'A slow-burning thriller that builds to a devastating dénouement.' Mail on Sunday If you go, there's no coming back. Dr Georgia Healey can't grieve. Her nineteen-year-old daughter went for a walk two years ago and vanished. The police never found Stephanie's body. The case has gone stale, but Georgia can't let it go. She knows Stephanie's out there, somewhere. On the anniversary of Stephanie's disappearance, Georgia's ready to re-interrogate university students, lecturers, Steph's past boyfriends, everyone. She treads the exact path where Stephanie vanished. Yet the shocking truth is even more than she can handle. When you seek the lost, be prepared for what you find . . . Reviews for P.R. Black: 'A tense thriller that kept me reading way past bedtime then kept me awake.' Kerry Watts 'It's edge-of-the-seat stuff... A cracker.' Bookbag 'Copious amounts of suspense.' Novel Kicks

The Cuban Revolution of 1959 was a benchmark of triumph and a harbinger of tragedy to come. Rather than herald a new era of Cuba joining the world community of nations as a paragon of democracy as many fervently hoped and believed it would, it became instead a new stage in authoritarian rule in the Western hemisphere.For more than a half century since then Cuba has been defined by the capacity of a single family to command and determine the fate of a nation?and to do so with a minimum of opposition. Incredibly, even those professing adhesion to democratic norms have been ready to forgive the dictator his excesses. This volume explains the theory and practice of this absence of internal opposition and the persistence of external support for the Castro family and its entourage.The Long Night of Dark Intent is chronological in order, with the author indicating major points in each of the five decades covered. The volume covers five centers of system analysis: economics, politics, society, military, and ideology. Who or what "determines" events and decisions is the stuff of real history. It is precisely due to variability in causal chains in society that we have huge variance in levels of predictability. The course of the Cuban Revolution gives strong support for such an approach to the Castro Era. This is a unique, unflinching account with a strong emphasis on the importance of U.S. policy decisions over time.

For a brief time following the end of the U.S. Civil War, American political leaders had an opportunity—slim, to be sure, but not beyond the realm of possibility—to remake society so that black Americans and other persons of color could enjoy equal opportunity in civil and political life. It was not to be. With each passing year after the war—and especially after Reconstruction ended during the 1870s—American society witnessed the evolution of a new white republic as national leaders abandoned the promise of Reconstruction and justified their racial biases based on political, economic, social, and religious values that supplanted the old North-South/slavery-abolitionist schism of the antebellum era. A Long Dark Night provides a sweeping history of this too often overlooked period of African American history that followed the collapse of Reconstruction—from the beginnings of legal segregation through the end of World War II. Michael J. Martinez argues that the 1880s ushered in the dark night of the American Negro—a night so dark and so long that the better part of a century would elapse before sunlight broke through. Combining both a “top down” perspective on crucial political issues and public policy decisions as well as a “bottom up” discussion of the lives of black and white Americans between the 1880s and the 1940s, A Long Dark Night will be of interest to all readers seeking to better understand this crucial era that continues to resonate throughout American life today.

Can an orphan, with only her Mustang and a Cossack sword, survive alone on the frontier? From the deserts of Utah, through the gold mines of California, to the turbulent wilderness of Colonial New Zealand, Aleksandra rides, loves, and fights—with only her Cossack skills to keep her alive. ** From multiple award winning author Lizzi Tremayne ** This book contains all three of the following books! A LONG TRAIL ROLLING A dangerous job. Is it a convenient escape route... or a death trap? Winner of: True West 2016 Best Western Romance Romance Writers of New Zealand: 2014 Pacific Hearts Award and 2015 Koru Award UTAH TERRITORY, 1860. Alone. Aleksandra has spent her whole life training for the inevitable. So when a brutal Cossack tracks down and kills her father, she knows what she must do. Now orphaned, she flees, disguised as a Pony Express rider, in an attempt to keep her pa's killer from discovering their family's secret. Xavier has kept the world, especially women, at arms-length since he ran from his troubles as heir to his Californio rancho family. As a Pony Express Station Keeper, having a girl riding the Pony out of his station wasn't ever part of his plans... but somehow it happened, blackmail being what it is. Curiously, he didn't want to let this one out of his sight. They begin to let each other into their hearts, but the cards are stacking against them as the minutes tick by and Aleks rides full speed into the Indian Paiute War. Can they learn to trust in time to escape the Indians, evade the killer, and save both their love and Aleksandra's family legacy? A Long Trail Rolling is the first book in the sensational Long Trails historical fiction series. THE HILLS OF GOLD UNCHANGING As the Civil War rages, secessionists menace California. The Confederates want the state and they'll stop at nothing to take it. UTAH TERRITORY, 1860 On a wagon train headed for Xavier’s family rancho in the Golden State, Aleksandra makes a dangerous enemy of a gun-running Confederate when she fights her way out of his unwelcome embrace. After a late-night poker game, Xavier's new friends realize he’s heard too much to be allowed to live. Embroiled in the Confederates' fight to drag the new state from the Union and make it their own, can Aleks and Xavier survive? The secessionists mean business. The Hills of Gold Unchanging is the second book in the outstanding Long Trails historical fiction series. A SEA OF GREEN UNFOLDING They sail for the peace and calm of New Zealand, but they hadn’t counted on murderers, mutineers, and a land war in paradise. SAN FRANCISCO BAY AND NEW ZEALAND, 1863. Aleksandra and Xavier have finally found happiness on their Rancho de las Pulgas, but tragedy and death strike far too soon. Sickened further by the U.S. government’s treatment of their Native American friends, they only want out. Of everything. They are thrown a lifeline by an old friend of Xavier’s from the California goldfields. This Gustavus von Tempsky, with his shadowed past, is now a newspaperman in Coromandel, New Zealand. His invitation draws them to a new start, with a part to play in the development of the peaceful young country—but by the time they arrive in Aotearoa, everything has changed. Aleks thought mutineers and scoundrels aboard ship were the worst of their worries, but she hadn’t planned on disembarking into a turbulent wilderness and befriending the helpful local Māori, only to find von Tempsky leading the colonial troops into the bush against the natives who’d saved her life. A Sea of Green Unfolding is the third book in the fantastic Long Trails historical fiction series. If you like bold women, authentic multicultural settings, and a dash of Old West romance, then you’ll love Lizzi Tremayne’s fast-paced adventures! Click on the Ebook button to download a sample or buy now!

