In 1914, Luisa writes in a letter to the now Saint, Annibale M. di Francia: “I am finally sending you this handwritten copy of The Hours of the Passion of Our Lord Jesus Christ. May it all be for His greater Glory. I have also enclosed a few pages where I describe the effects and the beautiful promises that Jesus makes to everyone who meditates these Hours of the Passion. I believe that if whoever meditates on them is a sinner, he will convert; if he is imperfect, he will become perfect; if he is holy, he will become holier; if he is tempted, he will find victory; if suffering, he will find strength, medicine, and comfort in these Hours; if weak and poor, he will find a spiritual food and a mirror in which to look at himself continually and so become beautiful and similar to Jesus, our model”.

The goal of this redaction-critical investigation is to determine what in Luke 22 is special to Luke, to assess its origin, and to uncover Luke's purpose in using this material. Unlike earlier studies, Soards concentrates on lines of thought that link the chapter with the Gospel as a whole. The author's conclusion is that though Luke did not use a single coherent source other than Mark for this chapter, his diverse material was chosen in order to advance Luke's distinctive interests in Christology, eschatology and ecclesiology. Christologically, Jesus is shown as in charge of the Passion events and as the realization of a divine plan; eschatologically, the Passion is portrayed as inaugurating the era of the Last Days; ecclesiologically, Jesus's attitude to his disciples functions as instruction for Luke's readers about their role in God's plan.

Jerome Neyrey brings a remarkably enlightened approach to the Passion Narrative, and to Luke's particular version of it. The book begins where previous studies leave off, for it goes beyond traditional questions of source and historicity and treats the Lukan Passion Narrative from the standpoint of redaction criticism. Neyrey offers a fresh literary analysis of the text, along with significant thematic and theological insights into Luke's version of Jesus's Passion. Five major episodes in the Passion Narrative are treated: The Farewell Address at the Last Supper, the Garden, Jesus's Trials, his Address to the Women, and the Crucifixion. Although rich in detail, this book continually offers a unified view of the text; readers are constantly offered overviews, summaries of the data, and interpretation of it. The book breaks new ground in suggesting a distinctive Lukan soteriology of the cross and a corresponding Christology. Study of the faith of the dying Jesus becomes a major clue for seeing Jesus as the New Adam in Luke-Acts. This book significantly advances our reading of Luke, especially by the way Acts is brought to bear as an interpretive clue to Luke's whole project, Luke-Acts. Contemporary interpretation of Luke demands study of the way Lukan structures and themes are continued and confirmed in Acts, which holds true especially for the Passion Narrative. Luke brings the story of Jesus into harmony with the story of his church.