable knight, Amadis is best known today as Don Quixote's favorite knight-errant and role model. Readers for centuries have delighted in his tales of adventure.

August, 1943: In his short time as a spy with the Office of Strategic Services, young Cletus Frade has faced many unlikely situations, but nothing like his new assignment. Having helped Lieutenant Colonel Wilhelm Frogger escape a Mississippi P.O.W. camp, he must now get the defiant German to turn against his country.

Fortune's Children: The Brides: Meet the Fortune brides—six special women who perpetuate a family legacy greater than mere riches! ALTAR BOUND…. Pregnant bride Kelly Sinclair had agreed to a marriage-in-name-only to secure her baby's birthright. CEO Mac Fortune was dutifully marrying her as the baby's father—his playboy brother—had skipped town. Falling in love wasn't part of the deal. Until Kelly got to the alter…and the groom sealed their vows with a blood-spinning kiss. Could she turn an honorable deed into a lifetime commitment?