Take the sample quiz below: True or False? The Invention of Wings is Sue's first nonfiction novel. True or False? Riots and protests were common when Sue was growing up, because she grew up in a time where racial divides were rampant. True or False? The Invention of Wings was selected for Oprah's Book Club 2.0 shortly after it was released. Do you know the answers to the questions above? Are you a fan of The Cuckoo's Calling by Robert Galbraith and J. K. Rowling? Would you like to have hours of entertainment and enjoyment about the book you love? If you've answered yes to any question above, get ready for a hip-new series that bring you FUN and EDUCATION at the same time! Gather around with family and friends and challenge one another with a series of questions ranging from easy to difficult levels and see who wins! Submit your Quiz Game scores via Google Forms for a chance to be ranked on 'G whiz Spotlights' and hop on the Wall of Contributors! It's safe and fun for the whole family! "Acts as an incredible reading guide. Helps to know not only about the books but the authors as well." - Marilin A. “Get ready for fun, down-to-earth, and amazing facts that keep you laughing & learning!" Tips & Tricks to Enhance Reading Experience • Enter "G Whiz" after your favorite title to see if publication exists! ie) Harry Potter G Whiz • Enter "G Whiz 101" to search for entire catalogue! • Collect Stars redeemable for books with every correct answer! • Participate in priority events by joining "G Whiz Crew"! • Submit a review for G Whiz trilogy sets and hop on the Wall of Contributors! DISCLAIMER: This work is a derivative work not to be confused with the original title. It is a quiz game book designed to enrich appreciation of the original title through entertainment and education. It is unofficial and unauthorized, and no content shall be deemed authoritative nor used for citation purposes. All questions come with source URLs for further reading and enjoyment. Refined and tested for quality, we provide a 100% satisfaction guarantee or your money back.

Get the bundle package of your favorite G Whiz titles and save! Did you know Sue wrote The Invention of Wings because of a desire she had to deal with the racial issues that was a part of her life as a child? Or, did you know Sue decided on the title of her book: The Invention of Wings, because she was interested in how her characters would invent their own freedom, their own voices (wings)? What are the amazing facts of The Invention of Wings by Sue Monk Kidd? Do you know the answers to the questions above? Laugh and learn with 101 Amazing Facts and take the True or False? or Trivia King Quiz Game Books to challenge yourself to a round of trivia ! For the first time, G Whiz Books is now available in bundle packages, bringing you FUN and EDUCATION simultaneously that is safe for the whole family. Tips & Tricks to Enhance Reading Experience • Enter "G Whiz" after your favorite title to see if publication exists! ie) Book Name G Whiz • Enter "G Whiz Books" to search for entire catalogue! • Look for the bundle packages and trilogy sets for deals and save! • Submit a review to join G Whiz Crew and the Wall of Contributors! “Get ready for fun, down-to-earth, and amazing facts that keep you laughing & learning!" - G Whiz DISCLAIMER: This work is a derivative work not to be confused with the original title. It is a collection of facts from reputable sources generally known to the public with source URLs for further reading. It is unofficial and unaffiliated with respective parties of the original title in any way. Due to the nature of research, no content shall be deemed authoritative nor be used for citation purposes. Refined and tested for quality, we provide a 100% satisfaction guarantee or your money back.

"The Invention of Martial Arts examines the media history of what we now call 'martial arts' and argues that martial arts is a cultural construction that was born in film, TV and other media. It argues that 'martial arts' exploded into popular consciousness entirely thanks to the work of media. Of course, the book does not deny the existence of real, material histories and non-media dimensions in martial arts practices. But it thoroughly recasts the status of such histories, combining recent myth-busting findings in historical martial arts research with important insights into the discontinuous character of history, the widespread 'invention of tradition', the orientalism and imagined geographies that animate many ideas about history, and the frequent manipulation of history for reasons of status, cultural capital, private or public power, politics, and/or financial gain. In doing so, The Invention of Martial Arts argues for the primacy of media representation as key player in the emergence and spread of martial arts. This argument overturns the dominant belief that 'real practices' are primary, while representations are secondary. The book makes its case via historical analysis of the British media history of such Eastern and Western martial arts as Bartitsu, jujutsu, judo, karate, tai chi and MMA across a range of media, from newspapers, comics and books to cartoon, film and TV series, as well as television adverts and music videos, focusing on key but often overlooked texts such as adverts for 'Hai Karate', the 1970s disco hit 'Kung Fu Fighting', and many other mainstream and marginal media texts"--