From 1954 to 1981, Maeve Brennan wrote for The New Yorker's "Talk of the Town" department under the pen name "The Long–Winded Lady." Her unforgettable sketches—prose snapshots of life in small restaurants, cheap hotels, and crowded streets of Times Square and the Village—together form a timeless, bittersweet tribute to what she called the "most reckless, most ambitious, most confused, most comical, the saddest and coldest and most human of cities." First published in 1969, The Long–Winded Lady is a celebration of one of The New Yorker's finest writers.

More even than space travel, the Stileman Process had altered twenty-first century life. The most complex of medical miracles, it ensured that every ten years or so, the ailing aging body could be restored to youthful vigour and health. There was a catch of course. The cost. Every ten years or so you have to come up with £1,000,000 minimum or die. For Dallas Barr, one of the oldest men on earth, it was that time again. It was while he was casting around for that vital next million that he came across Maria, a woman from - literally - a previous life. And made two major discoveries. Not all Stileman 'immortals' were born - or created - the same. And someone is trying to kill them. All of them.

During a cave expedition in the Jaintia Hills of Meghalaya, India, the body of the Doloi(Chief of the Nongkhlieh elaka), who had gone missing, was found brutally murdered, at the bottom of a deep shaft. Thrang Kharwan, the organizer of the Expedition, was caught up in the web and intrigues of the coal and limestone miners, who felt threatened by the cry of 'save the caves' raised by the cavers. Thrang had filed a Public Interest Litigation in the Apex Court of the country against the destruction of the environment, especially of the caves and its unique cave eco-systems, by the indiscriminate and unscientific quarrying. Thrang survived the attempts on his life, including a heinous attempt to toss him into the deep dark shaft where the Daloi's body was earlier found murdered; ironically, a cave that had become his dream and fantasy - to finally achieve his goal of cave conservation. In this murderous raging attrition of deceit and power and against all odds, he finally came out triumphant, to find the meaning of life and love.

When an Instagram-famous teenager mysteriously disappears, her mother grapples with the revelation of dark secrets in this twisty, atmospheric thriller—from the author of the “poignant, riveting” (Wendy Walker, author of Don’t Look for Me) Everything We Didn’t Say. Mother and daughter Charlie and Eva never sought social media fame, but when a stunning photo of Eva went viral, fame found them. Now, after more than two years documenting life on the road in their vintage Airstream trailer, the duo has temporarily settled on the North Shore of Lake Superior. Eva is happily finishing her senior year of high school and applying to college, but Charlie longs for the adventures they left behind. When Eva goes missing less than a week before her graduation, it’s Charlie who is immediately suspected of foul play—not just by their fans, but also by the police and the FBI. As a fight about one more road trip comes to light, and the truth about their relationship is questioned, Charlie realizes the rosy facade they portrayed online hid a complicated and potentially dangerous reality. Now, to clear her name and find out what has happened to her daughter, she’ll have to confront her own role in Eva’s disappearance—and whether she knows her daughter at all.

Recently, studies of opera, of print culture, and of music in Britain in the long nineteenth century have proliferated. This essay collection explores the multiple point of interaction among these fields. Past scholarship often used print as a simple conduit for information about opera in Britain, but these essays demonstrate that print and opera existed in a more complex symbiosis. This collection embeds opera within the culture of Britain in the long nineteenth century, a culture inundated by print. The essays explore: how print culture both disseminated and shaped operatic culture; how the businesses of opera production and publishing intertwined; how performers and impresarios used print culture to cultivate their public persona; how issues of nationalism, class, and gender impacted reception in the periodical press; and how opera intertwined with literature, not only drawing source material from novels and plays, but also as a plot element in literary works or as a point of friction in literary circles. As the growth of digital humanities increases access to print sources, and as opera scholars move away from a focus on operas as isolated works, this study points the way forward to a richer understanding of the intersections between opera and print culture.