The Greatest Feminist Classics in One Volume curates an unparalleled collection of literary works that together trace the evolution and impact of feminist thought across generations and geographies. Including an array of literary styles from the pioneering novel to insightful essays, and groundbreaking plays this anthology situates itself within a critical period of social and literary history where the voices of women, and some supportive men, began to loudly question and dismantle the patriarchal structures limiting their lives. The breadth of diversity and the literary richness of works, inclusive of seminal pieces by figures like Virginia Woolf and Harriet Martineau, illustrate the multifaceted nature of feminist discourse, showcasing variations in approach, perspective, and outcome that have enriched the dialogue on gender equality and womens rights. The contributors to this volume, ranging from Henrik Ibsen to Elizabeth Cady Stanton, are as varied in their backgrounds as in their writing styles, representing a wide spectrum of the 19th and early 20th centuries' intellectual and cultural landscape. These authors, collectively, offer insights into feminist thought's evolution, aligning with several critical movements from Romanticism to Modernism. Their works collectively highlight how different cultures, historical periods, and personal experiences have shaped understandings and expressions of gender and identity, providing readers with a comprehensive overview of feminisms literary and social significance. For readers seeking to immerse themselves in the foundational texts of feminist literature, The Greatest Feminist Classics in One Volume presents a unique and enriching opportunity. It invites a broad audience to explore the transformative power of words in shaping societal norms and values regarding gender. This collection not only serves as an educational resource but also as a starting point for discussions about the diversity of feminist perspectives and the ongoing struggle for equality. Engaging with these texts offers an unparalleled insight into the legacy of feminist thought, making this anthology an essential addition to any literary collection.

The transcripts of Joan of Arc's trial for heresy at Rouen in 1431 and the minutes of her interrogation have long been recognized as our best source of information about the Maid of Orleans. Historians generally view these legal texts as a precise account of Joan's words and, by extension, her beliefs. Focusing on the minutes recorded by clerics, however, Karen Sullivan challenges the accuracy of the transcript. In The Interrogation of Joan of Arc, she re-reads the record not as a perfect reflection of a historical personality's words, but as a literary text resulting from the collaboration between Joan and her interrogators. Sullivan provides an illuminating and innovative account of Joan's trial and interrogation, placing them in historical, social, and religious context. In the fifteenth century, interrogation was a method of truth-gathering identified not with people like Joan, who was uneducated, but with clerics, like those who tried her. When these clerics questioned Joan, they did so as scholastics educated at the University of Paris, as judges and assistants to judges, and as pastors trained in hearing confessions. The Interrogation of Joan of Arc traces Joan's conflicts with her interrogators not to differing political allegiances, but to fundamental differences between clerical and lay cultures. Sullivan demonstrates that the figure depicted in the transcripts as Joan of Arc is a complex, multifaceted persona that results largely from these cultural differences. Discerning and innovative, this study suggests a powerful new interpretive model and redefines our sense of Joan and her time.

Few individuals in the annals of world history have had so lasting an impact as Joan of Arc, who rallied a country behind her and continues to inspire people today. Although she began life as a peasant, she became a key figure in the latter stages of the Hundred Years' War. As a teenager she experienced visions from God calling her to aid the French king. Her confidence and bearing, along with her fervent adherence to God and her Catholic faith, belied her age and so influenced the monarch that he made her commander of one of his companies. She helped lead the French forces in battle against the English, in turn becoming a national icon. However, she was eventually captured and tried by the English in a trial rife with ecclesiastical and political overtones. Convicted as a heretic, Joan was sentenced and burned at the stake. As a martyr, she gained mythic status and the Roman Catholic Church made her a saint in 1920. This book presents a fascinating study of Joan of Arc's life based on excerpts from John A Mooney's gripping 1919 biography. The overview is augmented by a substantial and selective bibliography, featuring access provided through author, title, and subject indexes.

The following book is a collection of short story written by Marjorie Oliphant (often known as Mrs. Oliphant). A total of two stories are featured inside: 'The Library Window' and 'The Secret Chamber', with both tales having supernatural themes.

In The Hundred Years War: Further Considerations, sixteen essays consider various economic, legal, military, and psychological aspects of the long conflict that touched much of late-medieval Europe.

This comprehensive guide is an ideal reference work for film specialists and enthusiasts. First published in 1984 but continuously updated ever since, CineGraph is the most authoritative and comprehensive encyclopedia on German-speaking cinema in the German language. This condensed and substantially revised English-language edition makes this important resource available to students and researchers for the first time outside its German context. It offers a representative historical overview through bio-filmographical entries on the main protagonists, from the beginnings to the present day. Included are directors and actors, writers and cameramen, composers and production designers, film theorists and critics, producers and distributors, inventors and manufacturers. An appendix includes short introductory essays on specific periods and movements, such as Early Film, Weimar, Nazi Cinema, DEFA, New German Cinema, and German film since unification, as well as on cinematic developments in Austria and Switzerland. Sections that crossreference names around specific professional groups and themes will prove equally invaluable to researchers.