We live in a world made by science. How and when did this happen? This book tells the story of the extraordinary intellectual and cultural revolution that gave birth to modern science, and mounts a major challenge to the prevailing orthodoxy of its history. Before 1492 it was assumed that all significant knowledge was already available; there was no concept of progress; people looked for understanding to the past not the future. This book argues that the discovery of America demonstrated that new knowledge was possible: indeed it introduced the very concept of 'discovery', and opened the way to the invention of science. The first crucial discovery was Tycho Brahe's nova of 1572: proof that there could be change in the heavens. The telescope (1610) rendered the old astronomy obsolete. Torricelli's experiment with the vacuum (1643) led directly to the triumph of the experimental method in the Royal Society of Boyle and Newton. By 1750 Newtonianism was being celebrated throughout Europe. The new science did not consist simply of new discoveries, or new methods. It relied on a new understanding of what knowledge might be, and with this came a new language: discovery, progress, facts, experiments, hypotheses, theories, laws of nature - almost all these terms existed before 1492, but their meanings were radically transformed so they became tools with which to think scientifically. We all now speak this language of science, which was invented during the Scientific Revolution. The new culture had its martyrs (Bruno, Galileo), its heroes (Kepler, Boyle), its propagandists (Voltaire, Diderot), and its patient labourers (Gilbert, Hooke). It led to a new rationalism, killing off alchemy, astrology, and belief in witchcraft. It led to the invention of the steam engine and to the first Industrial Revolution. David Wootton's landmark book changes our understanding of how this great transformation came about, and of what science is.

Does objectivity exist in the news media? In The Invention of Journalism Ethics, Stephen Ward argues that given the current emphasis on interpretation, analysis, and perspective, journalists and the public need a new theory of objectivity. He explores the varied ethical assertions of journalists over the past few centuries, focusing on the changing relationship between journalist and audience. This historical analysis leads to an innovative theory of pragmatic objectivity that enables journalists and the public to recognize and avoid biased and unbalanced reporting. Ward convincingly demonstrates that journalistic objectivity is not a set of absolute standards but the same fallible but reasonable objectivity used for making decisions in other professions and public institutions. Considered a classic in the field since its first publication in 2004, this second edition includes new chapters that bring the book up to speed with journalism ethics in the twenty-first century by focusing on the growing dominance of online journalism and calling for a radical approach to journalism ethics reform. Ward also addresses important developments that have occurred in the last decade, including the emergence of digital journalism ethics and global journalism ethics.

Includes cases argued and determined in the District Courts of the United States and, Mar./May 1880-Oct./Nov. 1912, the Circuit Courts of the United States; Sept./Dec. 1891-Sept./Nov. 1924, the Circuit Courts of Appeals of the United States; Aug./Oct. 1911-Jan./Feb. 1914, the Commerce Court of the United States; Sept./Oct. 1919-Sept./Nov. 1924, the Court of Appeals of the District of Columbia.

In America's collective unconscious, the Haudenosaunee, known to many as the Iroquois, are viewed as an indelible part of New York's modern and democratic culture. From the Iroquois confederacy serving as a model for the US Constitution, to the connections between the matrilineal Iroquois and the woman suffrage movement, to the living legacy of the famous "Sky Walkers," the steelworkers who built the Empire State Building and the George Washington Bridge, the Iroquois are viewed as an exceptional people who helped make the state's history unique and forward-looking. John C. Winters contends that this vision was not manufactured by Anglo-Americans but was created and spread by an influential, multi-generational Seneca-Iroquois family. From the American Revolution to the Cold War, Red Jacket, Ely S. Parker, Harriet Maxwell Converse (adopted), and Arthur C. Parker used the tools of a colonial culture to shape aspects of contemporary New York culture in their own peoples' image. The result was the creation of "The Amazing Iroquois," an historical memory that entangled indigenous self-definition, colonial expectations about racial stereotypes and Native American politics, and the personalities of the people who cultivated and popularized that memory. Through the imperial politics of the eighteenth century to pioneering museum exhibitions of the twentieth, these four Seneca celebrities packaged and delivered Iroquoian stories to the broader public in defiance of the contemporary racial stereotypes and settler colonial politics that sought to bury them. Owing to their skill, fame, and the timely intervention of Iroquois leadership, this remarkable family showcases the lasting effects of indigenous agents who fashioned a popular and long-lasting historical memory that made the Iroquois an obvious and foundational part of New Yorkers' conception of their own exceptional state history and self-identity.

The bucolic Idylls of Theocritus are the first literature to invent a fully fictional world that is not an image of reality but an alternative to it. It is thereby distinguished from the other Idylls and from Hellenistic poetry as a whole. This book examines these poems in the light of ancient and modern conceptions of fictionality. It explores how access to this fictional world is mediated by form and how this world appears as an object of desire for the characters within it. The argument culminates in a fresh reading of Idyll 7, where Professor Payne discusses the encounter between author and fictional creation in the poem and its importance for the later pastoral tradition. Close readings of Theocritus, Callimachus, Hermesianax and the Lament for Bion are supplemented with parallels from modern contemporary fiction and an extended discussion of the heteronymic poetry of Fernando Pessoa.