Peter Ackroyd's The Life of Thomas More is a masterful reconstruction of the life and imagination of one of the most remarkable figures of history. Thomas More (1478-1535) was a renowned statesman; the author of a political fantasy that gave a name to a literary genre and a worldview (Utopia); and, most famously, a Catholic martyr and saint. Born into the professional classes, Thomas More applied his formidable intellect and well-placed connections to become the most powerful man in England, second only to the king. As much a work of history as a biography, The Life of Thomas More gives an unmatched portrait of the everyday, religious, and intellectual life of the early sixteenth century. In Ackroyd's hands, this renowned "man for all seasons" emerges in the fullness of his complex humanity; we see the unexpected side of his character--such as his preference for bawdy humor--as well as his indisputable moral courage.

Written from the Tower of London, these letters of Thomas More still speak powerfully today. The story of Thomas More, recently told in Peter Ackroyd's bestselling biography, is well known. In the spring of 1534, Thomas More was taken to the Tower of London, and after fourteen months in prison, the brilliant author of Utopia, friend of Erasmus and the humanities, and former Lord Chancellor of England was beheaded on Tower Hill. Yet More wrote some of his best works as a prisoner, including a set of historically and religiously important letters. The Last Letters of Thomas More is a superb new edition of More's prison correspondence, introduced and fully annotated for contemporary readers by Alvaro de Silva. Based on the critical edition of More's correspondence, this volume begins with letters penned by More to Cromwell and Henry VIII in February 1534 and ends with More's last words to his daughter, Margaret Roper, on the eve of his execution. More writes on a host of topics-prayer and penance, the right use of riches and power, the joys of heaven, psychological depression and suicidal temptations, the moral compromises of those who imprisoned him, and much more. This volume not only records the clarity of More's conscience and his readiness to die for the integrity of his religious faith, but it also throws light on the literary works that More wrote during the same period and on the religious and political conditions of Tudor England.

The story of Henry VIII and his six wives is a well-known example of the caprice and violence that dominated that king's reign. Now Derek Wilson examines a set of relationships that more vividly illustrate just how dangerous life was in the court of the Tudor lion. He tells the interlocking stories of six men-all, curiously enough, called Thomas-whose ambitions and principles brought them face to face with violent death, as recorded in a simple mnemonic: 'Died, beheaded, beheaded, Self-slaughtered, burned, survived.' Thomas Wolsey was an accused traitor on his way to the block when a kinder death intervened. Thomas More and Thomas Cromwell, whose convictions and policies could scarcely have been more different, both perished beneath the headman's axe. Thomas Howard, Duke of Norfolk, would have met the same end had the king's own death not brought him an eleventh hour reprieve. Thomas Wriothesley, Earl of Southampton, and Thomas Cranmer, Archbishop of Canterbury, though outliving the monarch, perished as a result of that war of ambitions and ideologies which rumbled on after 1547. Wriothesley succumbed to poison of either body or mind in the aftermath of a failed coup. Cranmer went to the stake as a heretic at the insistence of Mary Tudor, who was very much the daughter of the father she hated. In the Lion's Court is an illuminating examination of the careers of the six Thomases, whose lives are described in parallel-their family and social origins, their pathways to the royal Council chamber, their occupancy of the Siege Perilous, and the tragedies that, one by one, overwhelmed them. By showing how events shaped and were shaped by relationships and personal destinies, Derek Wilson offers a fresh approach to the political narrative of a tumultuous reign.