Curious and charming Rambunctious and silly Shy and sweet No matter what type he is, a little boy is something to celebrate!--and this book is the perfect keepsake to remind them just how special they are. With songs, poems, lullabies, rhymes, and games, this timeless treasury celebrates all things. From Little Jack Horner to Pick-Up Sticks--these time-honored traditions will create unforgettable memories for every kind of little boy for years to come.

Reprint of the original, first published in 1860.

In this tender eBook with audio, the simple playthings, the everyday moments, picking up that hundredth rock—all of these are brimming with possibility, if you slow down and let the future begin with the small moments of today. Because everything depends on letting a little boy . . . be a little boy.

Will boys be boys? What are little boys made of? Kenneth B. Kidd responds to these familiar questions with a thorough review of boy culture in America since the late nineteenth century. From the "boy work" promoted by character-building organizations such as Scouting and 4-H to current therapeutic and pop psychological obsessions with children's self-esteem, Kidd presents the great variety of cultural influences on the changing notion of boyhood.Kidd finds that the education and supervision of boys in the United States have been shaped by the collaboration of two seemingly conflictive approaches. In 1916, Henry William Gibson, a leader of the YMCA, created the term boyology, which came to refer to professional writing about the biological and social development of boys. At the same time, the feral tale, with its roots in myth and folklore, emphasized boys' wild nature, epitomized by such classic protagonists as Mowgli in The Jungle Books and Huck Finn. From the tension between these two perspectives evolved society's perception of what makes a "good boy": from the responsible son asserting his independence from his father in the late 1800s, to the idealized, sexually confident, and psychologically healthy youth of today. The image of the savage child, raised by wolves, has been tamed and transformed into a model of white, middle-class masculinity.Analyzing icons of boyhood and maleness from Father Flanagan's Boys Town and Max in Where the Wild Things Are to Elin Gonzlez and even Michael Jackson, Kidd surveys films, psychoanalytic case studies, parenting manuals, historical accounts of the discoveries of "wolf-boys," and self-help books to provide a rigorous history of what it has meant to be an all-American boy.Kenneth B. Kidd is assistant professor of English at the University of Florida and associate director of the Center for Children's Literature and Culture.

Corporal Budo Gresham and the other men of the US Eleventh Armored Calvary Regimenta.k.a. the Black Horse Regimentare serving on the border between East Germany and West Germany during the eighties, keeping a watchful eye on their Soviet counterparts on the other side. In the midst of a combat action, they are hit by what seems to be a nuclear explosionand find themselves suddenly transported to another dimension. There, the men of the squad encounter strange creatures and living machines. They also meet Roxanne, who seems to be a little girl but is in fact an electromagnetic entity who guides them in this new place. Whats more, they soon learn that in this dimension, machines of destruction conquer worlds and turn life into one of three elemental states, each with a specific purpose. The machines recruit the squad members, giving them nine swords of dark energy to help fight their enemiesbut only time will reveal the true intentions of the machines. In this epic work of science fiction, a group of men ripped through time and space to another dimension must make their way together with the help of an unlikely ally if they are to survive.

Discusses the subjugation of Native Americans on the American frontier, and explains how it was used to justify American territorial expansion.

This collection of essays analyzes the work of 29 authors and illustrators. South African children's and youth literature has a long history. The country is the most prolific publisher of children's books on the continent, producing perhaps the highest quality literature in Africa. Its traditions resonate within the larger world of children's literature but are solidly grounded in African myth and archetypes. The African diaspora in the U.S. and elsewhere have stories rooted in these oral traditions. Much has changed in South African literature for children since the 1994 transformation of the country. A field once dominated by all white and mostly female writers and illustrators has diversified, adding many new voices.