The social construction of crime is often out of proportion to the threat posed. The media and advocacy groups shine a spotlight on some crimes and ignore others. Street crime is highlighted as putting everyone at risk of victimization, while the greater social harms from corporate malfeasance receive far less attention. Social arrangements dictate what is defined as crime and the punishments for those who engage in the proscribed behavior. Interest groups promote their agendas by appealing to public fears. Justifications often have no basis in fact, but the public accepts the exaggerations and blames the targeted offenders. The net-widening effect of more laws and more punishment catches those least able to defend themselves. This innovative alternative to traditional textbooks provides insightful observations of myths and trends in criminal justice. Fourteen chapters challenge misconceptions about specific crimes or aspects of the criminal justice system. Kappeler and Potter dissect popular images of crimes and criminals in a cogent, compelling, and engaging manner. They trace the social construction of each issue and identify the misleading statistics and fears that form the basis of myths—and the collateral damage of basing policies on mythical beliefs. The authors encourage skepticism about commonly accepted beliefs, offer readers a fresh perspective, and urge them to analyze important issues from novel vantage points.

For more than forty years Nicholas Brooks has been at the forefront of research into early medieval Britain. In order to honour the achievements of one of the leading figures in Anglo-Saxon studies, this volume brings together essays by an internationally renowned group of scholars on four themes that the honorand has made his own: myths, rulership, church and charters. Myth and rulership are addressed in articles on the early history of Wessex, Æthelflæd of Mercia and the battle of Brunanburh; contributions concerned with charters explore the means for locating those hitherto lost, the use of charters in the study of place-names, their role as instruments of agricultural improvement, and the reasons for the decline in their output immediately after the Norman Conquest. Nicholas Brooks's long-standing interest in the church of Canterbury is reflected in articles on the Kentish minster of Reculver, which became a dependency of the church of Canterbury, on the role of early tenth-century archbishops in developing coronation ritual, and on the presentation of Archbishop Dunstan as a prophet. Other contributions provide case studies of saints' cults with regional and international dimensions, examining a mass for St Birinus and dedications to St Clement, while several contributions take a wider perspective, looking at later interpretations of the Anglo-Saxon past, both in the Anglo-Norman and more modern periods. This stimulating and wide-ranging collection will be welcomed by the many readers who have benefited from Nicholas Brooks's own work, or who have an interest in the Anglo-Saxon past more generally. It is an outstanding contribution to early medieval studies.

This book provides a comprehensive overview of Celtic mythology and religion, encompassing numerous aspects of ritual and belief. Topics include the presence of the Celtic Otherworld and its inhabitants, cosmology and sacred cycles, wisdom texts, mythological symbolism, folklore and legends, and an appreciation of the natural world. Evidence is drawn from the archaeology of sacred sites, ethnographic accounts of the ancient Celts and their beliefs, medieval manuscripts, poetic and visionary literature, and early modern accounts of folk healers and seers. New translations of poems, prayers, inscriptions and songs from the early period (Gaulish, Old Irish and Middle Welsh) as well as the folklore tradition (Modern Irish, Scottish Gaelic, Welsh, Cornish, Breton and Manx) complement the text. Information of this kind has never before been collected as a compendium of the indigenous wisdom of the Celtic-speaking peoples, whose traditions have endured in various forms for almost three thousand years.

In this rich examination of how we inherit and transform myths, Hans Blumenberg continues his study of the philosophical roots of the modern world. Work on Myth is in five parts. The first two analyze the characteristics of myth and the stages in the West's work on myth, including long discussions of such authors as Freud, Joyce, Cassirer, and Valéry. The latter three parts present a comprehensive account of the history of the Prometheus myth, from Hesiod and Aeschylus to Gide and Kafka. This section includes a detailed analysis of Goethe's lifelong confrontation with the Prometheus myth, which is a unique synthesis of "psychobiography" and history of ideas. Work on Myth is included in the series Studies in Contemporary German Social Thought, edited by Thomas McCarthy.

Percy Jackson meets William Gibson in this thrilling world of Myth, Gods and Tech. What happens when a corporation gets a god complex? Find out in our series of books on Kindle. Described as light cyberpunk, definitely sci-fi and with a fresh twist on Greek mythology. The gods are back in town. Skyscrapers pop out of nowhere all over Athens. Corporations rename themselves as Greek gods. It all started with the Greek crisis of 2009 and will forever change the world as we know it. Some say that CEO’s have gone mad. Others, that they know damn well what they are doing. That there is something solid amongst the myth. In the day of inter-connectivity and social media admiration, can the myths come back to life? Inspired by Dan Simmons’ Ilium, this fast-paced world blossomed into dozens of intertwined stories spanning all subgenres, from mystery to action to young adult and is certain to keep you at the edge of your seat. Crying Over Spilt Light (Hire a Muse Book 1) Hire A Muse, Get A Nobel Prize Ex Machina meets A Beautiful Mind in this mind-bending sci-fi thriller. Slow Up (Hire a Muse Book 2) How Fast Can You Think? Limitless meets Black Mirror in this novel that pushes the limits of a couple's minds. The Girl Who Twisted Fate's Arm Biker Amazons and Celebrity Singers Sons Of Anarchy meets The Girl With The Dragon Tattoo in this coming of age dystopian novel. Nanodaemons A technothriller with internet of things devices. Plus 24 short stories: Beau The Whale on the Veil Have You Tried Turning Her Off and On Again? Come and Get It Hewoo Berenice's Hair Tickle My Pickle The Cupcake Ingredient The Hologram Riot Adiadne's String Selenography The Fir Smart-Tree Big, Round Snowballs On Pointe All Day Long The Left Hand of Agnes The Luggage Disaster Aristotle's Recipe for Disaster Speaking in Bubbles Gorgonise Me Black Asklepios BOO! A Halloween Story AMOK|KOMA You Have Too Many Friends Bird’s-Eye View of the Back of Your Head

Fans of The Girl Who Drank the Moon, Paola Santiago and the River of Tears, and Disney's Encanto will be captivated by this fantastical novel about a girl who must learn to trust her ancestral powers when she comes face-to-face with the Mexican legend La Lechuza. Omega Morales’s family has been practicing magic for centuries in Noche Buena. But over the years, the town's reputation for the supernatural is no longer one the people carry with pride. So Omega’s family keeps to themselves, and in private, they’re Empaths: diviners who can read and manipulate the emotions of people and objects around them. But Omega’s powers don’t quite work, and it leaves her feeling like an outsider in her own family. When a witch with the power to transform herself into an owl—known in Mexican folklore as La Lechuza—shows up unannounced, Omega, her best friend Clau (who happens to be a ghost), and her cousin Carlitos must conduct a séance under a full moon in order to unravel the mystery of the legend. Suddenly Omega’s magic begins to change, and the key to understanding her powers is more complicated than she thought. Omega will have to decide what’s more important—trusting the instincts of others or learning to trust in herself. This spooky middle-grade debut is full of magic, adventure, friendship, and a captivating heroine who isn’t afraid of the monsters lurking around every corner—even the dangerous La Lechuza!

During the Hongwu period, the Beastmen race, known as the "External Demons", came with unpredictable weapons. Thus, a war broke out between the armies of the Ming Dynasty and the outer demons. The folk martial artists and the martial artists of the martial arts world all formed their own sects to participate in the battle between the outer demons. After the Great Ming Royal Family witnessed the powerful strength of the external devil, they eventually bowed their heads to the external devil and gave up on the other sects. Signing unequal treaties with foreign devils without authorization... 

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.