George Villiers, 1st Duke of Buckingham was an English courtier, statesman, and patron of the arts. He was a favourite of King James I of England. Despite a patchy political and military record, Buckingham remained at the height of royal favour for the first three years of the reign of King Charles I, until a disgruntled army-officer assassinated him.

The historians who attribute the calamities of the Great Rebellion to the misrule of James the First, under the pernicious influence of his favourites, draw a lively parallel between the condition of England at the accession of that monarch and the state of peril and embarrassment with which his great predecessor had to contend. Elizabeth, whose inauguration, long celebrated, after her death, as a day of jubilee, was regarded as the commencement of national prosperity, came to the throne under very adverse circumstances. The functions of Government were clogged with debt. The miserable state of the navy required a constant vigilance to repel the chance of invasion, and to drive away pirates by whom the narrow seas were infested. The revenues of the Crown were insufficient to maintain its power and dignity; the country, moreover, was embroiled in religious dissensions; whilst the authority of the Queen was lessened by a disputed succession, and her mind harassed and embittered by the pretensions of the Dauphin of France to the Crown of England, in right of his wife, Mary Stuart. James, on the contrary, began his reign with every exterior advantage. His claim to the sovereignty was undoubted; and various causes had concurred to give great influence to the Crown. The subservient tributes of respect paid to its dignity were such as even to astonish the envoys of despotic France. Elizabeth had been served and addressed by her subjects on the knee; James, at all events for a time, continued that abject custom, which was a type of the prevailing national sentiment towards royalty. Commerce, in spite of monopolies, and of the injudicious interference of the Legislature with wages, was advancing; leases granted of large tracts of land had increased the opulence of the country; the improved prospects of the landholders acted on the prosperity of the manufacturing classes: whilst the general welfare was increased by emigration; the religious persecutions on the Continent, driving from foreign towns ingenious workmen, sent them into England, where they introduced arts hitherto unknown in this country. The Constitution, too, had been maintained; and, with the exception of the court of the Star Chamber, over which James presided in person, the principles of liberty had not been materially invaded. There was no standing army; the tenets of Protestantism were established; and the Presbyterian education of the King afforded a hope that certain traces of the faith which had been renounced would die away, and that ceremonials which were objectionable to many would be speedily discontinued. Thus, the first of the Stuart Kings enjoyed blessings not possessed by any of his predecessors; and, ascending the throne, opened a new era in the history of the country.

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George Villiers, Second Duke of Buckingham (1628-1687) was one of the most scandalous and controversial figures of the Restoration period. He was the principal author of The Rehearsal (1671), an enormously successful burlesque play that ridiculed John Dryden and the rhymed heroic drama. Historians remember Buckingham as an opponent who helped topple Clarendon from power in 1667, as a member of the 'Cabal' government in the early 1670s, and as an ally of the Earl of Shaftesbury in the political crisis of 1678-1683. The duke was prominent among the 'court wits' (Rochester, Etherege, Sedley, Dorset, Wycherley, and their circle); he was closely associated with such writers as Butler and Cowley; he was a conspicuous champion of religious toleration and a friend of William Penn. No edition of Buckingham has been published since 1775, partly because his work presents horrendous attribution problems. He was (probably) adapter or co-author of six plays (two of them vastly successful for more than a century) including one in French that appears here in English for the first time. He is also associated with nine topical pieces (variously political, religious, and satiric) and some twenty poems of wildly varying type. The 'Buckingham' commonplace book has previously been published only in fragmentary form. Almost all of these works present major difficulties in both attribution and annotation, here seriously addressed for the first time. This edition is a companion venture to Harold Love's important edition of Rochester (OUP, 1999).